Back Shelf Life
Chapters (39)
  1. Cover
  2. ABOUT THE AUTHOR
  3. Dedication
  4. Epigraph
  5. Shelf Life
  6. 04/01/2016
  7. 6 EGGS
  8. SANDWICH BREAD
  9. DIET COKE
  10. TAMPONS
  11. APPLES
  12. SUGAR
  13. DEO
  14. COTTON WOOL
  15. PIZZA
  16. WHOLE CHICKEN
  17. SPAGHETTI
  18. SOUP
  19. TOMATOES
  20. TEABAGS
  21. AFTERSHAVE
  22. WHITE WINE
  23. PRAWNS
  24. OLIVES
  25. MOBILE TOP-UP
  26. STRAWBERRIES
  27. HONEY
  28. MOISTURIZER
  29. DATES
  30. FLOWERS
  31. CONDITIONER
  32. SINGLE CREAM
  33. PULSES
  34. STEAK (LEAN)
  35. BLEACH
  36. SOME KIND OF PUDDING
  37. A Girl
  38. 11:09 04/01/2017
  39. ACKNOWLEDGEMENTS

Grief professionals. Is that me? We’re the ones giving the booklets out: the tender authority.

T = To accept the reality of the loss

E = Experience the pain of loss

A = Adjust to the new environment without the lost object

R = Reinvest in the new reality

(J. William Worden, ‘Four Tasks of Mourning’, Grief Counselling and Grief Therapy)

TEAR. What a stupid acronym. For some reason I’m thinking about evidence; I have to remove the evidence. And why do I feel guilty?

‘The only way to stop feeling guilty about something is to make a start at it’ is a thing my mother used to say to me as a child. She’s right. I always feel better when I get to work. ‘You are practical-minded’ is another thing my mother used to say, and it’s true. If I hadn’t wound up a nurse I would’ve liked to be a painter and decorator or an engineer, maybe a potter. I like fixing things. I make myself useful. It’s just that out of all the practical professions, being a nurse seemed the most practical at the time. I enjoy most chores.

Player one, you may now make your first move. I drop the booklet on to the coffee table and pick up the remote control. On TV three presenters, one in a suit, two in red dresses, are raising money for charity. They introduce several acts: a familiar format. I turn the volume right down but leave the picture on the screen. I pull the Hoover out of its den in the corridor, its muzzle dragging behind us, a reluctant green herbivore. I switch it on. We start in the middle of the room; it’s easy. Together we are predatory; we seek fluff, suck it up. It’s satisfying teamwork. We claw our way under the sofa. The drone fills my mind. When I’m done, I lean the Hoover against the wall. On TV a plump teenager is spinning an impressive number of plates on sticks, balancing them on each flat surface of his body: the top of one foot, a bent knee, shoulders, the palms of his hands, his ginger head. Patches of red crawl up his neck from the effort. They are a deep crimson colour and look painful. The audience quietly cheers. The door to the kitchen is open.