Chapters (86)
- Cover
- Title Page
- Dedication
- Contents
- Notes and Acknowledgments
- Selected Poems
- Learning to Talk
- The Cookie Jar
- Things Thought Through
- On Balance
- Decomposition
- Psycho Ecology
- Life of the Spirit
- Aweigh
- Tao-to-Tao
- To Be
- Practice, Practice, Practice
- Wisdom and Happiness
- Red Sails
- Squall & Commotion
- Slow Learner
- Bathing Joe
- Mahogany China
- The First Cut Is the Deepest
- Waiting for Houdini to Come Up
- The Countessa
- Venison Stew
- Winter Song
- On Humor: On Mating Donkeys and Onions
- Watering the Gardenon the Hottest Day of the Summer
- Palms to the Moon
- A Firmer Grasp of the Obvious
- The Work of Art
- Steelhead Fishing, Smith River, January
- The Third Bank of the River
- Green Side Up
- One Thing After Another
- Unnatural Selections: A Meditation uponWitnessing a Bullfrog Fucking a Rock
- Fishing Devil’s Hole at the Peak of Spring
- Getting After It
- How to Catch the Biggest Fish
- Hard Work
- There It Is
- Knowing When to Stop
- Vacation Expenses
- Basic Precepts and Avuncular Advicefor Young Men
- Killing
- Death and Dying
- New Poems
- The Banker
- The Real Last Words of Billy the Kid
- The Moving Part of Motion
- How About
- Necessary Angels
- Prayer Bones
- Magic and Beauty
- Day Moon
- Karma Bird
- The Tunnel
- Hagerty Wrecks Another Company Truck
- Obsession
- Love Find
- Flux
- Thanks for the Dance
- The Stone
- Woman in a Room Full of Rubber Numbers
- Reason to Live
- Scratch
- Salvage
- An Epithalamium for Victoria
- Falling into Place
- Play-By-Play
- Job Application
- The Mouth of the River
- The Prior and Subsequent Heavens
- Old Growth
- Three Ways to Get the Carrot on the Stick
- Eurydice Ascending
- The Drought of ’76
- True Account of the Saucer People
- About Time
- Smithereens
- Jack o’ Hearts Shopping Mortmart
- Holy Shit
- Also by Jim Dodge
- Copyright
and the Humboldt coeds a hopeful tumble.
Two weeks later, still recovering,
I can see you give the cookpot
a slow, appraising stir,
nodding with a resignation so deep
it’s joyful,
“Venison stew again.”
Spoons scraping the wooden bowls,
we eat in front of the fireplace,
jawing about this and that:
how many gut-busting stones
we lugged for the hearth;
why the salmon are late this year;
the relative merits of Huskies and McCullochs;
the continuing decline of the novel;
why Ann left Willy back in ’88;
how on a freezing Skagit Valley morning once
we saw a flock of two hundred geese
wheel above us and turn into snow.
And the days go by like the stories and river
into whatever comfort we deserve.
We eat the stew, laughing.
And the days go by like the sun and moon,
gloriously indifferent
to us crazy old men full of lies,
gumming venison as we slowly grow
helpless and forgetful,
retelling the old stories to keep them new,
till after many meals
the wooden bowl wears through.
Winter Song
IN MEMORY OF DOROTHY MILLIMAN
The acceptance of death
Clear down in our hearts
Is the faith we bring to life
That love may go on:
The lustrous umber
Of decaying ferns;
Belled vermilion
Of the gooseberry bloom;
Rain on the river.
On Humor: On Mating Donkeys and Onions
When you cross donkeys with onions
mainly you get a lot of onions with big ears.
That’s the first part of the joke.
The silliness language invites,
the aimless
consequence of play
when you’re just playing around
plucking this and that
out of endless possibilities
and putting them together.
The mind fucking off for the afternoon.
Fun, you bet, but
not essential;
and not really what you’d hoped for
crossing donkeys and onions
the only way they can be crossed–
in minds wild enough to join them
just to see
what happens.
And what happens
is you mainly get
onions with big ears.
But love invariably rewards imagination,
so every once in a while you get
a piece of ass
that brings tears to your eyes.
Watering the Garden
on the Hottest Day of the Summer
Hey, Fence Lizard!
Think it’s gonna rain?
Heh-eh-eh:
You were wrong.
Palms to the Moon
1
We were fifteen. Summertime.
We walked through the moonlit village
to the cliffs above the beach.
We made love at that trembling pitch
where sensations become emotions,
none of which we’d ever felt before.
Our hearts like torches hurled into the sea.
A magnificence
that cannot survive
the innocence
that makes it possible.
2
No beauty without perishing.
No love without that first desolate moment of heartbreak
when you know something is wrong,
but you don’t know what it is,
or how to stop it.
3
Midnight, the mountains,
we make a bed of our clothes
on the granite slab.
Naked beyond skin,
we lift our palms to the moon,
our bodies trembling like the limb of a tree