Chapters (50)
- ABOUT THE BOOK
- ABOUT THE AUTHOR
- TITLE PAGE
- INTRODUCTION
- A NOTE ON THE ILLUSTRATIONS
- TITUS GROAN
- The Hall of the Bright Carvings
- The Great Kitchen
- Swelter
- The Stone Lanes
- ‘The Spy-Hole’
- Fuchsia
- ‘Tallow and Birdseed’
- A Gold Ring for Titus
- Sepulchrave
- Prunesquallor’s Knee-Cap
- The Attic
- The Frivolous Cake
- ‘Mrs Slagg By Moonlight’
- Keda
- ‘First Blood’
- ‘Assemblage’
- ‘Titus is Christened’
- Means of Escape
- ‘A Field of Flagstones’
- ‘Over the Roofscape’
- ‘Near and Far’
- ‘Dust and Ivy’
- ‘The Body by the Window’
- ‘Ullage of Sunflower’
- Soap for Greasepaint
- At the Prunesquallors
- A Gift of the Gab
- While the Old Nurse Dozes
- Flay Brings a Message
- The Library
- In a Lime-Green Light
- Reintroducing the Twins
- ‘The Fir-Cones’
- Keda and Rantel
- The Room of Roots
- ‘Inklings of Glory’
- ‘Preparations for Arson’
- The Grotto
- Knives in the Moon
- ‘The Sun Goes Down Again’
- ‘Meanwhile’
- ‘The Burning’
- And Horses Took Them Home
- COVER
He could not rub his eyes, and free his vision, for his hands were occupied, so he waited until they were at last clear of the moisture that filmed them.
Fuchsia, in spite of knowing that she should remain where she was, had joined Nannie Slagg. She had been irritated by an attempt that Clarice had made to nudge her in a furtive way whenever she thought that no one was watching.
‘You never come to see me although you’re a relation, but that’s because I don’t want you to come and never ask you,’ her aunt had said, and had then peered round to see whether she was being watched, and noticing that Gertrude was in a kind of enormous trance, she continued:
‘You see, my poor child, I and my sister Cora are a good deal older than you and we both had convulsions when we were about your age. You may have noticed that our left arms are rather stiff and our left legs, too. That’s not our fault.’
Her sister’s voice came from the other side of the semi-circle of figures in a hoarse flat whisper, as though it was trying to reach the ears of Fuchsia without making contact with the row of ears that lay between. ‘Not our fault at all,’ she said, ‘not a bit our fault. Not any of it.’
‘The epileptic fits, my poor child,’ continued Cora, after nodding at her sister’s interruption, ‘have left us practically starved all down the right side. Practically starved. We had these fits you see.’
‘When we were about your age,’ came the empty echo.
‘Yes, just about your age,’ said Cora, ‘and being practically starved all down the right side we have to do our embroidered tapestries with one hand.’
‘Only one hand,’ said Clarice. ‘It’s very clever of us. But no one sees us.’
She leaned forward as she wedged in this remark, forcing it upon Fuchsia as though the whole future of Gormenghast hung upon it.
Fuchsia fiddled and wound her hair round her fingers savagely.
‘Don’t do that,’ said Cora. ‘Your hair is too black. Don’t do that.’
‘Much too black,’ came the flat echo.
‘Especially when your dress is so white.’
Cora bent forward from her hips so that her face was within a foot of Fuchsia’s. Then with only her eyes turned away, but her face broadside on to her niece, ‘We don’t like your mother’, she said.
Fuchsia was startled. Then she heard the same voice from the other side, ‘That’s true,’ said the voice, ‘we don’t.’
Fuchsia turned suddenly, swinging her inky bulk of hair. Cora had disobeyed all the rules and unable to be so far from the conversation had moved like a sleep-walker round the back of the group, keeping an eye on the black-velvet mass of the Countess.