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Chapters (53)
  1. Praise for Early Riser
  2. PENGUIN BOOKS
  3. Also by Jasper Fforde
  4. Dedication
  5. Mrs Tiffen could play the bouzouki
  6. Fat Thursday
  7. Jack Logan
  8. Testing time
  9. Cardiff nights
  10. Oliver Tiffen goes hot
  11. Merthyr
  12. Meet Aurora
  13. The John Edward Jones
  14. Over the hump
  15. Talgarth and HiberTech
  16. The Wincarnis
  17. Consulate and Fodder
  18. Marooned
  19. The Sarah Siddons
  20. Room 901
  21. Trip to the Gower
  22. Dream, wake, repeat
  23. Jonesy
  24. Starving in the basement
  25. The Wincarnis
  26. The Consulate
  27. Toccata
  28. HiberTech
  29. Fodder
  30. The Museum
  31. Villains
  32. Truce busted
  33. Something rotten in the winter
  34. Dream again
  35. Dawn and the dead
  36. A remote farm in Lincolnshire
  37. Jonesy
  38. The Farnesworths
  39. Dreamspace
  40. Fired & filing
  41. Charlie Webster
  42. Thumped
  43. H4S radar
  44. The Geraldus Cambrensis
  45. The cylinder
  46. Night in the museum
  47. Night in the museum 2
  48. White-out
  49. Orientation
  50. Dreamspace
  51. The Awakening
  52. Acknowledgements
  53. What’s next onyour reading list?

I think I remember tumbling for a while, then being wedged head first in the snow. To make matters worse the snow guard inside my parka then ripped, and the wind-blown snow rushed up inside the back of my coat and wrapped itself around my neck and chest. I momentarily stopped breathing with the sudden chill and could actually feel myself begin to lose core temperature. It started with an uncontrollable shiver, then a chattering of teeth, then a sense of calm mixed with resignation, loss and waste. I wanted badly to dream, to be back on the beach in the Gower, beneath the orange-and-red parasol of spectacular size and splendour with Birgitta being Birgitta and me being Charles. But I couldn’t, and slowly, with an annoying drab certainty, I felt myself slipping away.

But I didn’t die. Not yet.

Night in the museum

‘ . . . The Minister for Culture had to threaten to slit his own throat on the steps of Parliament House before the Regional Antiquities Repatriation Act was made into law. Simply put, it allowed for centralised collections to be returned to the region, village or hamlet where they were discovered. It was localisation at its very best  . . . ’

– Museums Quarterly, November 1973 edition

‘What kind of dopey halfwit goes out in weather like this?’

It was Hugo Foulnap. He was staring at me with the same sort of look you afford someone who has been repeatedly told not to play with lighter fuel and matches, and who has just set themselves on fire. He was out of the shock-suit – probably because invasion during the storm was unlikely – and was staring at me with a sense of curious fascination. We were in a white-tiled warmroom, presumably within the museum, although according to my last memory I had yet to even get to the wrought-iron gates. I was completely naked and immersed in a roll-top bath filled with warm water.

‘This kind of dopey halfwit,’ I said, pointing at myself.

‘Run into a spot of bother?’

He indicated my body, which was covered with all the bruises, scratches and tooth marks I’d gained when I was nearly nightwalker lunch, all now stained by dabs of iodine on my pale wintercoat, which made me look a little like a purple Dalmatian. I pointed to the bite mark on my face.

‘See that?’

‘Yes.’

‘Carmen Miranda.’

‘Is that how she does autographs these days?’

‘Pretty much. She was at the Cambrensis.’

‘Ah,’ said Foulnap. ‘Cold in there? Empty and shuttered?’

‘No,’ I said after a pause, ‘no, it’s not.’

We stared at one another for a while.

‘How are the toes?’ he asked, and I stared at them uneasily. They had a marzipanish look to them and were hurting badly, so I thought probably not that good.

‘I may lose one or two.’

‘To match your finger?’