Back Gormenghast
Chapters (50)
  1. ABOUT THE BOOK
  2. ABOUT THE AUTHOR
  3. TITLE PAGE
  4. INTRODUCTION
  5. A NOTE ON THE ILLUSTRATIONS
  6. TITUS GROAN
  7. The Hall of the Bright Carvings
  8. The Great Kitchen
  9. Swelter
  10. The Stone Lanes
  11. ‘The Spy-Hole’
  12. Fuchsia
  13. ‘Tallow and Birdseed’
  14. A Gold Ring for Titus
  15. Sepulchrave
  16. Prunesquallor’s Knee-Cap
  17. The Attic
  18. The Frivolous Cake
  19. ‘Mrs Slagg By Moonlight’
  20. Keda
  21. ‘First Blood’
  22. ‘Assemblage’
  23. ‘Titus is Christened’
  24. Means of Escape
  25. ‘A Field of Flagstones’
  26. ‘Over the Roofscape’
  27. ‘Near and Far’
  28. ‘Dust and Ivy’
  29. ‘The Body by the Window’
  30. ‘Ullage of Sunflower’
  31. Soap for Greasepaint
  32. At the Prunesquallors
  33. A Gift of the Gab
  34. While the Old Nurse Dozes
  35. Flay Brings a Message
  36. The Library
  37. In a Lime-Green Light
  38. Reintroducing the Twins
  39. ‘The Fir-Cones’
  40. Keda and Rantel
  41. The Room of Roots
  42. ‘Inklings of Glory’
  43. ‘Preparations for Arson’
  44. The Grotto
  45. Knives in the Moon
  46. ‘The Sun Goes Down Again’
  47. ‘Meanwhile’
  48. ‘The Burning’
  49. And Horses Took Them Home
  50. COVER

Mrs Slagg was telling her troubles to Keda and trying to preserve the dignity which she thought she ought to show as the head nurse of the direct and only heir to Gormenghast, and at the same time longing to unburden herself in a more natural way. Flay was polishing an ornate helmet which Lord Groan had to wear, that evening being the first after the advent, and Swelter was whetting a long meat-knife on a grindstone. He was doubled over it like a crammed bolster, and was evidently taking great pains to bring the blade to an uncommonly keen edge. The grindstone, dwarfed ridiculously by the white mass above it, wheeled to the working of a foot treadle. As the steel whisked obliquely across the flat of the whirling stone, the harsh, sandy whistling of the sound apparently gave pleasure to Mr Swelter, for a wodge of flesh kept shifting its position on his face.

As Fuchsia got to her feet and began to push her way up the hill of ferns, Steerpike was forty feet from her window and clawing away at the dry, dirty bunches of old sparrows’ nests that were blocking his upward climb.

When Fuchsia reached the castle she made straight for her room, and when she had closed the door behind her, drew a bolt across it and going to an old cardboard box in a corner found, after some rummaging, a piece of soft charcoal. She approached a space on the wall and stood staring at the plaster. Then she drew a heart and around it she wrote: I am Fuchsia. I must always be. I am me. Don’t be frightened. Wait and see.

Then she felt a great yearning for her picture-book with the poems. She lit a candle and, pulling back her bed, crept through the stairway door and began to climb spirally upwards to her dim sanctum.

It was not very often that she climbed to the attic in the late afternoon, and the darkness of the front room as she entered stopped her on the last stair for a moment. Her candle as she passed through the narrow gully illumined fitfully the weird assortment that comprised its walls, and when she came to the emptiness of her acting room she moved forward slowly, treading in the pale aura of light cast by the candle-flame.

In her third especial attic she knew that she had left, some weeks before, a supply of red-and-green wax tapers that she had unearthed, put aside, and forgotten. She had rediscovered them. Three of these would light the room up beautifully for she wanted the window to be shut. She climbed the ladder to the balcony, pushed open the door with one hinge and entered, with a gush of dark love.