Chapters (86)
- Cover
- Title Page
- Dedication
- Contents
- Notes and Acknowledgments
- Selected Poems
- Learning to Talk
- The Cookie Jar
- Things Thought Through
- On Balance
- Decomposition
- Psycho Ecology
- Life of the Spirit
- Aweigh
- Tao-to-Tao
- To Be
- Practice, Practice, Practice
- Wisdom and Happiness
- Red Sails
- Squall & Commotion
- Slow Learner
- Bathing Joe
- Mahogany China
- The First Cut Is the Deepest
- Waiting for Houdini to Come Up
- The Countessa
- Venison Stew
- Winter Song
- On Humor: On Mating Donkeys and Onions
- Watering the Gardenon the Hottest Day of the Summer
- Palms to the Moon
- A Firmer Grasp of the Obvious
- The Work of Art
- Steelhead Fishing, Smith River, January
- The Third Bank of the River
- Green Side Up
- One Thing After Another
- Unnatural Selections: A Meditation uponWitnessing a Bullfrog Fucking a Rock
- Fishing Devil’s Hole at the Peak of Spring
- Getting After It
- How to Catch the Biggest Fish
- Hard Work
- There It Is
- Knowing When to Stop
- Vacation Expenses
- Basic Precepts and Avuncular Advicefor Young Men
- Killing
- Death and Dying
- New Poems
- The Banker
- The Real Last Words of Billy the Kid
- The Moving Part of Motion
- How About
- Necessary Angels
- Prayer Bones
- Magic and Beauty
- Day Moon
- Karma Bird
- The Tunnel
- Hagerty Wrecks Another Company Truck
- Obsession
- Love Find
- Flux
- Thanks for the Dance
- The Stone
- Woman in a Room Full of Rubber Numbers
- Reason to Live
- Scratch
- Salvage
- An Epithalamium for Victoria
- Falling into Place
- Play-By-Play
- Job Application
- The Mouth of the River
- The Prior and Subsequent Heavens
- Old Growth
- Three Ways to Get the Carrot on the Stick
- Eurydice Ascending
- The Drought of ’76
- True Account of the Saucer People
- About Time
- Smithereens
- Jack o’ Hearts Shopping Mortmart
- Holy Shit
- Also by Jim Dodge
- Copyright
a man of less experience might have swooned–
while he, nearing 50 years, merely staggers,
his moan choked to a whimper,
puddled with desire,
yet lucid enough to appreciate
his utter confusion about what he feels
for this young woman,
and what, if anything, he should do.
Motives are seldom pure,
but he’s not even sure
what he wants to be:
the stone, its warmth, her cheek,
the river, ocean, or the sun inside
the moon burning inside her–
all, none, or some complex combination of possibilities
that he knows enough to know eludes him.
But he knows beyond knowledge
that the rain-swollen river, strong and slow,
moves the way she would be touched,
and he wants to open his hands and touch her like that,
at the melting threshold between glide and swept,
swirling borders, rolling depths,
Mozart weaving milky emerald silk,
all caught and curled in that flowing poise
of wet coil, chrome spark.
The Prior and Subsequent Heavens
In the night’s most present moment–
non-duplicable, gone–
the starlight on our faces
was a million light-years old.
I changed.
You changed too.
The light went on.
We change beyond choice,
bound to the universe
as congruent events
of its endless origin
as well as its momentary whereabouts,
each breath and heartbeat subject
to an absolute relative
spatio-temporal plenitude
of possibilities, delusions, and births,
arrangements and derangements,
properties, principles, and mysterious powers,
some as strict as gravitation,
some as random as a lizard in the soup.
You change it.
I do too.
I was trying to write the history of an instant,
to sustain the exact point
where it opened into song,
joined the sunlight shaping the river,
the starlight on our faces,
the fire under the bubbling soup.
You dove from the opposite shore
and swam toward me with the moon in your throat,
body gliding underwater
like the shadow of a bird.
Your passage changed the current,
changed the river,
changing you and me.
What we know is never the same.
It scatters like starlight in the mind;
fades into the future it creates:
nothing lost, nothing gained, going on
as the mutable condition of mortal grace.
This starlit song began along the river,
singing with you in the summertime dusk,
barefoot and cuddled on the cooling sand
waiting for the stars to emerge in this world,
as the slow green river gathered our shadows,
singing at the top of our voices
till our toes curled,
and I changed into you changing too.
Not for ever, maybe,
but for sure.
Old Growth
They wheel my gurney into the colonoscopy
procedure room,
a procedure for which I’ve been prepped by a night
of GI lavage, employing an inaptly named laxative
called “Go-Lightly,”
followed by two tap-water enemas,
cleansing my alimentary canal so thoroughly
I imagine my intestines as shiny as chrome at a
roadster show–
shiny, that is, except for the blood that has brought
me here,
having lost half my red-cell volume by the time