Chapters (50)
- ABOUT THE BOOK
- ABOUT THE AUTHOR
- TITLE PAGE
- INTRODUCTION
- A NOTE ON THE ILLUSTRATIONS
- TITUS GROAN
- The Hall of the Bright Carvings
- The Great Kitchen
- Swelter
- The Stone Lanes
- ‘The Spy-Hole’
- Fuchsia
- ‘Tallow and Birdseed’
- A Gold Ring for Titus
- Sepulchrave
- Prunesquallor’s Knee-Cap
- The Attic
- The Frivolous Cake
- ‘Mrs Slagg By Moonlight’
- Keda
- ‘First Blood’
- ‘Assemblage’
- ‘Titus is Christened’
- Means of Escape
- ‘A Field of Flagstones’
- ‘Over the Roofscape’
- ‘Near and Far’
- ‘Dust and Ivy’
- ‘The Body by the Window’
- ‘Ullage of Sunflower’
- Soap for Greasepaint
- At the Prunesquallors
- A Gift of the Gab
- While the Old Nurse Dozes
- Flay Brings a Message
- The Library
- In a Lime-Green Light
- Reintroducing the Twins
- ‘The Fir-Cones’
- Keda and Rantel
- The Room of Roots
- ‘Inklings of Glory’
- ‘Preparations for Arson’
- The Grotto
- Knives in the Moon
- ‘The Sun Goes Down Again’
- ‘Meanwhile’
- ‘The Burning’
- And Horses Took Them Home
- COVER
Mrs Slagg was telling her troubles to Keda and trying to preserve the dignity which she thought she ought to show as the head nurse of the direct and only heir to Gormenghast, and at the same time longing to unburden herself in a more natural way. Flay was polishing an ornate helmet which Lord Groan had to wear, that evening being the first after the advent, and Swelter was whetting a long meat-knife on a grindstone. He was doubled over it like a crammed bolster, and was evidently taking great pains to bring the blade to an uncommonly keen edge. The grindstone, dwarfed ridiculously by the white mass above it, wheeled to the working of a foot treadle. As the steel whisked obliquely across the flat of the whirling stone, the harsh, sandy whistling of the sound apparently gave pleasure to Mr Swelter, for a wodge of flesh kept shifting its position on his face.
As Fuchsia got to her feet and began to push her way up the hill of ferns, Steerpike was forty feet from her window and clawing away at the dry, dirty bunches of old sparrows’ nests that were blocking his upward climb.
When Fuchsia reached the castle she made straight for her room, and when she had closed the door behind her, drew a bolt across it and going to an old cardboard box in a corner found, after some rummaging, a piece of soft charcoal. She approached a space on the wall and stood staring at the plaster. Then she drew a heart and around it she wrote: I am Fuchsia. I must always be. I am me. Don’t be frightened. Wait and see.
Then she felt a great yearning for her picture-book with the poems. She lit a candle and, pulling back her bed, crept through the stairway door and began to climb spirally upwards to her dim sanctum.
It was not very often that she climbed to the attic in the late afternoon, and the darkness of the front room as she entered stopped her on the last stair for a moment. Her candle as she passed through the narrow gully illumined fitfully the weird assortment that comprised its walls, and when she came to the emptiness of her acting room she moved forward slowly, treading in the pale aura of light cast by the candle-flame.
In her third especial attic she knew that she had left, some weeks before, a supply of red-and-green wax tapers that she had unearthed, put aside, and forgotten. She had rediscovered them. Three of these would light the room up beautifully for she wanted the window to be shut. She climbed the ladder to the balcony, pushed open the door with one hinge and entered, with a gush of dark love.