Back Love and Other Lies
Chapters (61)
  1. Cover
  2. Dedication
  3. Imagine a girl
  4. Prologue
  5. The Foreigner
  6. One
  7. Two
  8. Three
  9. Four
  10. Five
  11. The Skeptic
  12. Six
  13. Seven
  14. Eight
  15. Nine
  16. Ten
  17. Eleven
  18. Twelve
  19. Thirteen
  20. Fourteen
  21. Fifteen
  22. Sixteen
  23. Seventeen
  24. Eighteen
  25. Nineteen
  26. Twenty
  27. Twenty-One
  28. Twenty-Two
  29. Twenty-Three
  30. The Spectator
  31. Twenty-Four
  32. Twenty-Five
  33. Twenty-Six
  34. Twenty-Seven
  35. Twenty-Eight
  36. Twenty-Nine
  37. The Assassin
  38. Thirty
  39. Thirty-One
  40. Thirty-Two
  41. Thirty-Three
  42. Thirty-Four
  43. Thirty-Five
  44. Thirty-Six
  45. Thirty-Seven
  46. Thirty-Eight
  47. Thirty-Nine
  48. Forty
  49. Forty-One
  50. The Hunter
  51. Forty-Two
  52. Forty-Three
  53. Forty-Four
  54. Forty-Five
  55. Forty-Six
  56. Forty-Seven
  57. Imagine a girl
  58. Acknowledgments
  59. About the Author
  60. Also by Ben McPherson
  61. About the Publisher

In the first bedroom were four single beds, stripped down, arranged at the corners of the room. Two spartan white cupboards gave the only storage space. The second bedroom was arranged identically. Four single beds, stripped down; two plain cupboards. On the gunmetal bedframe was a small green label with the letters rs inked on. I checked the next bed frame. jt. I found Licia’s bed in the first of the rooms. lc, the ink of the letters fading slightly. So she had been living here. Bror had lied about that too.

I sat on the bed, tried to feel Licia’s presence, but felt only a sadness: That this had in some way been better than life with us. That Bror had made her feel exceptional when we could not.

My little girl. Did we do you some quiet violence, and not know it? Did we make you feel that good enough wasn’t good enough? When, Licia, you were everything to me . . .

I checked both cupboards. I ran my hands along the undersides of the shelves, pulled out the drawers, and stacked them by the door. I turned the cupboards on their sides, though I was sure that there was nothing on top of them. I checked the gaps around the skirting boards, began pushing at the floor planks in the hope that one of them would give.

She had erased herself from our lives. There was nothing left of Alicia Curtis.

Out in the courtyard I felt the whipcrack and roar of thunder. The air smelled metallic; I could taste it on the side of my tongue.

I walked across the dried mud to the red-painted barn. Nothing here. No sign of life. I pushed open the great wooden doors, stood looking in. The archaeology of the farm: the broken machinery and the abandoned coal store, the carriages and the winter sleighs: all dead now, their time long past. Enamel flaked from a large white tub that had once fed cattle. Hay stood in neat bales, aged and yellowed. Gasoline stood in rusting red cans.

In a corner was a gun rack. Four shotguns and a small-bore rifle, recently cleaned. Not comforting, but nor was it evidence of intent. This had once been a working farm. In the drawer beneath I found rifle bullets, and in the drawer beside that, pellets, gunpowder, and shot. Nothing that spoke of the massacre on Garden Island.

Still the barking of the dogs. They could feel me on their territory.

I drew the barn door closed behind me, walked slowly toward the dogs. The dry mud was marked with rain now, the first spots from the coming downpour. The barking rose to a frenzy. They could see me. You could feel their movement through the slats, see the height of them, hear the chains that bound them as they dragged across the concrete floor.