Chapters (93)
- Cover
- About the Author
- Also by Sarah Clarke
- Title Page
- Copyright
- Dedication
- Note to Readers
- Prologue
- December 2021
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- January 2003
- Chapter 6
- December 2021
- Chapter 7
- Chapter 8
- February 2003
- Chapter 9
- December 2021
- Chapter 10
- Chapter 11
- Chapter 12
- March 2003
- Chapter 13
- December 2021
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- April 2003
- Chapter 18
- December 2021
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- April 2003
- Chapter 23
- December 2021
- Chapter 24
- Chapter 25
- Chapter 26
- April 2003
- Chapter 27
- December 2021
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- May 2003
- Chapter 35
- December 2021
- Chapter 36
- May 2003
- Chapter 37
- December 2021
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- April 2003
- Chapter 51
- December 2021
- Chapter 52
- June 2003
- Chapter 53
- December 2021
- Chapter 54
- Chapter 55
- Chapter 56
- January 2022
- Chapter 57
- Epilogue
- A Letter from Sarah Clarke
- Keep Reading …
- Acknowledgements
- Dear Reader …
- About the Publisher
Finally there’s a rustling in the wings. Beth looks up and lets out a silent sigh of relief as the parents around her shift their gaze to the stage too. She even smiles a little as a line of five- and six-year-olds walk dutifully onto the stage and into their pre-agreed positions. All the children are wearing white clothes with bits of silver tinsel hanging around their necks and wrists, or wound into French plaits or pigtail buns. The effect is beautiful, a broad brushstroke of innocence, and Beth feels tears smart at her eyes. Ava is stood almost directly opposite – one of the benefits of knowing their positions in advance – and she gives her daughter the widest smile she can manage. It seems to be enough, and Ava gives her a quick clandestine wave in response.
The music teacher takes up her position at the piano and soon a multitude of off-pitch voices fill the room. The half-an-hour performance starts with ‘Away in the Manger’ (of course) and ends with a rousing rendition of ‘Twelve Days of Christmas’, which the parents are invited to join in with (Beth doesn’t). There’s a solo in the middle – Ava’s best friend Chloe, who is luckily a better singer than football player – and a short speech by the head of lower school wishing everyone a happy 2022. Beth wonders whether that will be true for her. If she can somehow navigate a path through her estranged parents, an angry stalker and a growing dependence on prescription drugs. She takes a deep breath. She’s dealt with adversity before, very effectively, and she will do it again.
There are coffees and mince pies laid on between shows and Beth gets caught in the general tide moving in that direction. But she wants neither and eyes the fire door instead, wondering if she can hide outside until Martha’s concert starts. But before she gets chance to escape, she hears someone calling her name. Saskia has spotted her – she must have just arrived – and is holding up two cups like a peace offering. With a sigh, Beth shuffles over to her friend. She takes a deep breath, blinks and arranges her face into a warm smile. ‘Sorry about yesterday,’ she starts. ‘I was tired. I shouldn’t have taken it out on you.’
‘Nothing to apologise for,’ Saskia counters, shaking her head. She eyes a plate of mince pies, then looks away. ‘It must be awful, feeling like someone’s watching you all the time.’
‘It’s not that bad.’
‘I saw the detective leaving yours. You know, the police are tragically ineffective in stalking cases.’ She sighs. ‘But I’m still glad you called them. Are you going to get a restraining order? It’s a legal faff, but I can help you with it. Then the police might actually be able to do something worthwhile.’