Back Meet Me Halfway
Chapters (55)
  1. Cover
  2. Title Page
  3. Dedication
  4. CHAPTER 1 Mattie
  5. CHAPTER 2 Mercedes
  6. CHAPTER 3 Mattie
  7. CHAPTER 4 Mercedes
  8. CHAPTER 5 Mattie
  9. CHAPTER 6 Mercedes
  10. CHAPTER 7 Mattie
  11. CHAPTER 8 Mercedes
  12. CHAPTER 9 Mattie
  13. CHAPTER 10 Mercedes
  14. CHAPTER 11 Mattie
  15. CHAPTER 12 Mercedes
  16. CHAPTER 13 Mattie
  17. CHAPTER 14 Mercedes
  18. CHAPTER 15 Mattie
  19. CHAPTER 16 Mercedes
  20. CHAPTER 17 Mattie
  21. CHAPTER 18 Mercedes
  22. CHAPTER 19 Mattie
  23. CHAPTER 20 Mercedes
  24. CHAPTER 21 Mattie
  25. CHAPTER 22 Mercedes
  26. CHAPTER 23 Mattie
  27. CHAPTER 24 Mercedes
  28. CHAPTER 25 Mattie
  29. CHAPTER 26 Mercedes
  30. CHAPTER 27 Mattie
  31. CHAPTER 28 Mercedes
  32. CHAPTER 29 Mattie
  33. CHAPTER 30 Mercedes
  34. CHAPTER 31 Mattie
  35. CHAPTER 32 Mercedes
  36. CHAPTER 33 Mattie
  37. CHAPTER 34 Mercedes
  38. CHAPTER 35 Mattie
  39. CHAPTER 36 Mercedes
  40. CHAPTER 37 Mattie
  41. CHAPTER 38 Mercedes
  42. CHAPTER 39 Mattie
  43. CHAPTER 40 Mercedes
  44. CHAPTER 41 Mattie
  45. CHAPTER 42 Mercedes
  46. CHAPTER 43 Mattie
  47. CHAPTER 44 Mercedes
  48. CHAPTER 45 Mattie
  49. CHAPTER 46 Mercedes
  50. CHAPTER 47 Mattie
  51. CHAPTER 48 Mercedes
  52. ACKNOWLEDGMENTS
  53. More from the Author
  54. ABOUT THE AUTHOR
  55. ALSO BY ANIKA FAJARDO

I’ve never been the friend who came up with the good ideas for what to do. Mai always wanted to try new things: a new shop down the block, a park that got a new slide, a new route to school. Sonja has the best imagination and her ideas usually involved putting on theatrical productions or doing elaborate art projects. I’ve always been the friend who went along with other people’s ideas or made sure everyone got a turn. Not everyone has to be the leader. Who would the leaders lead?

So I let Mercedes lead me along the route that’s familiar by now—out of the student union, past the Quad, along the field. And then into the trees, where it’s dark and—I have to admit—pretty creepy. We run between the yellow spotlights of the lamps that light the sidewalk. We both pretend we’re not afraid in the dark spaces in between.

“I’m still not sure about this so-called plan,” I say.

“Trust me.”

When we reach the Humanities building, she yanks open the door and says triumphantly, “See? Not locked! It’s all going to work out.”

We haven’t seen a single college student since we left the cafeteria, and the Humanities building is just as empty. The lobby feels different in the artificial light of the overhead bulbs. I follow Mercedes back to the anthropology department. No sign of the nosy blue-dress woman. The hallway lights automatically flicker on ahead of us.

Even though we know he’s gone and it’ll be locked, Mercedes jiggles the doorknob of the office door of the Dupree Visiting Professor.

“Now what?” I ask.

She paces the hallway, tries the other knobs, too. Then she says, “My brother watches this cartoon about a rat and mouse detective. It’s super dumb. But they always—”

“Oh, yeah, Lucas watches that one, too. The theme song is so annoying.”

“Mattie,” Mercedes says, “I’m making a point. Listen. The rat—the girl, of course—is the smart one even though the mouse thinks he’s the smart one. Anyway, they figure out how to solve these mysteries by going places that people can’t go.”

“Right,” I say, because I’ve watched a few episodes with Lucas, pretending not to pay attention. “And then they do that dance at the end when they’ve solved—”

Mercedes glares at me. I stop talking.

“Well, this is the first floor, right? And if you’re thinking like a smart girl-rat, you would figure out that these offices must have windows, right? So all we need to do is go back outside, find the right window and then—”

“Shhhh!” I cup my hand over Mercedes’s mouth. “Someone’s coming.”

We hear whistling. The notes go up and then down, fast and then slow. And then the whistler turns the corner toward the anthropology department hallway and sees us. The whistling stops.