Chapters (50)
- ABOUT THE BOOK
- ABOUT THE AUTHOR
- TITLE PAGE
- INTRODUCTION
- A NOTE ON THE ILLUSTRATIONS
- TITUS GROAN
- The Hall of the Bright Carvings
- The Great Kitchen
- Swelter
- The Stone Lanes
- ‘The Spy-Hole’
- Fuchsia
- ‘Tallow and Birdseed’
- A Gold Ring for Titus
- Sepulchrave
- Prunesquallor’s Knee-Cap
- The Attic
- The Frivolous Cake
- ‘Mrs Slagg By Moonlight’
- Keda
- ‘First Blood’
- ‘Assemblage’
- ‘Titus is Christened’
- Means of Escape
- ‘A Field of Flagstones’
- ‘Over the Roofscape’
- ‘Near and Far’
- ‘Dust and Ivy’
- ‘The Body by the Window’
- ‘Ullage of Sunflower’
- Soap for Greasepaint
- At the Prunesquallors
- A Gift of the Gab
- While the Old Nurse Dozes
- Flay Brings a Message
- The Library
- In a Lime-Green Light
- Reintroducing the Twins
- ‘The Fir-Cones’
- Keda and Rantel
- The Room of Roots
- ‘Inklings of Glory’
- ‘Preparations for Arson’
- The Grotto
- Knives in the Moon
- ‘The Sun Goes Down Again’
- ‘Meanwhile’
- ‘The Burning’
- And Horses Took Them Home
- COVER
The invigorating air, coupled with his recognition of the distant figure, prompted him to change his course, and with quick, birdlike steps he moved rapidly along the edge of the wood. In the rough landscape away to his left, the tiny figure in its crimson dress sang out against the sombre background like a ruby on a slate. The midsummer sun, and how much less this autumn light, had no power to mitigate the dreary character of the region that surrounded Gormenghast. It was like a continuation of the castle, rough and shadowy, and though vast and often windswept, oppressive too, with a kind of raw weight.
Ahead lay Gormenghast Mountain in all its permanence, a sinister thing as though drawn out of the earth by sorcery as a curse on all who viewed it. Although its base appeared to struggle from a blanket of trees within a few miles of the castle, it was in reality a day’s journey on horseback. Clouds were generally to be seen clustering about its summit even on the finest days when the sky was elsewhere empty, and it was common to see the storms raging across its heights and the sheets of dark rain slanting mistily over the blurred crown and obscuring half the mountain’s hideous body, while, at the same time, sunlight was playing across the landscape all about it and even on its own lower slopes. Today, however, not even a single cloud hung above the peak, and when Fuchsia had looked out of her bedroom window after her midday meal she had stared at the Mountain and said: ‘Where are the clouds?’
‘What clouds?’ said the old nurse, who was standing behind her, rocking Titus in her arms. ‘What is it, my caution?’
‘There’s nearly always clouds on top of the Mountain,’ said Fuchsia.
‘Aren’t there any, dear?’
‘No,’ said Fuchsia. ‘Why aren’t there?’
Fuchsia realized that Mrs Slagg knew virtually nothing, but the long custom of asking her questions was a hard one to break down. This realization that grown-ups did not necessarily know any more than children was something against which she had fought. She wanted Mrs Slagg to remain the wise recipient of all her troubles and the comforter that she had always seemed, but Fuchsia was growing up and she was now realizing how weak and ineffectual was her old guardian. Not that she was losing her loyalty or affection. She would have defended the wrinkled midget to her last breath if necessary; but she was isolated within herself with no one to whom she could run with that unquestioning confidence – that outpouring of her newest enthusiasms – her sudden terrors – her projects – her stories.
‘I think I’ll go out,’ she said, ‘for a walk.’
‘Again?’ said Mrs Slagg, stopping for a moment the rocking of her arms. ‘You go out such a lot now, don’t you? Why are you always going away from me?’