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Chapters (77)
  1. Cover
  2. PEOPLE LIKE US
  3. Copyright
  4. Contents
  5. Praise for People Like Us
  6. Dedication
  7. Epigraph
  8. Prologue
  9. Summer 1929
  10. Part I
  11. 7 August 1933
  12. 17 September 1933
  13. 8 October 1933
  14. 11 October 1933
  15. 10 February 1934
  16. 11 February 1934
  17. 20 April 1934
  18. 19 August 1934
  19. 10 September 1934
  20. Part II
  21. 31 May 1937
  22. 25 July 1937
  23. 3 August 1937
  24. 7 August 1937
  25. 8 August 1937
  26. 8 September 1937
  27. 19 September 1937
  28. 20 September 1937
  29. 25 September 1937
  30. 10 October 1937
  31. 12 October 1937
  32. 14 October 1937
  33. 3 November 1937
  34. 19 December 1937
  35. 20 December 1937
  36. 21 December 1937
  37. 29 January 1938
  38. 10 February 1938
  39. 13 May 1938
  40. 7 October 1938
  41. 8 October 1938
  42. 12 October 1938
  43. 23 October 1938
  44. 3 November 1938
  45. 7 November 1938
  46. 8 November 1938
  47. 9 November 1938
  48. 10 November 1938
  49. 17 November 1938
  50. 22 November 1938
  51. 23 November 1938
  52. Part III
  53. 20 December 1938
  54. 31 December 1938
  55. 7 January 1939
  56. 4 February 1939
  57. 5 February 1939
  58. 1 March 1939
  59. 15 March 1939
  60. 16 March 1939
  61. 11 April 1939
  62. 16 April 1939
  63. 19 April 1939
  64. 10 May 1939
  65. 20 May 1939
  66. 23 May 1939
  67. 31 May 1939
  68. 24 July 1939
  69. 1 August 1939
  70. 18 August 1939
  71. Epilogue
  72. June 1994
  73. Summer 1995
  74. A Note from the Author
  75. Acknowledgements
  76. About the Author
  77. An Invitation from the Publisher

With all this happening around me, writing a book of fiction seemed – often, at the time – a ridiculous, self-indulgent game when there were so many more important things going on out there in the real world. But stories, fiction, have a power. A good book can reach out and pull a reader in to a world they know nothing about. It can emotionally engage in a way facts and news often cannot. Characters from a great book can live in the minds of the reader.

My original plan had been to write the book from the Jewish experience. But the more I learnt, the more I wanted to understand the mindset of the Nazis. How could a people, a deeply civilised, democratic nation, become so unbelievably cruel; to de-humanise one another, and commit atrocities on such an unimaginable scale? The more I read, the more I realised that what I wanted to say could perhaps be more powerfully told if I were to climb inside the head of a Nazi. To tell the tale of someone young, who was fed a twisted ideology, taught hatred from day one. Someone who knew no other way. What could possibly change their outlook to become so against everything their family and the society around them believed?

To research for the book, I read widely, including a large variety of texts, non-fiction and fiction, and accounts of those who lived through these times; contemporaneous letters and diaries, recordings of testimonials, as well as having the benefit of access to PHD theses and family papers. I also read Mein Kampf and visited Leipzig. In all of this I had a good deal of help from my sister Kathleen, with both research and translation. In Leipzig, I was able to interview some incredibly helpful people including Dr Thomas Töpfer, the then Director of the Schools Museum; Dr Andrea Lorz, a German historian specialising in the history of the Jews in Leipzig; and Dr Hubert Lang, a retired lawyer with a special interest in Jewish legal history in Leipzig, and the author of books on this subject. I explored the town extensively, including the area of Gohlis (which features in the book), where my father and his family lived. I was put in touch with a gentleman in London, Peter Held, who had travelled to England as a teenager on the Kindertransport, and who had lived in the same street as my father’s cousins in Leipzig. He remembered my father’s family well. He was ninety-four when I met with him in the summer of 2016. Sadly, he passed away only a few weeks later.