Back The Copycat
Chapters (50)
  1. Cover
  2. About the Author
  3. Dedication
  4. Prologue
  5. FOUR DAYS BEFORE
  6. Sour Hound
  7. Sucked Back In
  8. Lucie Muller
  9. White Wolf, Black Wolf
  10. THREE DAYS BEFORE
  11. Crumbled Away
  12. Bit of a Punk
  13. Disturbance in the Force
  14. Knocking the Walls Off
  15. Don’t Call Me, I’ll Call You
  16. Appropriately Medicated
  17. Friends in Common
  18. Lifestyle
  19. Who?
  20. Oscar
  21. Police Brutality
  22. TWO DAYS BEFORE
  23. Sorry
  24. Client Confidentiality
  25. Glass
  26. Chateau Lafite 2000
  27. There’s a Man With a Gun
  28. For Your Own Safety
  29. Fire
  30. Stark Night
  31. ONE DAY BEFORE
  32. Green
  33. It’s Not The World – It’s How You Look At It
  34. Familiar
  35. Volunteer Number Six
  36. A Very Dangerous Game
  37. DAY ZERO
  38. Junk
  39. Just Like the Others
  40. Burn
  41. Is This a Joke?
  42. Schizo
  43. Sour Hound II
  44. Moonlight
  45. Make Them Pay
  46. Bite
  47. Epilogue
  48. Acknowledgements
  49. WELCOME TO AMSTERDAM
  50. THE BEGINNING

I don’t know the figure, but I do know it’s extremely low compared to rural areas where it’s more common. Torching someone you don’t like’s house when it’s in the middle of a field is one thing, doing it in a city as compact as Amsterdam, where the houses are jammed together so tightly, is quite another. But still. Was it a warning? I suddenly think of what the nurse Stephanie Dekker said, about her visit from the man in pinstripes. And that makes me think of Muller. He’d been trying to warn me off as well, though I’d thought it was for another reason. What’s more, I realize with a thud of my heart, the description of the man Dekker had given could actually apply to Muller. I’m feeling less calm all of a sudden, the Night Queen losing her hold over me.

‘I’m just saying that you need to be really careful, okay?’ Joel says finally. I suddenly hear the fire investigator’s question: you got any enemies? ‘Poking round a company like that, particularly if they had a bad failure and are already hurting, is a very dangerous game.’

Bloemgracht is not on the route between Joel and Sabine’s, and yet I find myself here anyway. I’ve texted her to say I’d be there soon and that I didn’t have my keys. Hopefully she doesn’t mind staying up a little longer. There’s a lingering sooty smell as I near the burnt-out wreckage. With each step the air becomes more dense, and the houses on either side of the canal seem to stretch up and curl in to loom over me, blocking out the sky. The street lights are out, they must have been damaged in the fire, and it feels desolate and empty. I sit right on the edge of the canal, feet dangling over the water, and stare at the hull. I’m right in the centre of one of the most densely populated cities in Europe, and yet I feel totally alone.

My thoughts are jumbled but eventually twist round to what Joel had said earlier. Could this have been a warning to stay away? Why else would someone want to burn down my houseboat? Earlier I’d managed to brush it off, clear it from the forefront of my mind. But pushing things away like that seems to be counterproductive, because it had lurked, waiting for its moment to push its way back. And just to add to all this, hadn’t Muller told me to go back to my houseboat? At the time it’d struck me as odd. Now it’s looking downright sinister.