Chapters (81)
- Cover
- Praise for Tess Stimson
- Dedication
- part one
- chapter 01
- chapter 02
- chapter 03
- chapter 04
- chapter 05
- chapter 06
- chapter 07
- chapter 08
- chapter 09
- chapter 10
- chapter 11
- chapter 12
- chapter 13
- chapter 14
- chapter 15
- chapter 16
- chapter 17
- chapter 18
- chapter 19
- chapter 20
- chapter 21
- chapter 22
- chapter 23
- chapter 24
- chapter 25
- chapter 26
- chapter 27
- chapter 28
- chapter 29
- chapter 30
- chapter 31
- chapter 32
- chapter 33
- chapter 34
- chapter 35
- chapter 36
- part two
- chapter 37
- chapter 38
- chapter 39
- chapter 40
- chapter 41
- chapter 42
- chapter 43
- chapter 44
- chapter 45
- chapter 46
- chapter 47
- chapter 48
- chapter 49
- part three
- chapter 50
- chapter 51
- chapter 52
- chapter 53
- chapter 54
- chapter 55
- chapter 56
- chapter 57
- chapter 58
- chapter 59
- chapter 60
- chapter 61
- chapter 62
- chapter 63
- chapter 64
- chapter 65
- chapter 66
- chapter 67
- chapter 68
- part four
- chapter 69
- ACKNOWLEDGEMENTS
- Keep Reading …
- About the Author
- By the same author:
- About the Publisher
I understand women in a way Millie never has. Stacey’s a minor celebrity used to being the centre of attention in any gathering. The women she meets outside work will either fawn all over her, or resent her for being famous and wait for the right moment to slide a knife between her ribs.
The simplest way to make a woman like Stacey feel secure is to remove the element of competition. Counterintuitively that doesn’t mean fading into the background.
People like beauty. In art, in nature, in architecture. In each other.
Ideas of beauty may change from one era or one culture to another – the curvy Fifties followed by the twiggy Sixties – but there are certain elements that remain the same. Symmetry. Proportion. Scientists have even come up with an actual measure of physical perfection: the golden ratio, which originates from the European Renaissance and is based upon the ancient Greeks’ measure of perfect beauty. We find it when we divide a line into two parts so that the long part divided by the short part is also equal to the whole length divided by the long part. You don’t need to know this, but the golden ratio is an irrational number that approximates to 1.6.
You don’t have to be a mathematician to appreciate its importance, either. You recognise it instinctively a dozen times a day without even being aware of it. While you’re looking at someone’s face, and returning their smile, your subconscious is busy measuring: the length of the face, divided by the width.
All of which means Millie has a natural born advantage. Not using it would be like turning up with a knife to a gunfight.
My wife has no idea quite how beautiful she is. She makes the most of her genetic lot through exercise and hard work, but there’s no vanity involved. When she looks in the mirror, she doesn’t see the beguiling woman I see.
She sees her mother.
Millie rarely capitalises on her appearance. She seldom wears make-up and lives in jeans or work scrubs: I can’t remember the last time I even saw her in a skirt. But I persuaded her to make an effort for Stacey Porter. And Stacey told herself a woman who looks like my wife doesn’t need to feel jealous or resentful of her success. Millie’s appearance lifts her out of the ranks of civilian non-celebrities and puts her on Stacey’s level, giving her a passport to her world.
I went to all this trouble so she’d see Millie as a worthy successor to the Glass House: so she’d want her to live in it.