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Contents ( 63)
  1. How to Mend a Broken Heart
  2. Anna Mansell
  3. Prologue
  4. Chapter One
  5. Chapter Two
  6. Chapter Three
  7. Chapter Four
  8. Chapter Five
  9. Chapter Six
  10. Chapter Seven
  11. Chapter Eight
  12. Chapter Nine
  13. Chapter Ten
  14. Chapter Eleven
  15. Chapter Twelve
  16. Chapter Thirteen
  17. Chapter Fourteen
  18. Chapter Fifteen
  19. Chapter Sixteen
  20. Chapter Seventeen
  21. Chapter Eighteen
  22. Chapter Nineteen
  23. Chapter Twenty
  24. Chapter Twenty-One
  25. Chapter Twenty-Two
  26. Chapter Twenty-Three
  27. Chapter Twenty-Four
  28. Chapter Twenty-Five
  29. Chapter Twenty-Six
  30. Chapter Twenty-Seven
  31. Chapter Twenty-Eight
  32. Chapter Twenty-Nine
  33. Chapter Thirty
  34. Chapter Thirty-One
  35. Chapter Thirty-Two
  36. Chapter Thirty-Three
  37. Chapter Thirty-Four
  38. Chapter Thirty-Five
  39. Chapter Thirty-Six
  40. Chapter Thirty-Seven
  41. Chapter Thirty-Eight
  42. Chapter Thirty-Nine
  43. Chapter Forty
  44. Chapter Forty-One
  45. Chapter Forty-Two
  46. Chapter Forty-Three
  47. Chapter Forty-Four
  48. Chapter Forty-Five
  49. Chapter Forty-Six
  50. Chapter Forty-Seven
  51. Chapter Forty-Eight
  52. Chapter Forty-Nine
  53. Chapter Fifty
  54. Chapter Fifty-One
  55. Chapter Fifty-Two
  56. Chapter Fifty-Three
  57. Chapter Fifty-Four
  58. Chapter Fifty-Five
  59. Chapter Fifty-Six
  60. Chapter Fifty-Seven
  61. Epilogue
  62. A Note From Anna
  63. Acknowledgments

‘Go on,’ she sighs. ‘And this better not start with you complaining I didn’t call you back either. I got your text. Grown women don’t have to check in with their grown-up children.’ She stares at the crumbs my biscuit just made, and like the boy I’ll always be to her, I pick them up and eat them, saving the newly vacuumed floor. ‘Have you been on the shake ’n’ vac again Mum?’ I don’t need her answer, the smell of it hangs heavy in the air: vanilla. ‘With that, bleach and hand cream, it’s like an impeccably clean tart’s handbag around here,’ I tease.

‘Stop changing the bloody subject and tell me about it,’ she snips.

‘Okay. So, I went to Mrs Johnson’s—’

Sharp intake of breath. ‘Has she been flirting again? I swear that woman’s obsessed. It’s since she moved up to that house, you know. She weren’t like that when she lived next door. It’s as if living in a semi up the posh end of town has turned her into a nympho or something. She’s gone crazy with the power.’ Mum all but utches up her chest. ‘I just don’t get her anymore.’ She shakes her head in dismay.

‘I don’t care to think about Paul’s mum and her appetite for sex, thank you very much,’ I shudder. ‘No, I was doing something with her U-bend and—’

‘Was it clean?’

‘Was what clean?’

‘Her U-bend. I heard she has a cleaner now! Very la-di-da.’

‘Mum!’

It’s this gossiping and curtain twitching that reminds me why I moved out in the first place. I hated it then, and I still do now. I think it’s a distraction, a displacement even, and it’s the only reason she still has nets. Bright, white lace to hide behind as she noses on everyone else’s business. ‘So, my phone goes,’ I explain. ‘But I didn’t get to it in time. Anyway, there’s a message left on my voicemail, a nurse, telling me they’d got some woman in hospital with them.’

Another sharp intake of breath from Mum suggests she is beginning to enjoy the prospect of a drama. ‘Go on,’ she encourages. ‘Obviously, since we haven’t spoken since yesterday afternoon, I assumed it was you. I panicked and legged it over there—’

‘I hope you drove carefully, Rhys Desmond Woods.’ I hate it when she uses my full name. ‘There’s no use killing yourself just to get to me. It’s no secret your van is a death trap.’

‘Well, it wasn’t you, was it?’

‘No, course it wasn’t.’ She coughs. ‘I’ve been here all day.’

‘Didn’t know that though, did I, Mum?’ I throw her a look, then dodge the clip around my ear as she moves to straighten out the side table. ‘All I knew was they had a woman in hospital and I hadn’t been able to get hold of you all night again. Can’t you at least text me when you go to bed? Or get up? Or both?’