Back The New House Save as PDF
Chapters (81)
  1. Cover
  2. Praise for Tess Stimson
  3. Dedication
  4. part one
  5. chapter 01
  6. chapter 02
  7. chapter 03
  8. chapter 04
  9. chapter 05
  10. chapter 06
  11. chapter 07
  12. chapter 08
  13. chapter 09
  14. chapter 10
  15. chapter 11
  16. chapter 12
  17. chapter 13
  18. chapter 14
  19. chapter 15
  20. chapter 16
  21. chapter 17
  22. chapter 18
  23. chapter 19
  24. chapter 20
  25. chapter 21
  26. chapter 22
  27. chapter 23
  28. chapter 24
  29. chapter 25
  30. chapter 26
  31. chapter 27
  32. chapter 28
  33. chapter 29
  34. chapter 30
  35. chapter 31
  36. chapter 32
  37. chapter 33
  38. chapter 34
  39. chapter 35
  40. chapter 36
  41. part two
  42. chapter 37
  43. chapter 38
  44. chapter 39
  45. chapter 40
  46. chapter 41
  47. chapter 42
  48. chapter 43
  49. chapter 44
  50. chapter 45
  51. chapter 46
  52. chapter 47
  53. chapter 48
  54. chapter 49
  55. part three
  56. chapter 50
  57. chapter 51
  58. chapter 52
  59. chapter 53
  60. chapter 54
  61. chapter 55
  62. chapter 56
  63. chapter 57
  64. chapter 58
  65. chapter 59
  66. chapter 60
  67. chapter 61
  68. chapter 62
  69. chapter 63
  70. chapter 64
  71. chapter 65
  72. chapter 66
  73. chapter 67
  74. chapter 68
  75. part four
  76. chapter 69
  77. ACKNOWLEDGEMENTS
  78. Keep Reading …
  79. About the Author
  80. By the same author:
  81. About the Publisher

‘Maybe you shouldn’t have moved back home just yet,’ I say. ‘It’s too easy for the media to find you.’

‘I haven’t done anything wrong,’ Stacey says.

Against expectation, the Morning Express Show’s PR polling suggests the public see Stacey as a victim of her husband’s fraud rather than a co-conspirator: the producers couldn’t wait to get her back on the air. All talk about moving her to the breakfast show has apparently been shelved: as Stacey noted bitterly, any publicity is good publicity, and with the wife of Britain’s answer to Bernie Madoff anchoring the programme, the Morning Express Show’s ratings have gone through the roof. Oscar Wilde was right: the only thing worse than being talked about is not being talked about.

‘The press aren’t going to go away,’ I say. ‘With Felix missing, you’re the closest they have to—’

‘Felix isn’t missing,’ Stacey says shortly, tossing her sponge into the sink. ‘He’s probably halfway to Argentina or some other country without an extradition treaty by now. But if Harper keeps up with this ridiculous manhunt of hers, the police are going to start taking his disappearance seriously. If I get sucked into an investigation, my poll numbers will take a dive and then the network will pull the plug on me without a second thought.’

‘I thought the police were involved?’

‘The fraud squad. That’s totally different.’

I’m not sure I understand the distinction, but I’m not going to press the issue.

This mess is partly my fault: I was the one who told Harper to take control of the narrative, but a nationwide manhunt for Felix Porter wasn’t what I had in mind. Stacey is right: with his absence now front and centre of the story, it’s only a matter of time before the police consider foul play.

And that’s not in anybody’s interests, least of all mine.

‘I should probably get going,’ I say, pushing back my stool. ‘I have a trustee meeting at work I can’t miss. It was really good of you to take Peter into the studio today with everything else you’ve got going on. I appreciate it.’

‘It was a nice distraction,’ she says. ‘And a promise is a promise.’

She follows me downstairs. Peter is playing computer games in Archie’s bedroom: I have to call him three times before he slopes out into the hall.

‘I hope you thanked Mrs Porter for taking you to the studio today,’ I say.

He smiles insolently. ‘What do you think?’

‘Peter and I had a good day,’ Stacey says. ‘Didn’t we?’

Peter’s eyes slide away. He stares at the mirror at the end of the hall as if transfixed by his own image.

‘Peter,’ I say.