Back The Copycat Save as PDF
Chapters (50)
  1. Cover
  2. About the Author
  3. Dedication
  4. Prologue
  5. FOUR DAYS BEFORE
  6. Sour Hound
  7. Sucked Back In
  8. Lucie Muller
  9. White Wolf, Black Wolf
  10. THREE DAYS BEFORE
  11. Crumbled Away
  12. Bit of a Punk
  13. Disturbance in the Force
  14. Knocking the Walls Off
  15. Don’t Call Me, I’ll Call You
  16. Appropriately Medicated
  17. Friends in Common
  18. Lifestyle
  19. Who?
  20. Oscar
  21. Police Brutality
  22. TWO DAYS BEFORE
  23. Sorry
  24. Client Confidentiality
  25. Glass
  26. Chateau Lafite 2000
  27. There’s a Man With a Gun
  28. For Your Own Safety
  29. Fire
  30. Stark Night
  31. ONE DAY BEFORE
  32. Green
  33. It’s Not The World – It’s How You Look At It
  34. Familiar
  35. Volunteer Number Six
  36. A Very Dangerous Game
  37. DAY ZERO
  38. Junk
  39. Just Like the Others
  40. Burn
  41. Is This a Joke?
  42. Schizo
  43. Sour Hound II
  44. Moonlight
  45. Make Them Pay
  46. Bite
  47. Epilogue
  48. Acknowledgements
  49. WELCOME TO AMSTERDAM
  50. THE BEGINNING

I can’t believe I’ve had a second flashback within minutes of the first. That’s unusual. And doesn’t bode well. I need to get out of here and get to Joel’s as soon as I can.

‘Yeah, fine,’ I say, taking a couple of breaths. ‘Never been better.’

I catch up with them in the basement, after another uniform has scrutinized my pass to make sure I’m not a terrorist, or worse, an undercover reporter.

‘There you are, thought I’d lost you.’ Jansen’s just opening the door to interview room number five.

‘Listen, there’s something I need to tell you. That case you’re working on, is it the Kleine case?’

He stops and turns, hand on the door knob. ‘Yeah, why?’

But suddenly I don’t know what to say. Or rather, I know what to say, I just don’t want to say it. I feel as if I’m perfectly balanced between two worlds. Jansen’s looking at me with raised eyebrows.

‘Look, we’re on the clock here,’ he says. ‘I’ve got less than twenty minutes before I either have to charge the guy or release him so …’

‘Okay, let’s get this over with first.’

He gives me a sceptical look, then nods. ‘Rashid’s in the viewing room.’

I join Rashid and we watch through the two-way mirror as Jansen enters the interview room. Gangsta-slumped in a chair is a North African man, Moroccan most likely. The suspect’s wearing a white tracksuit, with double gold stripes snaking down the arms and trouser legs. He’s got tramlines buzzed into his hair and a single stud winks from his ear when he moves his head.

Jansen steps into the room, pulls out the chair and sits down. He flips open a file and after quickly scanning it starts talking. Almost immediately the Moroccan shakes his head in response.

We’ve got no sound so I find the audio switch and flip it on.

‘So then what?’ Jansen’s saying. ‘Then you just happened to be there? Right at that moment?’

‘Bro, like I told you already.’

Jansen nods slowly, a sage pondering great insight. A good interviewer is like an actor, the role you play dictated by the situation, by the suspect themselves. Sometimes it takes playing several roles before you find the one that unlocks something in them.

Jansen pulls out a couple of photographs from the file and slides them across. He taps one of them with his forefinger.

‘See, the thing is we’ve got these images of you less than two streets away from the place where the burglary and assault took place.’