Chapters (81)
- Cover
- Praise for Tess Stimson
- Dedication
- part one
- chapter 01
- chapter 02
- chapter 03
- chapter 04
- chapter 05
- chapter 06
- chapter 07
- chapter 08
- chapter 09
- chapter 10
- chapter 11
- chapter 12
- chapter 13
- chapter 14
- chapter 15
- chapter 16
- chapter 17
- chapter 18
- chapter 19
- chapter 20
- chapter 21
- chapter 22
- chapter 23
- chapter 24
- chapter 25
- chapter 26
- chapter 27
- chapter 28
- chapter 29
- chapter 30
- chapter 31
- chapter 32
- chapter 33
- chapter 34
- chapter 35
- chapter 36
- part two
- chapter 37
- chapter 38
- chapter 39
- chapter 40
- chapter 41
- chapter 42
- chapter 43
- chapter 44
- chapter 45
- chapter 46
- chapter 47
- chapter 48
- chapter 49
- part three
- chapter 50
- chapter 51
- chapter 52
- chapter 53
- chapter 54
- chapter 55
- chapter 56
- chapter 57
- chapter 58
- chapter 59
- chapter 60
- chapter 61
- chapter 62
- chapter 63
- chapter 64
- chapter 65
- chapter 66
- chapter 67
- chapter 68
- part four
- chapter 69
- ACKNOWLEDGEMENTS
- Keep Reading …
- About the Author
- By the same author:
- About the Publisher
I’ve just been gifted the perfect opportunity to extinguish any threat this annoying woman might present to my son, my marriage, or my peace of mind. I don’t have to do anything: I just have to perform a little less than my best. No one would ever know.
I’ve never performed at less than my best in my life.
It takes nearly six hours to complete the surgery, and my back aches from standing by the time I’m done. I check the flow in the branch vessels with a Doppler ultrasound, and then instruct my team to reverse the blood thinner medication.
My attending steps forward to close the incision, but I wave him away. He has all the finesse of a blind pathologist when it comes to stitching. After all she’s been through, Harper deserves a little better.
‘Beautiful work,’ the anaesthetist says, when I’m done. ‘Did you do needlepoint at school?’
I ignore him. ‘Let me know when she’s awake,’ I say, snapping off my gloves.
I’ve been on my feet now for more than twenty hours, and I’m due back at the hospital for a transplant surgery in the morning. I don’t want to leave until Harper is conscious, so there’s no point going home; I’ll snatch a few hours’ sleep in one of the on-call bunks. I change out of my scrubs and text Tom as I pass through the deserted waiting area to let him know I won’t be home until tomorrow evening.
A man suddenly lurches towards me and I jump, nearly dropping my phone. It’s 2 a.m. and I’m tired: it takes me a few moments to recognise the man as Harper’s husband, Kyle.
It’s obvious he’s been crying. His eyes are red-rimmed and raw, and his hair stands up in tufts at the back of his head. He looks about twelve.
‘Is she going to be OK, Mrs Downton?’
He sounds like one of Meddie’s schoolfriends. I don’t have the heart to point out that Downton is my married name: at work I go by Lennox.
I glance around the empty lounge, looking in vain for one of my team. I’m really not comfortable dealing with patients’ families. ‘How long have you been waiting, Kyle? Someone should have been through to talk to you—’
‘They said it’d gone well, but I wanted to hear it from you.’
I guide him towards a knot of empty armchairs near us. In the small hours of the morning, we’re the only people here: most patients requiring an all-night vigil are upstairs in the ICU.
‘The surgery did go well, Kyle,’ I say. ‘It’ll be a while before we know for sure, but the procedure went without a hitch, and I think Harper’s going to make a full recovery.’
He lets out a gasp. ‘Oh God!’