Back The New House Save as PDF
Chapters (81)
  1. Cover
  2. Praise for Tess Stimson
  3. Dedication
  4. part one
  5. chapter 01
  6. chapter 02
  7. chapter 03
  8. chapter 04
  9. chapter 05
  10. chapter 06
  11. chapter 07
  12. chapter 08
  13. chapter 09
  14. chapter 10
  15. chapter 11
  16. chapter 12
  17. chapter 13
  18. chapter 14
  19. chapter 15
  20. chapter 16
  21. chapter 17
  22. chapter 18
  23. chapter 19
  24. chapter 20
  25. chapter 21
  26. chapter 22
  27. chapter 23
  28. chapter 24
  29. chapter 25
  30. chapter 26
  31. chapter 27
  32. chapter 28
  33. chapter 29
  34. chapter 30
  35. chapter 31
  36. chapter 32
  37. chapter 33
  38. chapter 34
  39. chapter 35
  40. chapter 36
  41. part two
  42. chapter 37
  43. chapter 38
  44. chapter 39
  45. chapter 40
  46. chapter 41
  47. chapter 42
  48. chapter 43
  49. chapter 44
  50. chapter 45
  51. chapter 46
  52. chapter 47
  53. chapter 48
  54. chapter 49
  55. part three
  56. chapter 50
  57. chapter 51
  58. chapter 52
  59. chapter 53
  60. chapter 54
  61. chapter 55
  62. chapter 56
  63. chapter 57
  64. chapter 58
  65. chapter 59
  66. chapter 60
  67. chapter 61
  68. chapter 62
  69. chapter 63
  70. chapter 64
  71. chapter 65
  72. chapter 66
  73. chapter 67
  74. chapter 68
  75. part four
  76. chapter 69
  77. ACKNOWLEDGEMENTS
  78. Keep Reading …
  79. About the Author
  80. By the same author:
  81. About the Publisher

I understand women in a way Millie never has. Stacey’s a minor celebrity used to being the centre of attention in any gathering. The women she meets outside work will either fawn all over her, or resent her for being famous and wait for the right moment to slide a knife between her ribs.

The simplest way to make a woman like Stacey feel secure is to remove the element of competition. Counterintuitively that doesn’t mean fading into the background.

People like beauty. In art, in nature, in architecture. In each other.

Ideas of beauty may change from one era or one culture to another – the curvy Fifties followed by the twiggy Sixties – but there are certain elements that remain the same. Symmetry. Proportion. Scientists have even come up with an actual measure of physical perfection: the golden ratio, which originates from the European Renaissance and is based upon the ancient Greeks’ measure of perfect beauty. We find it when we divide a line into two parts so that the long part divided by the short part is also equal to the whole length divided by the long part. You don’t need to know this, but the golden ratio is an irrational number that approximates to 1.6.

You don’t have to be a mathematician to appreciate its importance, either. You recognise it instinctively a dozen times a day without even being aware of it. While you’re looking at someone’s face, and returning their smile, your subconscious is busy measuring: the length of the face, divided by the width.

All of which means Millie has a natural born advantage. Not using it would be like turning up with a knife to a gunfight.

My wife has no idea quite how beautiful she is. She makes the most of her genetic lot through exercise and hard work, but there’s no vanity involved. When she looks in the mirror, she doesn’t see the beguiling woman I see.

She sees her mother.

Millie rarely capitalises on her appearance. She seldom wears make-up and lives in jeans or work scrubs: I can’t remember the last time I even saw her in a skirt. But I persuaded her to make an effort for Stacey Porter. And Stacey told herself a woman who looks like my wife doesn’t need to feel jealous or resentful of her success. Millie’s appearance lifts her out of the ranks of civilian non-celebrities and puts her on Stacey’s level, giving her a passport to her world.

I went to all this trouble so she’d see Millie as a worthy successor to the Glass House: so she’d want her to live in it.