Back The Copycat Save as PDF
Chapters (50)
  1. Cover
  2. About the Author
  3. Dedication
  4. Prologue
  5. FOUR DAYS BEFORE
  6. Sour Hound
  7. Sucked Back In
  8. Lucie Muller
  9. White Wolf, Black Wolf
  10. THREE DAYS BEFORE
  11. Crumbled Away
  12. Bit of a Punk
  13. Disturbance in the Force
  14. Knocking the Walls Off
  15. Don’t Call Me, I’ll Call You
  16. Appropriately Medicated
  17. Friends in Common
  18. Lifestyle
  19. Who?
  20. Oscar
  21. Police Brutality
  22. TWO DAYS BEFORE
  23. Sorry
  24. Client Confidentiality
  25. Glass
  26. Chateau Lafite 2000
  27. There’s a Man With a Gun
  28. For Your Own Safety
  29. Fire
  30. Stark Night
  31. ONE DAY BEFORE
  32. Green
  33. It’s Not The World – It’s How You Look At It
  34. Familiar
  35. Volunteer Number Six
  36. A Very Dangerous Game
  37. DAY ZERO
  38. Junk
  39. Just Like the Others
  40. Burn
  41. Is This a Joke?
  42. Schizo
  43. Sour Hound II
  44. Moonlight
  45. Make Them Pay
  46. Bite
  47. Epilogue
  48. Acknowledgements
  49. WELCOME TO AMSTERDAM
  50. THE BEGINNING

Rutte stares at her for a few seconds. Then he gets on the phone and has a quick conversation with dispatch. I’m hoping he doesn’t decide to pack it up and I’m just wondering what I can do to influence his decision when he turns and addresses the team.

‘Right, we’re going in. Be prepared.’

‘No, wait, you can’t do that.’

‘I suggest you both wait outside, for your own safety.’

She looks like she’s going to argue, then gives in. As she and the male receptionist walk past Vermeer moves so that her face is out of view.

We’re soon on the move through the corridors, following Rutte’s team, which is a precision-engineered machine, and we make progress clearing the building. Halfway through we reach a door with TREATMENT ROOMS written on it. We go through to another corridor with doors on both sides. Each door has a clipboard hanging from a hook, and on each clipboard is a name. Rutte’s team clear the first room, checking the patient over for guns or a gunshot wound.

I spot, further down the corridor, a door with Huisman’s name on it. I catch Vermeer’s eye. She nods. By the time the team are at Huisman’s door, one officer each side of the door frame, I’m starting to sweat.

They do their countdown hand gestures, then one of them reaches out and turns the handle. Ten seconds later one of them yells ‘Clear’ from inside and they exit and move on to the next. Soon the FRU are moving round the corner like a human millipede.

‘I think I heard something suspicious in there, did you?’

‘I did indeed,’ Vermeer says.

I close the door behind us. It’s sparse inside, with only a small window set high in the wall. There’s a toilet and washbasin in a corner, and a table with a book on it, and a single bed with a man lying on his back.

By now I recognize him.

It’s been years, and the years haven’t been kind, but it’s definitely him.

This is the Huisman we’ve been looking for.

We’ve found him, I think to myself, the thought repeating in an ever-spinning loop.

I find myself soaring, giddy with it all.

‘Did you send the message like we discussed?’

‘Uhhh … You’re not going to believe this. I got all the gear together, went over there, but …’

‘But what?’

‘It was already done. It’s burning right now.’

‘What? How can that be?’

‘I don’t know, I just don’t know.’

‘Don’t tell me you don’t know. Jesus. Are we still in control of this thing?’

‘Right now, I’m not sure.’