Chapters (54)
- Cover
- Title Page
- Copyright
- Epigraph
- Prologue
- Friday
- (Gabe Parker: Shaken, Not Stirred—Part One)
- Then
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Now
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Saturday
- (Gabe Parker: Shaken, Not Stirred—Part Two)
- Then
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Now
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Sunday
- (Gabe Parker: Shaken, Not Stirred—Part Three)
- Then
- Chapter 19
- Chapter 20
- Chapter 21
- Now
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Monday
- (Gabe Parker: Shaken, Not Stirred—Part Four)
- Then
- Chapter 28
- Now
- Chapter 29
- Chapter 30
- Dedication
- Acknowledgments
- About the Author
The furniture was pale wood, the furnishings all neutral. There was enough space that I could have fit most of my own bedroom between Gabe’s bed and his built-in fireplace.
The only signs of individuality were the haphazard stacks on almost all the available surfaces. He hadn’t been lying when he said he loved books. Or his publicist was really working overtime to hammer home this new narrative.
I spotted a few recognizable spines from my safe space in the doorway. Fiction. Nonfiction. Poetry. Plenty of recent bestsellers and book club books, but also a few that surprised me.
bell hooks. Katherine Dunn. Tim O’Brien. Aimee Bender. James Baldwin. Alan Bennett.
Books that I had on my shelf at home. My hands itched with the desire to run my fingers along their spines—something familiar to center me in an unfamiliar environment where I felt completely out of my element.
Instead, I tucked my hand into my bag, once again checking. Pen. Notebook. Tape recorder. Everything I needed for this interview was there, and yet…
Maybe I couldn’t do this.
Ever since Jeremy and I had broken up, that thought had been circling in my head like an un-swattable fly. It hadn’t helped that my motivation had apparently walked out the door right after him.
I hadn’t written anything in weeks.
While all of my former MFA classmates were out there signing with agents or having short stories published or getting book deals, I was stumbling through the kind of assignments they all would have sneered at.
I didn’t really blame them. Not because I was ashamed of the work I was getting, but because I knew that the writing I was doing was, at its best, boring.
At its worst, it was just bad.
What if that was the kind of writer I was? The kind of writer I’d always be?
But now wasn’t the time for an existential crisis.
I pushed aside my doubts, and focused on the room. On the piles of books. There were movies too—a stack of them on the credenza next to the ridiculously oversized and completely expected flat screen TV.
Even though I knew it was probably more professional for me to stay in the doorway, I ventured toward the DVDs. A familiar one stared up at me from the top of the pile.
I don’t want to be worshipped. I want to be loved.
“Sorry?”
Gabe turned back toward me, and I realized I’d said that out loud.
I blushed and held up the DVD. The Philadelphia Story.
“It’s from the movie,” I said.
“Oh yeah, that’s what I wanted to show you. Ryan sent these over the other day,” Gabe said. “For research.”
Ryan Ulrich, the director of The Hildebrand Rarity.