Back Gormenghast
Chapters (50)
  1. ABOUT THE BOOK
  2. ABOUT THE AUTHOR
  3. TITLE PAGE
  4. INTRODUCTION
  5. A NOTE ON THE ILLUSTRATIONS
  6. TITUS GROAN
  7. The Hall of the Bright Carvings
  8. The Great Kitchen
  9. Swelter
  10. The Stone Lanes
  11. ‘The Spy-Hole’
  12. Fuchsia
  13. ‘Tallow and Birdseed’
  14. A Gold Ring for Titus
  15. Sepulchrave
  16. Prunesquallor’s Knee-Cap
  17. The Attic
  18. The Frivolous Cake
  19. ‘Mrs Slagg By Moonlight’
  20. Keda
  21. ‘First Blood’
  22. ‘Assemblage’
  23. ‘Titus is Christened’
  24. Means of Escape
  25. ‘A Field of Flagstones’
  26. ‘Over the Roofscape’
  27. ‘Near and Far’
  28. ‘Dust and Ivy’
  29. ‘The Body by the Window’
  30. ‘Ullage of Sunflower’
  31. Soap for Greasepaint
  32. At the Prunesquallors
  33. A Gift of the Gab
  34. While the Old Nurse Dozes
  35. Flay Brings a Message
  36. The Library
  37. In a Lime-Green Light
  38. Reintroducing the Twins
  39. ‘The Fir-Cones’
  40. Keda and Rantel
  41. The Room of Roots
  42. ‘Inklings of Glory’
  43. ‘Preparations for Arson’
  44. The Grotto
  45. Knives in the Moon
  46. ‘The Sun Goes Down Again’
  47. ‘Meanwhile’
  48. ‘The Burning’
  49. And Horses Took Them Home
  50. COVER

‘That is not unnatural, your Lordship. You did not send for me. I was summoned a few minutes ago, to find that you had fainted, an unfortunate, but by no means rare thing to happen to anyone. Now, I wonder why you should have fainted?’ The Doctor stroked his chin. ‘Why? Was the room very hot?’

The Earl comes across to the Doctor. ‘Prunesquallor,’ he says, ‘I don’t faint.’

‘Your Lordship,’ says the Doctor, ‘when I arrived in this bedroom you were in a faint.’

‘Why should I have fainted? I do not faint, Prunesquallor.’

‘Can you remember what you were doing before you lost consciousness?’

The Earl moves his eyes from the Doctor. All at once he feels very tired and sits down on the edge of the bed.

‘I can remember nothing, Prunesquallor. Absolutely nothing. I can only recall that I was hankering for something, but for what I do not know. It seems a month ago.’

‘I can tell you,’ says Prunesquallor. ‘You are making ready to go to your son’s Breakfast Gathering. You were pressed for time and were anxious not to be late. You are, in any event, over-strained, and in your anticipation of the occasion you became overwrought. Your “hankering” was to be with your one-year-old son. That is what you vaguely remember.’

‘When is my son’s Breakfast?’

‘It is in half an hour’s time, or to be precise, it is in twenty-eight minutes’ time.’

‘Do you mean this morning?’ A look of alarm has appeared on Lord Sepulchrave’s face.

‘This morning as ever was, as ever is, and as ever will or won’t be, bless its thunderous heart. No, no, my lord, do not get up yet.’ (Lord Sepulchrave has made an attempt to stand.) ‘In a moment or two and you will be as fit as the most expensive of fiddles. The Breakfast will not be delayed. No, no, not at all – You have twenty-seven long, sixty-second-apiece minutes, and Flay should be on his way to get your garments laid out for you – yes, indeed.’

Flay is not only on his way, but he is at the door, having been unable to remain in the Stone Lanes any longer than it took him to tear his way through them and up to his master’s room by an obscure passage which he alone knew. Even so he is only a moment or two in advance of Steerpike, who slides under Flay’s arm and through the bedroom door as Flay opens it.

Steerpike and the servant are amazed to find that Lord Sepulchrave is seemingly his own melancholy self again, and Flay shambles toward his master and drops upon his knees before him with a sudden, uncontrollable, clumsy movement, his knees striking the floor with a crash. The Earl’s sensitive pale hand rests for a moment on the shoulders of the scarecrow, but all he says is: ‘My ceremonial velvet, Flay. Be as quick as you can. My velvet and the bird-brooch of opal.’