Chapters (86)
- Cover
- Title Page
- Dedication
- Contents
- Notes and Acknowledgments
- Selected Poems
- Learning to Talk
- The Cookie Jar
- Things Thought Through
- On Balance
- Decomposition
- Psycho Ecology
- Life of the Spirit
- Aweigh
- Tao-to-Tao
- To Be
- Practice, Practice, Practice
- Wisdom and Happiness
- Red Sails
- Squall & Commotion
- Slow Learner
- Bathing Joe
- Mahogany China
- The First Cut Is the Deepest
- Waiting for Houdini to Come Up
- The Countessa
- Venison Stew
- Winter Song
- On Humor: On Mating Donkeys and Onions
- Watering the Gardenon the Hottest Day of the Summer
- Palms to the Moon
- A Firmer Grasp of the Obvious
- The Work of Art
- Steelhead Fishing, Smith River, January
- The Third Bank of the River
- Green Side Up
- One Thing After Another
- Unnatural Selections: A Meditation uponWitnessing a Bullfrog Fucking a Rock
- Fishing Devil’s Hole at the Peak of Spring
- Getting After It
- How to Catch the Biggest Fish
- Hard Work
- There It Is
- Knowing When to Stop
- Vacation Expenses
- Basic Precepts and Avuncular Advicefor Young Men
- Killing
- Death and Dying
- New Poems
- The Banker
- The Real Last Words of Billy the Kid
- The Moving Part of Motion
- How About
- Necessary Angels
- Prayer Bones
- Magic and Beauty
- Day Moon
- Karma Bird
- The Tunnel
- Hagerty Wrecks Another Company Truck
- Obsession
- Love Find
- Flux
- Thanks for the Dance
- The Stone
- Woman in a Room Full of Rubber Numbers
- Reason to Live
- Scratch
- Salvage
- An Epithalamium for Victoria
- Falling into Place
- Play-By-Play
- Job Application
- The Mouth of the River
- The Prior and Subsequent Heavens
- Old Growth
- Three Ways to Get the Carrot on the Stick
- Eurydice Ascending
- The Drought of ’76
- True Account of the Saucer People
- About Time
- Smithereens
- Jack o’ Hearts Shopping Mortmart
- Holy Shit
- Also by Jim Dodge
- Copyright
eager with each other, wild,
fierce and sweet
in those first permissions,
stunned, possessed.
Married, three children,
a ranch above the river,
still able to delight each other with who we were–
that’s all I ever really wanted.
Half-sunken, half-emerged,
she points as the Heron flies, as its shadow
folds with the copper shadows of nightfall.
I build a fire on the bank and wait.
Tired, silent, the children go down
and wash their faces in the river.
Waiting for Houdini to Come Up
Magic is not the manipulation of appearance.
It is the expropriation of the real.
Not mastered sleights blurred with patter
but the actual rabbit in every hat.
No tricks. Not the key to the shackles
from her mouth to his
passed in a good-luck kiss
just before they chain him in the trunk
and drop it in the cold, real river.
Not the key, but the kiss itself,
tender, fearful,
as wild as the release within us
when he floats out of the weighted trunk
and from the river bottom begins to rise,
escaping the skilled deceit,
freed from the illusion of escape.
The Countessa
Last night I made love to my passionate countessa
as the Panonia Express
flashed by villages we only saw
as shivers of light
on the green enameled roof of the sleeping car.
Gone an undreamable distance beyond
that first kiss in Budapest,
nearly to Prague,
flaying the moon
as Czechoslovakia slipped under our bodies,
our moans sweetened the iron clatter
of rail and wheel
as we melted with pleasure.
When I woke at the Berlin station
she was gone.
She left a piece of ivory
curled in my hand.
Destroyed by strength
as much as weakness.
By the ravishing, bare-back, fantastic countessa,
by Guinevere, Mary, the moon,
the love invented against loneliness,
the heart exhausted by the mind.
Destroyed by the translucence
at the tip of a root.
The sound of a cello in an empty hall.
By what you can give and what you can take.
Lost by imagining what we cannot know
and knowing what we cannot have.
Believing love will bear us away
down the River of Babylon
to the rumored garden lush with pears.
Wanting it all at once,
the journey consumed
in a blaze of moonlight and dream
so pure even the ashes burn
into the color of her camisole.
And we, as if we’d been denied,
are left wanting even more.
The warmth of her body barely alive
in the piece of ivory curled in our hands.
Venison Stew
for Freeman House
I could grow old with you, Freeman,
two woodrats drunk half the time
in a shack way up the Klamath,
with not much left to do
but complain about our teeth and livers,
wonder where the money went,
and watch the river move.
Once a month, if we can beat
another old pickup into running,
we’ll clatter down to Eureka for supplies,
maybe give them kids some gambling lessons