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Contents ( 63)
  1. How to Mend a Broken Heart
  2. Anna Mansell
  3. Prologue
  4. Chapter One
  5. Chapter Two
  6. Chapter Three
  7. Chapter Four
  8. Chapter Five
  9. Chapter Six
  10. Chapter Seven
  11. Chapter Eight
  12. Chapter Nine
  13. Chapter Ten
  14. Chapter Eleven
  15. Chapter Twelve
  16. Chapter Thirteen
  17. Chapter Fourteen
  18. Chapter Fifteen
  19. Chapter Sixteen
  20. Chapter Seventeen
  21. Chapter Eighteen
  22. Chapter Nineteen
  23. Chapter Twenty
  24. Chapter Twenty-One
  25. Chapter Twenty-Two
  26. Chapter Twenty-Three
  27. Chapter Twenty-Four
  28. Chapter Twenty-Five
  29. Chapter Twenty-Six
  30. Chapter Twenty-Seven
  31. Chapter Twenty-Eight
  32. Chapter Twenty-Nine
  33. Chapter Thirty
  34. Chapter Thirty-One
  35. Chapter Thirty-Two
  36. Chapter Thirty-Three
  37. Chapter Thirty-Four
  38. Chapter Thirty-Five
  39. Chapter Thirty-Six
  40. Chapter Thirty-Seven
  41. Chapter Thirty-Eight
  42. Chapter Thirty-Nine
  43. Chapter Forty
  44. Chapter Forty-One
  45. Chapter Forty-Two
  46. Chapter Forty-Three
  47. Chapter Forty-Four
  48. Chapter Forty-Five
  49. Chapter Forty-Six
  50. Chapter Forty-Seven
  51. Chapter Forty-Eight
  52. Chapter Forty-Nine
  53. Chapter Fifty
  54. Chapter Fifty-One
  55. Chapter Fifty-Two
  56. Chapter Fifty-Three
  57. Chapter Fifty-Four
  58. Chapter Fifty-Five
  59. Chapter Fifty-Six
  60. Chapter Fifty-Seven
  61. Epilogue
  62. A Note From Anna
  63. Acknowledgments

‘It’s not ideal, Rhys. It’s not protocol.’

‘Fine, go then.’

I pause, trying to work out what to do. A gentle breeze whips up the smell of wet grass and hot, damp soil.

‘How do you know what she wants? Did she ask you?’

He steps back down the path towards me, pulling out a crumpled piece of paper from his pocket. Susan’s handwriting, recognisable from her barely used diary, forms the only words on the paper: ‘Book of fairy tales. Bedside table.’

‘I’m here to help her. That’s all. I’ll get what she wants, then I’ll go.’ Rhys walks up to the house. ‘It’s up to you if you come in too.’

Chapter Twenty

RHYS

I hear her footsteps as she chooses to follow me towards the house. I turn to look whilst trying to push, twist and unlock the door. She’s looking around, checking her watch. Her face has changed; the caring Kat who stood by Susan’s bed has disappeared, and in her place there’s a stern figure. She looks harsh, pissed off, but she also looks vulnerable. Her cheeks have a trace of black, smudged make-up down them. ‘I’m coming in too,’ she says.

‘Fine,’ I say, finally pushing the door open over letters and newspapers and junk mail. I place the milk bottles down, and pull the key back from the Yale, stuffing it inside my jeans pocket.

It’s the smell I notice first, sort of musty. There’s a base note of something – furniture polish, maybe. It clings to my nostrils. It’s not dirty, or dusty, I don’t think. Just old. Clean, but old, like my nanan’s house. I don’t remember it smelling like this before. Stairs lead upstairs on my right, the hallway stretches narrowly before me and there’s a door to my left. I search for clues to her mindset before she left the house the other day – a note, perhaps. But there’s nothing except a feeling of innate hollowness to her home. I don’t move.

Kat clears her throat, shifting to see over my shoulder. Slowly, she takes a step to stand alongside me. She doesn’t say anything. The vintage carpet, busy with emerald-green paisley, swirls beneath my feet. Kat moves the green-striped curtains away from the front door, reaching down to collect an armful of post. She cradles it in her arms, looking for somewhere to tidy it before piling it all neatly on the mahogany phone table to her right.

‘Where did she say the book was?’ she asks.

‘Bedside table.’ We both look up the stairs.

‘Maybe you should…’ I say flatly, gesturing towards the stairs. I want her to say no, because I want to check the room for myself, but I won’t have her assume I’m here for anything other than the book. Kat takes an uncertain step forward, making my heart skip. Then she pauses, her foot resting on the bottom step. She looks over her shoulder – not at me, just in my general direction. I follow.