Back Meet Me Halfway
Chapters (55)
  1. Cover
  2. Title Page
  3. Dedication
  4. CHAPTER 1 Mattie
  5. CHAPTER 2 Mercedes
  6. CHAPTER 3 Mattie
  7. CHAPTER 4 Mercedes
  8. CHAPTER 5 Mattie
  9. CHAPTER 6 Mercedes
  10. CHAPTER 7 Mattie
  11. CHAPTER 8 Mercedes
  12. CHAPTER 9 Mattie
  13. CHAPTER 10 Mercedes
  14. CHAPTER 11 Mattie
  15. CHAPTER 12 Mercedes
  16. CHAPTER 13 Mattie
  17. CHAPTER 14 Mercedes
  18. CHAPTER 15 Mattie
  19. CHAPTER 16 Mercedes
  20. CHAPTER 17 Mattie
  21. CHAPTER 18 Mercedes
  22. CHAPTER 19 Mattie
  23. CHAPTER 20 Mercedes
  24. CHAPTER 21 Mattie
  25. CHAPTER 22 Mercedes
  26. CHAPTER 23 Mattie
  27. CHAPTER 24 Mercedes
  28. CHAPTER 25 Mattie
  29. CHAPTER 26 Mercedes
  30. CHAPTER 27 Mattie
  31. CHAPTER 28 Mercedes
  32. CHAPTER 29 Mattie
  33. CHAPTER 30 Mercedes
  34. CHAPTER 31 Mattie
  35. CHAPTER 32 Mercedes
  36. CHAPTER 33 Mattie
  37. CHAPTER 34 Mercedes
  38. CHAPTER 35 Mattie
  39. CHAPTER 36 Mercedes
  40. CHAPTER 37 Mattie
  41. CHAPTER 38 Mercedes
  42. CHAPTER 39 Mattie
  43. CHAPTER 40 Mercedes
  44. CHAPTER 41 Mattie
  45. CHAPTER 42 Mercedes
  46. CHAPTER 43 Mattie
  47. CHAPTER 44 Mercedes
  48. CHAPTER 45 Mattie
  49. CHAPTER 46 Mercedes
  50. CHAPTER 47 Mattie
  51. CHAPTER 48 Mercedes
  52. ACKNOWLEDGMENTS
  53. More from the Author
  54. ABOUT THE AUTHOR
  55. ALSO BY ANIKA FAJARDO

Mattie’s mom invites us all into the house. The house is small, a lot smaller than mine. Weavings hang on the bright-yellow walls and a large painting above the TV of a mountain landscape reminds me of the photo of Francisco Gómez. Each piece of furniture is a different color, and all flat surfaces are crowded with trinkets—little ceramic cars, painted leopards, stacks of books. My own house is all shades of white and gray—all very minimal. Mom says that when you face the ocean, you don’t want any color to distract. Our house is made to show off to visitors, but Mattie’s house feels like it’s meant for the people who live in it.

In the living room, I choose a dark-red-striped chair. Mattie sits on the turquoise sofa next to her mom. Frank Gómez perches on the edge of a wooden rocking chair. He looks unsteady.

Mostly Mattie does the talking. Frank cuts in sometimes. He apologizes over and over. Sometimes in English, sometimes in Spanish. Mattie’s mom keeps her arm around Mattie the whole time, like she’s afraid she’ll disappear again. She speaks in a stern, teacher-like voice to Mattie about lying to her. About how anything could have happened. About how we could have been in real danger at Northern Madrone College all by our-selves. And then she kisses the top of Mattie’s head. “I’m so glad you’re all right.”

“Hello.” A tall, thin man in blue basketball shorts walks into the living room. He looks at Frank and at me. And then at Mattie and her mom. “What’s going on here?”

“This is Bob,” Mattie’s mom says. “My husband.” She smiles at him like he invented the sun and the stars. It’s disgusting to see old people in love. “Bob, this is Mattie’s father, Francisco, and this is…” She pauses.

I glare at her. What is she going to say? How will she explain me to her husband? Who am I?

“This is Francisco’s other daughter.” I listen for her to stop there. To not explain anything. But then she adds, “Mattie’s half sister.”

A tingle courses through me from my toes to my cheeks.

So now they explain everything all over again. This time Frank speaks more. He keeps saying he had no idea that we all lived so close. He had no idea that Mattie and her mom were living in California. He thought me and Mom were still in San Francisco and he didn’t know how close the city is to Northern Madrone College. And even if he did, he never would have imagined that the girls would try to find him. He’s so sorry. Mattie’s mom is more relaxed now, offers the adults coffee. She tells Mattie to take me in the kitchen to get zucchini bread. I can tell she’s trying to get rid of us.