Back The Copycat Save as PDF
Chapters (50)
  1. Cover
  2. About the Author
  3. Dedication
  4. Prologue
  5. FOUR DAYS BEFORE
  6. Sour Hound
  7. Sucked Back In
  8. Lucie Muller
  9. White Wolf, Black Wolf
  10. THREE DAYS BEFORE
  11. Crumbled Away
  12. Bit of a Punk
  13. Disturbance in the Force
  14. Knocking the Walls Off
  15. Don’t Call Me, I’ll Call You
  16. Appropriately Medicated
  17. Friends in Common
  18. Lifestyle
  19. Who?
  20. Oscar
  21. Police Brutality
  22. TWO DAYS BEFORE
  23. Sorry
  24. Client Confidentiality
  25. Glass
  26. Chateau Lafite 2000
  27. There’s a Man With a Gun
  28. For Your Own Safety
  29. Fire
  30. Stark Night
  31. ONE DAY BEFORE
  32. Green
  33. It’s Not The World – It’s How You Look At It
  34. Familiar
  35. Volunteer Number Six
  36. A Very Dangerous Game
  37. DAY ZERO
  38. Junk
  39. Just Like the Others
  40. Burn
  41. Is This a Joke?
  42. Schizo
  43. Sour Hound II
  44. Moonlight
  45. Make Them Pay
  46. Bite
  47. Epilogue
  48. Acknowledgements
  49. WELCOME TO AMSTERDAM
  50. THE BEGINNING

‘You checked they didn’t have any friends in common?’ I ask Jansen.

‘Nothing.’

I glance at the map on the far wall, the location of Kleine’s death marked by a red dot.

‘We need a map of the entire country.’

‘What are you thinking?’ Vermeer asks.

‘Apart from both being killed in the same way there’s so far been no link discovered between Muller and Kleine. And the person convicted of killing Muller is not only in prison, he’s incapacitated. And yet someone killed Kleine in exactly the same way. So far the only possibles have been Jan Akkerman and Robert Huisman. Huisman has conveniently disappeared and we’re still trying to locate Akkerman. But assuming that either he or Huisman, or both of them, are responsible for a moment, we’ve still got the question why? Why these two victims? They’re both young women, but neither showed any sign of sexual assault, and they both look different – different hair colour, different style, different body shapes – so they’re not an obvious type. So why did he pick them?’

‘Could just have been opportunity, sir?’ says one of the bright young things, a woman with dark shiny hair tied tight in a bun and quick, focused eyes.

‘Could be, but the way of killing seems so specific, so planned, that I can’t help think there’s more to it than that.’

‘Do you think they knew their killer, sir?’ Jansen asks.

‘I’ve got no evidence to say they did know their killer. It’s just a theory, which is our job to prove or disprove. And part of that is ruling in or out any connection between the victims. Let’s get a map of the whole country up and track their movements on it.’

‘How far back?’ Jansen asks.

‘Couple of years before Lucie’s death at least. Maybe more.’

Jansen nods, though I can tell he’s sighing inwardly; what I’ve just tasked him with is massive.

‘And we also need to keep in mind that this may not stop with Marianne Kleine.’ I look around the room, making sure everyone’s tuned in. ‘Two identical deaths, what’s to say there won’t be a third?’

‘What, in another seven years?’

‘Seven years, seven months, who knows? But it’s our responsibility to make sure it never happens.’

The team gets to work, Vermeer disappears, and I decide to drop in on Roemers, to see where he’s got on the payment Huisman made just before Kleine’s death. I head to the tech department, an airless room in the basement where Roemers is king, only to find the chair at his desk is empty. When I ask the nearest person, a middle-aged man who blinks a lot and never quite looks you in the eye, where Roemers might be all I get is a shrug and something about Roemers keeping his own counsel.