Chapters (81)
- Cover
- Praise for Tess Stimson
- Dedication
- part one
- chapter 01
- chapter 02
- chapter 03
- chapter 04
- chapter 05
- chapter 06
- chapter 07
- chapter 08
- chapter 09
- chapter 10
- chapter 11
- chapter 12
- chapter 13
- chapter 14
- chapter 15
- chapter 16
- chapter 17
- chapter 18
- chapter 19
- chapter 20
- chapter 21
- chapter 22
- chapter 23
- chapter 24
- chapter 25
- chapter 26
- chapter 27
- chapter 28
- chapter 29
- chapter 30
- chapter 31
- chapter 32
- chapter 33
- chapter 34
- chapter 35
- chapter 36
- part two
- chapter 37
- chapter 38
- chapter 39
- chapter 40
- chapter 41
- chapter 42
- chapter 43
- chapter 44
- chapter 45
- chapter 46
- chapter 47
- chapter 48
- chapter 49
- part three
- chapter 50
- chapter 51
- chapter 52
- chapter 53
- chapter 54
- chapter 55
- chapter 56
- chapter 57
- chapter 58
- chapter 59
- chapter 60
- chapter 61
- chapter 62
- chapter 63
- chapter 64
- chapter 65
- chapter 66
- chapter 67
- chapter 68
- part four
- chapter 69
- ACKNOWLEDGEMENTS
- Keep Reading …
- About the Author
- By the same author:
- About the Publisher
She’s a beautiful woman, too. Her bold red lipstick and immaculate blonde finger waves make Stacey think of Hollywood film stars from the Forties, an effect enhanced by a form-fitting grey dress and chic two-tone leather Spectator heels. Stacey has never met a woman who exudes such old-school glamour. Ordinarily, she’d be jealous, but Millie’s beauty is oddly unthreatening. Stacey feels like an art student introduced to Van Gogh: there’s no room for any emotion but awe.
She’s pretty herself, in a girl-next-door kind of way. She looks her age, thirty-eight, but attractively so. Chocolate Duchess-of-Cambridge curls, good skin, athletic. Viewers love her. They can relate to her: her prettiness is aspirational and they tell themselves it’s within their reach given the right styling and make-up and money. But Millie Downton’s classic beauty is in a different league.
‘Have you been here before, Mrs Downton?’ Stacey asks. ‘When the previous owners lived here?’
‘In a way,’ the woman says.
She turns from the window. Tiny diamonds catch the sunshine at her ears, and scatter prisms of light across the room.
‘Mrs Porter, your asking price is higher than it’s worth, objectively speaking, given its size and location, but we want this house, so we’re willing to pay it,’ Millie says. ‘If you sell to us, it’ll be a quick, straightforward sale. Or you could hold out for a better offer, and deal with an endless parade of groupies who come to see you, rather than the house.’
It’s the first indication she’s given that she knows who Stacey is.
Stacey likes her relative fame. Presenting a national mid-morning TV show four days a week means she gets reservations in restaurants that are booked up three months in advance, and sponsorship deals with brands like Marks & Spencer who pay her to wear their clothes.
But it also means she hasn’t eaten a meal out with friends without being interrupted by someone wanting to take a selfie with her in ten years. In fact, she doesn’t really have friends: at least, not civilians. The women she meets outside of work – at her HIIT class, on the board of the PTA – pretend her fame is irrelevant, but of course it colours every aspect of the relationship. They’re either star-struck fans, or beneath their veneer of amity they’re envious and resentful.
Stacey can’t post anything on social media without running it past her PR: it doesn’t take much to get cancelled these days. Every time she steps out of the house, she has to look camera-ready for the ‘candid’ pap shots that keep her in the public eye: it takes a lot of effort to make it appear as if she’s made no effort at all.
Her celebrity also means her husband, Felix, lives in her shadow, a position even the most enlightened man would struggle to enjoy.