Chapters (81)
- Cover
- Praise for Tess Stimson
- Dedication
- part one
- chapter 01
- chapter 02
- chapter 03
- chapter 04
- chapter 05
- chapter 06
- chapter 07
- chapter 08
- chapter 09
- chapter 10
- chapter 11
- chapter 12
- chapter 13
- chapter 14
- chapter 15
- chapter 16
- chapter 17
- chapter 18
- chapter 19
- chapter 20
- chapter 21
- chapter 22
- chapter 23
- chapter 24
- chapter 25
- chapter 26
- chapter 27
- chapter 28
- chapter 29
- chapter 30
- chapter 31
- chapter 32
- chapter 33
- chapter 34
- chapter 35
- chapter 36
- part two
- chapter 37
- chapter 38
- chapter 39
- chapter 40
- chapter 41
- chapter 42
- chapter 43
- chapter 44
- chapter 45
- chapter 46
- chapter 47
- chapter 48
- chapter 49
- part three
- chapter 50
- chapter 51
- chapter 52
- chapter 53
- chapter 54
- chapter 55
- chapter 56
- chapter 57
- chapter 58
- chapter 59
- chapter 60
- chapter 61
- chapter 62
- chapter 63
- chapter 64
- chapter 65
- chapter 66
- chapter 67
- chapter 68
- part four
- chapter 69
- ACKNOWLEDGEMENTS
- Keep Reading …
- About the Author
- By the same author:
- About the Publisher
Vomit suddenly rises in my throat and fills my mouth, and I turn my head, spewing it onto the ground. I feel weak and dizzy from the concussion. I can’t move my left arm. My thoughts are disjointed and confused, floating past me like soap bubbles on the breeze. Every time I try to catch one it bursts in my hand.
I must pass out again, because I’m jolted back to consciousness by a sudden burst of bright white light: the harsh glare of an overhead bulb. It takes several minutes for my eyes to adjust, but finally my mind is coming back into focus. I remember what happened: looking for Peter and Stacey, finding Felix, the sudden blow to the back of my head. I have no idea how much time has passed: a few minutes, an hour, a day.
I glance at Felix on the metal bed next to me. He’s not moving. I can’t see the rise and fall of his chest. I don’t know if he’s still alive.
I try to move towards him, and my left arm screams in protest: I’m handcuffed to the same metal pipe as Felix. One tug tells me it’s not coming free.
‘Ah. You’re back with us,’ Stacey says.
She’s standing in the doorway to the small root cellar, safely well out of my reach. I try to speak, but only manage a harsh cough. She points to a bottle of water next to me. Pain shoots through my tethered arm from my wrist to my shoulder as I jam the plastic bottle against my chest so I can open it with my free hand. The water is tepid, but it clears my throat.
‘Where’s Peter?’ I rasp.
‘He’s here,’ she says vaguely. ‘Sorry about the headache,’ she adds. ‘I’m afraid this was the only way.’
‘Where is he?’
‘I told you, he’s here,’ she says impatiently. ‘You’ll see him soon enough.’
Adrenaline is an extraordinary hormone. It’s an amazing thing to have coursing through your system when facing danger – people have been known to lift a car off a child with its help. It increases the flow of blood to muscles, releasing sugar into your bloodstream, along with a cascade of other effects that make your body alert and more able to fight off an attacker or outrun a flood.
My mind is suddenly crystal clear. Stacey deliberately left the door to the cellar open. She knew I was coming to the house to collect Peter: she wanted me to find it.
She wanted me down here, in a cellar no one knows exists.