Back Gormenghast
Chapters (50)
  1. ABOUT THE BOOK
  2. ABOUT THE AUTHOR
  3. TITLE PAGE
  4. INTRODUCTION
  5. A NOTE ON THE ILLUSTRATIONS
  6. TITUS GROAN
  7. The Hall of the Bright Carvings
  8. The Great Kitchen
  9. Swelter
  10. The Stone Lanes
  11. ‘The Spy-Hole’
  12. Fuchsia
  13. ‘Tallow and Birdseed’
  14. A Gold Ring for Titus
  15. Sepulchrave
  16. Prunesquallor’s Knee-Cap
  17. The Attic
  18. The Frivolous Cake
  19. ‘Mrs Slagg By Moonlight’
  20. Keda
  21. ‘First Blood’
  22. ‘Assemblage’
  23. ‘Titus is Christened’
  24. Means of Escape
  25. ‘A Field of Flagstones’
  26. ‘Over the Roofscape’
  27. ‘Near and Far’
  28. ‘Dust and Ivy’
  29. ‘The Body by the Window’
  30. ‘Ullage of Sunflower’
  31. Soap for Greasepaint
  32. At the Prunesquallors
  33. A Gift of the Gab
  34. While the Old Nurse Dozes
  35. Flay Brings a Message
  36. The Library
  37. In a Lime-Green Light
  38. Reintroducing the Twins
  39. ‘The Fir-Cones’
  40. Keda and Rantel
  41. The Room of Roots
  42. ‘Inklings of Glory’
  43. ‘Preparations for Arson’
  44. The Grotto
  45. Knives in the Moon
  46. ‘The Sun Goes Down Again’
  47. ‘Meanwhile’
  48. ‘The Burning’
  49. And Horses Took Them Home
  50. COVER

With her back to the room she stares through the star-shaped gap in the glass. Before her spreads the green lawn. She is watching the sun breaking through the distant cedars. It is the day of her son’s Breakfast. She turns her head. ‘You have a week,’ she says, ‘and then you leave these walls. A servant shall be found for the Earl.’

Steerpike lifts his head, and for a moment he ceases to drum on the woodwork with his fingernails. As he starts tapping again, a kestrel, sweeping through the star of the shattered pane, alights on the shoulder of the Countess. She winces as its talons for a moment close, but her eyes soften.

Flay approaches a door in three slow, spidery slides. It is the door that opens into the Stone Lanes. He fumbles for his key, and turns it in the lock. He must rest in his own region before he returns to the Earl, and he lets himself into the long darkness.

The Countess, for the first time, remembers Steerpike. She moves her eyes slowly in the direction where she had last seen him, but he is no longer there nor in any part of the room.

A bell chimes from the corridor beyond the Room of Cats and she knows that there is but a short while before the Breakfast.

She feels a splash of water on her hand, and, turning, sees that the sky has become overcast with a blanket of ominous dark rose-coloured cloud, and of a sudden the light fades from the lawn and the cedars.

Steerpike, who is on his way back to the Earl’s bedroom, stops a moment at a staircase window to see the first descent of the rain. It is falling from the sky in long, upright and seemingly motionless lines of rosy silver that stand rigidly upon the ground as though there were a million harp strings strung vertically between the solids of earth and sky. As he leaves the window he hears the first roar of the summer thunder.

The Countess hears it as she stares through the jagged star in the bay window. Prunesquallor hears it as he balances the Earl upon his feet at the side of the bed. The Earl must have heard it, too, for he takes a step of his own volition towards the centre of the room. His own face has returned.

‘Was that thunder, Doctor?’ he says.

The Doctor watches him very carefully, watches his every movement, though few would have guessed how intently he was studying his patient had they seen his long ingenious mouth open with customary gaiety.

‘Thunder it was, your Lordship. A most prodigious peal. I am waiting for the martial chords which must surely follow such an opening, what? Ha, ha, ha, ha, ha!’

‘What has brought you to my bedroom, Doctor? I do not remember sending for you.’