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Contents ( 63)
  1. How to Mend a Broken Heart
  2. Anna Mansell
  3. Prologue
  4. Chapter One
  5. Chapter Two
  6. Chapter Three
  7. Chapter Four
  8. Chapter Five
  9. Chapter Six
  10. Chapter Seven
  11. Chapter Eight
  12. Chapter Nine
  13. Chapter Ten
  14. Chapter Eleven
  15. Chapter Twelve
  16. Chapter Thirteen
  17. Chapter Fourteen
  18. Chapter Fifteen
  19. Chapter Sixteen
  20. Chapter Seventeen
  21. Chapter Eighteen
  22. Chapter Nineteen
  23. Chapter Twenty
  24. Chapter Twenty-One
  25. Chapter Twenty-Two
  26. Chapter Twenty-Three
  27. Chapter Twenty-Four
  28. Chapter Twenty-Five
  29. Chapter Twenty-Six
  30. Chapter Twenty-Seven
  31. Chapter Twenty-Eight
  32. Chapter Twenty-Nine
  33. Chapter Thirty
  34. Chapter Thirty-One
  35. Chapter Thirty-Two
  36. Chapter Thirty-Three
  37. Chapter Thirty-Four
  38. Chapter Thirty-Five
  39. Chapter Thirty-Six
  40. Chapter Thirty-Seven
  41. Chapter Thirty-Eight
  42. Chapter Thirty-Nine
  43. Chapter Forty
  44. Chapter Forty-One
  45. Chapter Forty-Two
  46. Chapter Forty-Three
  47. Chapter Forty-Four
  48. Chapter Forty-Five
  49. Chapter Forty-Six
  50. Chapter Forty-Seven
  51. Chapter Forty-Eight
  52. Chapter Forty-Nine
  53. Chapter Fifty
  54. Chapter Fifty-One
  55. Chapter Fifty-Two
  56. Chapter Fifty-Three
  57. Chapter Fifty-Four
  58. Chapter Fifty-Five
  59. Chapter Fifty-Six
  60. Chapter Fifty-Seven
  61. Epilogue
  62. A Note From Anna
  63. Acknowledgments

I frown, pushing my new glasses back up my nose. They feel heavy on my face, out of place. I probably shouldn’t have been talked into them by the Gok Wan-lookalike assistant at the optician. New hair. New glasses. A new wardrobe at home with every item still carrying the price tag. Belts to accentuate my waist. Also Gok’s fault – the real one. Can you have a mid-life crisis at the age of twenty-eight?

‘These are great, by the way,’ says Emma, circling the air in the general direction of my face. ‘Tres Geek Chic.’

‘Yes, that’s me. Geek and indeed chic,’ I say, fiddling with them again. I can hear my tone; it’s definitely approaching grumpy yet I don’t have the strength to buck my ideas up.

Emma adopts a bad, Irish accent. ‘You remind me of a young Nana Mouskouri.’

‘A who?’

‘Greece’s finest export!’ she exclaims. ‘Well, Nana and feta.’

The blank look I give her in response forces an optimistic nod of encouragement, as if that answers everything, then a swift roll of her eyes when she realises I’ve no idea. ‘Come on, misery. If we didn’t laugh we’d cry,’ she goads, followed swiftly by, ‘You don’t have to be mad to work here…’

‘Don’t!’ I say, my hands shielding my ears, stopping her before she can finish. There’s a pause in our chat, a pause filled with the warmth of a friendship that can transcend my mood. I crack a half-smile. She’s someone I need right now. She gets me.

I drain my mug – lukewarm is better than none at all – and place it back on the table, waiting for Emma to finish our holiday handover while I resist a second biscuit; it’s barely 9 a.m.

‘So, Susan Smith, then,’ she continues. ‘She was in with that new consultant in charge—’

‘Ooh, Mr Just-Call-Me-Mark Barnes!’ says a bank nurse pushing laundry past our station, dirty bed sheets overflowing. ‘I wouldn’t mind being in with him,’ she says, gurning like Vic Reeves, minus a thigh rub.

‘Leg brace and everything!’ Emma shouts after her with a giggle and a snort.

‘Leg brace and everything?’ I repeat, shaking my head. ‘That doesn’t even make sense, Emma. I thought this was Sheffield’s finest teaching hospital, not a remake of Carry On Nurse.’ I frown again. ‘A few days away and you lot have gone rampant.’ I’m no longer approaching grumpy. I’m right there, wearing its heavy cloak. A cloak smattered with the gentle whiff of Eau de Post Break-Up and Still Not Over It.

‘Don’t tell me you haven’t thought about “Just-Call-Me-Mark” even just a teensy bit?’ Emma looks shocked. Like maybe I’m not a real woman or something.

‘No, actually, I haven’t.’ I glance over the rim of my glasses to labour my point. At least they’re good for something. ‘Mr Barnes doesn’t do it for me at all.’ Which is true. He’s not my type. I wouldn’t say he was a cad – because I’m not from the 1950s – but he’s borderline. Borderline cad. He’s also a consultant. Attractive? I suppose, if you like that sort of thing, but a consultant all the same.