Back The Copycat Save as PDF
Chapters (50)
  1. Cover
  2. About the Author
  3. Dedication
  4. Prologue
  5. FOUR DAYS BEFORE
  6. Sour Hound
  7. Sucked Back In
  8. Lucie Muller
  9. White Wolf, Black Wolf
  10. THREE DAYS BEFORE
  11. Crumbled Away
  12. Bit of a Punk
  13. Disturbance in the Force
  14. Knocking the Walls Off
  15. Don’t Call Me, I’ll Call You
  16. Appropriately Medicated
  17. Friends in Common
  18. Lifestyle
  19. Who?
  20. Oscar
  21. Police Brutality
  22. TWO DAYS BEFORE
  23. Sorry
  24. Client Confidentiality
  25. Glass
  26. Chateau Lafite 2000
  27. There’s a Man With a Gun
  28. For Your Own Safety
  29. Fire
  30. Stark Night
  31. ONE DAY BEFORE
  32. Green
  33. It’s Not The World – It’s How You Look At It
  34. Familiar
  35. Volunteer Number Six
  36. A Very Dangerous Game
  37. DAY ZERO
  38. Junk
  39. Just Like the Others
  40. Burn
  41. Is This a Joke?
  42. Schizo
  43. Sour Hound II
  44. Moonlight
  45. Make Them Pay
  46. Bite
  47. Epilogue
  48. Acknowledgements
  49. WELCOME TO AMSTERDAM
  50. THE BEGINNING

I do a circuit of the place, stopping frequently, but by the time I’ve done a full circle and am standing by the front door I’ve noticed nothing that would lead me to believe Klaasen is inside. I reach a hand out and place it against the wood before applying very soft pressure. It starts to open, and it seems, despite the rustic nature of the place, to be on well-oiled hinges. I step in quietly and try to let my eyes adjust to the even darker interior. My breathing’s slow and quiet, controlled, ears pricked for any movement inside. Anything that might hint at Klaasen being here.

The dim interior starts to take shape. A metal sink is attached to the wall, the plumbing exposed underneath. A couple of basic shelves display a few glasses and cans of food, too dark to make out the labels. There are a couple of mismatched armchairs, though both are in competition to see which can sag the most. There are thick cross-beams at intervals and above the internal triangle of the roof. To my right there’s a wall with a door. It must be the bedroom. I slip towards it, staying as close to the wall as possible, hoping the boards will be less likely to creak than walking across their middles. There’s a mustiness to the air.

I pause by the door, my ear up against it, primed for any noise at all. But after a minute or so I’m sure there’s no one on the other side. I push it open slowly. About halfway gravity takes over and it swings away from me, creaking loudly as it does.

Stock-still, ears primed.

Nothing.

I step inside. There’s a bed with a bare mattress, and a crumpled sleeping bag on top. It looks old, worn, but when I put my hand on it I feel warmth.

Which is when the figure suspended on one of the cross-beams drops down and hits me hard, slamming me into the wall. Before I can recover I feel the cold touch of a gun against my neck.

‘Nice of you to join me.’

I recognize the voice. It’s Klaasen.

Make Them Pay

He slips cable ties round my wrists and pulls them tight. They bite into my skin. The floor creaks. Something scuttles across the roof. There’s a strong smell of damp and kerosine and something else I can’t place.

‘Shall we go for a walk?’ he whispers in my ear.

I have no choice. He keeps the gun jammed against my neck. We walk out of the bedroom, out of the house and into the trees, through thick undergrowth which gradually transforms into brambles. Klaasen pushes me hard, and soon my shins and knees are ripped and bleeding. And still we march on, rain prickling my face.

‘I know why you did it,’ I tell him. ‘I know about your brother.’