Back The Copycat Save as PDF
Chapters (50)
  1. Cover
  2. About the Author
  3. Dedication
  4. Prologue
  5. FOUR DAYS BEFORE
  6. Sour Hound
  7. Sucked Back In
  8. Lucie Muller
  9. White Wolf, Black Wolf
  10. THREE DAYS BEFORE
  11. Crumbled Away
  12. Bit of a Punk
  13. Disturbance in the Force
  14. Knocking the Walls Off
  15. Don’t Call Me, I’ll Call You
  16. Appropriately Medicated
  17. Friends in Common
  18. Lifestyle
  19. Who?
  20. Oscar
  21. Police Brutality
  22. TWO DAYS BEFORE
  23. Sorry
  24. Client Confidentiality
  25. Glass
  26. Chateau Lafite 2000
  27. There’s a Man With a Gun
  28. For Your Own Safety
  29. Fire
  30. Stark Night
  31. ONE DAY BEFORE
  32. Green
  33. It’s Not The World – It’s How You Look At It
  34. Familiar
  35. Volunteer Number Six
  36. A Very Dangerous Game
  37. DAY ZERO
  38. Junk
  39. Just Like the Others
  40. Burn
  41. Is This a Joke?
  42. Schizo
  43. Sour Hound II
  44. Moonlight
  45. Make Them Pay
  46. Bite
  47. Epilogue
  48. Acknowledgements
  49. WELCOME TO AMSTERDAM
  50. THE BEGINNING

Soon we’re turning into a street west of the Jordaan. The house we need is one of a row of council houses, many with Turkish flags hanging limp in the windows. Last year the Netherlands government turned away a series of Turkish politicians who’d come to the country to whip up support in their up-coming election, causing the then Turkish prime minister to compare the country as a whole to Nazi Germany. Unsurprisingly there’s been tension here ever since.

‘Not the kind of place I’d expect someone like Akkerman to live,’ Vermeer says as we near the number we’re looking for.

‘Because he’s not Turkish?’

‘Because he’s surely got more money than this, what with his inheritance.’

We find the number. No Turkish flags on the property, which is a good sign.

Vermeer presses the doorbell and steps back.

Footsteps in the hallway, the gravelly slide of a chain, the creak of the door. The woman standing there is my age or older with long brown hair tied up in a loose bun, a harried look about her face. She’s holding a wooden spoon in one hand and a bouquet of supermarket flowers, dead but still in the wrapper, in the other. She also has eyes the same colour as Tanya’s. But I’m not thinking about Tanya. I’m just not. Maybe I should be thinking of Sabine instead.

‘Yes?’ she asks, looking between us.

‘We’re looking for Jan Akkerman,’ Vermeer says, holding out her ID.

‘Who?’

Vermeer pulls out a mugshot I recognize from the Lucie Muller file.

‘Oh, him. He died four months ago. Didn’t you know?’

Oscar

The street lights are flickering on as I walk onto the small triangle of grass. The man I’d spoken to earlier about subletting a flat had chosen this place to meet. I’d tried to suggest somewhere but he’d been adamant: his rules or not at all.

We’d hardly spoken on the drive, the frustration at finding we’d been chasing a dead man keeping us both self-contained. It also threw into stark relief just how much we’ve got riding on this meet yielding results; if this fails, then we’ve got pretty much nothing. Also, I’ve not been able to sneak away and top up today, and I’m starting to feel a little jittery.

Which is bad because now all I have to do is wait. I choose a bench and try to look the part. Vermeer had earlier critiqued my attire, but as I’d stepped out of the car she’d commented that I actually looked the part. I gave her the middle finger, which just made her smile. All told, I’m starting to like her.