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Chapters (50)
  1. ABOUT THE BOOK
  2. ABOUT THE AUTHOR
  3. TITLE PAGE
  4. INTRODUCTION
  5. A NOTE ON THE ILLUSTRATIONS
  6. TITUS GROAN
  7. The Hall of the Bright Carvings
  8. The Great Kitchen
  9. Swelter
  10. The Stone Lanes
  11. ‘The Spy-Hole’
  12. Fuchsia
  13. ‘Tallow and Birdseed’
  14. A Gold Ring for Titus
  15. Sepulchrave
  16. Prunesquallor’s Knee-Cap
  17. The Attic
  18. The Frivolous Cake
  19. ‘Mrs Slagg By Moonlight’
  20. Keda
  21. ‘First Blood’
  22. ‘Assemblage’
  23. ‘Titus is Christened’
  24. Means of Escape
  25. ‘A Field of Flagstones’
  26. ‘Over the Roofscape’
  27. ‘Near and Far’
  28. ‘Dust and Ivy’
  29. ‘The Body by the Window’
  30. ‘Ullage of Sunflower’
  31. Soap for Greasepaint
  32. At the Prunesquallors
  33. A Gift of the Gab
  34. While the Old Nurse Dozes
  35. Flay Brings a Message
  36. The Library
  37. In a Lime-Green Light
  38. Reintroducing the Twins
  39. ‘The Fir-Cones’
  40. Keda and Rantel
  41. The Room of Roots
  42. ‘Inklings of Glory’
  43. ‘Preparations for Arson’
  44. The Grotto
  45. Knives in the Moon
  46. ‘The Sun Goes Down Again’
  47. ‘Meanwhile’
  48. ‘The Burning’
  49. And Horses Took Them Home
  50. COVER

When the boy heard the key turn in the lock he half ran to the door and glued his eye to the keyhole and watched the seat of Mr Flay’s trousers receding down the passage. He had heard him turn a corner, and then a door was shut in the distance with a far bang, and thereafter there had been silence. Most people would have tried the handle of the door. The instinct, however irrational, would have been too strong; the first impulse of one who wishes to escape. Steerpike looked at the knob of the door for a moment. He had heard the key turn. He did not disobey the simple logic of his mind. He turned from the only door in the room and, leaning out of the window, glanced at the drop below.

His body gave the appearance of being malformed, but it would be difficult to say exactly what gave it this gibbous quality. Limb by limb it appeared that he was sound enough, but the sum of these several members accrued to an unexpectedly twisted total. His face was pale like clay and save for his eyes, masklike. These eyes were set very close together, and were small, dark red, and of startling concentration.

The striped kitchen tunic which he wore fitted him tightly. On the back of his head was pushed a small white skull cap.

As he gazed downward quietly at the precipitous drop he pursed his mouth and his eyes roved quickly over the quadrangle below him. Then suddenly he left the window and with his peculiar half-run, half-walk, he hurried around the room, as though it were necessary for him to have his limbs moving concurrently with his brain. Then he returned to the window. Everywhere was stillness. The afternoon light was beginning to wane in the sky although the picture of turrets and roof-tops enclosed by the window frame was still warmly tinted. He took one last comprehensive glance over his shoulder at the walls and ceiling of the prison room, and then, clasping his hands behind his back, returned his attention to the casement.

This time, leaning precariously out over the sill and with his face to the sky, he scrutinized the rough stones of the wall above the lintel and noticed that after twenty feet they ended at a sloping roof of slates. This roof terminated in a long horizontal spine like a buttress, which, in turn, led in great sweeping curves towards the main rooftops of Gormenghast. The twenty feet above him, although seeming at first to be unscalable, were, he noticed, precarious only for the first twelve feet, where only an occasional jutting of irregular stone offered dizzy purchase. Above this height a gaunt, half-dead creeper that was matted greyly over the slates, lowered a hairy arm which, unless it snapped at his weight, would prove comparatively easy climbing.