Back The Copycat Save as PDF
Chapters (50)
  1. Cover
  2. About the Author
  3. Dedication
  4. Prologue
  5. FOUR DAYS BEFORE
  6. Sour Hound
  7. Sucked Back In
  8. Lucie Muller
  9. White Wolf, Black Wolf
  10. THREE DAYS BEFORE
  11. Crumbled Away
  12. Bit of a Punk
  13. Disturbance in the Force
  14. Knocking the Walls Off
  15. Don’t Call Me, I’ll Call You
  16. Appropriately Medicated
  17. Friends in Common
  18. Lifestyle
  19. Who?
  20. Oscar
  21. Police Brutality
  22. TWO DAYS BEFORE
  23. Sorry
  24. Client Confidentiality
  25. Glass
  26. Chateau Lafite 2000
  27. There’s a Man With a Gun
  28. For Your Own Safety
  29. Fire
  30. Stark Night
  31. ONE DAY BEFORE
  32. Green
  33. It’s Not The World – It’s How You Look At It
  34. Familiar
  35. Volunteer Number Six
  36. A Very Dangerous Game
  37. DAY ZERO
  38. Junk
  39. Just Like the Others
  40. Burn
  41. Is This a Joke?
  42. Schizo
  43. Sour Hound II
  44. Moonlight
  45. Make Them Pay
  46. Bite
  47. Epilogue
  48. Acknowledgements
  49. WELCOME TO AMSTERDAM
  50. THE BEGINNING

A breeze flutters my face. When I look down the water’s surface is choppy. Further out I can see a lone windsurfer standing on his board, hauling the sail out of the water. I hit the button on the vape and wait for it to warm up, watching as he gets the sail upright. It bulges with the wind and he’s off, leaning further away from the board as his speed increases. I check my vape. It’s not hot. I hit the button again; the LED telling me it’s heating up comes on, then turns off. Battery dead. At this rate I’m going to have to go back to smoking joints, but not only would that mean burning through roughly four times the amount of cannabis, because combustion is so wasteful, I really hate walking around with my mouth tasting like an ashtray. I pocket the damn thing, noticing the windsurfer’s nowhere to be seen now, and head back to the building, the sun choosing this exact moment to break out from the cloud and light the glass up. I reach the window and cup my hand to kill the reflection when I’m right by it.

I’m looking into a large open-plan living space flooded with the warm late-afternoon light. An L-shaped sofa, which could probably seat twenty. Rugs on the polished concrete floor. But it’s not immaculate like the grounds. In fact, it’s kind of a mess: sofa cushions thrown all over, some ripped apart, foam oozing out of their innards; a painting, a massive canvas, which appears to have been painted just black, has three large cuts in it, revealing the white wall behind. First Marianne Kleine’s start-up offices, now her father’s house. What is going on? I start moving along the glass and see the kitchen section has suffered the same treatment: knives and forks scattered, shards of plates. A large tin on its side with spaghetti shooting out of the top looks like a quiver spilling arrows. And beyond that something on the floor I can’t quite make out. I edge to my left, trying to work it out, get a better view.

‘Rykel?’

She must’ve got bored of ringing the bell and come to find me.

‘Over here!’ I call out, unable to take my eyes off it. Because I can now see it’s a massive red stain seeping out from behind an enormous kitchen island. Worse, I’m pretty sure that slumped on the floor I can see a body.

Chateau Lafite 2000