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Chapters (50)
  1. ABOUT THE BOOK
  2. ABOUT THE AUTHOR
  3. TITLE PAGE
  4. INTRODUCTION
  5. A NOTE ON THE ILLUSTRATIONS
  6. TITUS GROAN
  7. The Hall of the Bright Carvings
  8. The Great Kitchen
  9. Swelter
  10. The Stone Lanes
  11. ‘The Spy-Hole’
  12. Fuchsia
  13. ‘Tallow and Birdseed’
  14. A Gold Ring for Titus
  15. Sepulchrave
  16. Prunesquallor’s Knee-Cap
  17. The Attic
  18. The Frivolous Cake
  19. ‘Mrs Slagg By Moonlight’
  20. Keda
  21. ‘First Blood’
  22. ‘Assemblage’
  23. ‘Titus is Christened’
  24. Means of Escape
  25. ‘A Field of Flagstones’
  26. ‘Over the Roofscape’
  27. ‘Near and Far’
  28. ‘Dust and Ivy’
  29. ‘The Body by the Window’
  30. ‘Ullage of Sunflower’
  31. Soap for Greasepaint
  32. At the Prunesquallors
  33. A Gift of the Gab
  34. While the Old Nurse Dozes
  35. Flay Brings a Message
  36. The Library
  37. In a Lime-Green Light
  38. Reintroducing the Twins
  39. ‘The Fir-Cones’
  40. Keda and Rantel
  41. The Room of Roots
  42. ‘Inklings of Glory’
  43. ‘Preparations for Arson’
  44. The Grotto
  45. Knives in the Moon
  46. ‘The Sun Goes Down Again’
  47. ‘Meanwhile’
  48. ‘The Burning’
  49. And Horses Took Them Home
  50. COVER

Steerpike arched his nostrils at the dank air and his eyes travelled swiftly over the medley of corroding trophies, of hanging panoplies, smouldering with rust; and the stack of small arms, and noted a slim length of steel whose far end seemed to be embedded in some sort of tube, but it was impossible to make it out clearly in the dim light. A swordstick leapt to his mind, and his acquisitive instincts were sharpened at the thought. There was no time, however, for him to rummage among the heaps of metal at the moment, for he was conscious of the old woman’s eyes upon him, and he followed her and Fuchsia out of the hall vowing to himself that at the first opportunity he would visit the chill place again.

The door by which they made their exit lay opposite the flight that led down to the centre of the unhealthy hall. On passing through it they found themselves at the beginning of an ill-lit corridor, the walls of which were covered with small prints in faded colours. A few of them were in frames, but of these only a small proportion had their glass unbroken. Nannie and Fuchsia, being familiar with the corridor, had no thought for its desolate condition nor for the mellowed prints that depicted in elaborate but unimaginative detail the more obviously pictorial aspects of Gormenghast. Steerpike rubbed his sleeve across one or two as he followed, removing a quantity of dust, and glanced at them critically, for it was unlike him to let any kind of information slip from him unawares.

This corridor ended abruptly at a heavy doorway, which Fuchsia opened with an effort, letting in upon the passage a less oppressive darkness for it was late evening, and beyond the door a flock of clouds were moving swiftly across a slate-coloured sky in which one star rode alone.

‘Oh, my poor heart, how late it’s getting!’ said Nannie, peering anxiously at the sky, and confiding her thoughts to Fuchsia in such a surreptitious way that it might be supposed she was anxious that the firmament should not overhear her. ‘How late it is getting, my only, and I must be back with your Mother very soon. I must take her something to drink, the poor huge thing. Oh, no, we mustn’t be long!’

Before them was a large courtyard and at the opposite corner was a three-storied building attached to the main bulk of the castle by a flying buttress. By day it stood out strangely from the ubiquitous grey stone of Gormenghast, for it was built with a hard red sandstone from a quarry that had never since been located.

Fuchsia was very tired. The day had been overcharged with happenings. Now, as the last of the daylight surrendered in the west, she was still awake and beginning, not ending, another experience.