Slave dances, incidentally, can be invented. There can be dances to the whip, dances in chains, dances of sexual desire, dances of pretended fear and despair, dances of insolence, dances of rebellion, etc. Combinations, too, are appropriate. Many dances, one supposes, end with a physically expressed, wordless, plea for the touch of the master, the rape of the slave. An interesting dance is a tether dance, in which she performs in a tether. Needless to say, any woman who has studied expressive dance has a head start in these matters. All expressive dances need not be the representation of the growth of a bean plant. Dance, incidentally, is an excellent way for a woman to express her feelings. If she, for example, has a chip on her shoulder for men, let her dance it off. She will feel much the better for it. Similarly, a woman can erotically stimulate herself by dance. It is hard to dance sexual passion before a man and not become eager for his touch. Here is a standard, five-phase slave dance. Phase I. The woman clothed lightly, but as a free woman, dances her scorn and hatred for men. This is a proud dance, haughty, decorous, stylized. Phase II. She has been caught. She dances her attempt to escape, her fury, pulling, say, against a rope looped about her. Phase III. She has been stripped. She wears short chains on her wrists. She is in bondage. In her “cell” she dances her misery, her fear, but then, as though confronted by the captor, she dances her determination to resist him; but he will have none of this, and she dances as though struck by the whip, as though fearing him, as though attempting to shield herself; this phase ends with her on her knees, head down. Phase IV. She now wears the garments of a slave girl. Her wrists are no longer confined. She is, however, collared. She dances her resignation to her slavery, a beautiful phase, in which she expresses her longing for freedom, but her realization, too, that she is in bondage; this phase contains many submission gestures, sitting, lying, rising, reclining, etc., as a slave girl, but with resignation. She knows that she is not free, that she is now truly slave. There can be a wistful-ness to this phase. She is slave, but she does not yet understand the true meaning of her slavery. Phase V. She awakens. She touches her collar. She feels her slave beauty. She lifts her head. She is becoming aroused. She looks at the master, with bitterness, but with desire. He claps his hands once, sharply. She is immediately alert. Every fiber in her body is alive. She awaits her signal. He claps his hands once more, fiercely, sharply. She springs to her feet and, thus commanded, begins to perform the desire dance of the slave female. From her lovely ankles to her small, beautiful hands, over her head, she is a helpless, wild, sexually maddened slave. She now wants her master, and, from the bottom of her luscious slave ass, dances the beauty of her body for him, begging him to subdue it. In its climax, tearing away her clothing, she dances before him nude, his aroused, piteous slave girl, begging him for his touch, for her penetration and conquest. At the end of the dance, she is frightened and submissive; her master terrifies her. She is sent to his bed. She trembles with fear and desire. He then uses her, at length. In the end, she is completely conquered. She has become the helpless love slave of her dominator, her master. “I love you, Master,” she whispers. “Be kind to your slave. I love you, my master!”