Back Early Riser Save as PDF
Chapters (53)
  1. Praise for Early Riser
  2. PENGUIN BOOKS
  3. Also by Jasper Fforde
  4. Dedication
  5. Mrs Tiffen could play the bouzouki
  6. Fat Thursday
  7. Jack Logan
  8. Testing time
  9. Cardiff nights
  10. Oliver Tiffen goes hot
  11. Merthyr
  12. Meet Aurora
  13. The John Edward Jones
  14. Over the hump
  15. Talgarth and HiberTech
  16. The Wincarnis
  17. Consulate and Fodder
  18. Marooned
  19. The Sarah Siddons
  20. Room 901
  21. Trip to the Gower
  22. Dream, wake, repeat
  23. Jonesy
  24. Starving in the basement
  25. The Wincarnis
  26. The Consulate
  27. Toccata
  28. HiberTech
  29. Fodder
  30. The Museum
  31. Villains
  32. Truce busted
  33. Something rotten in the winter
  34. Dream again
  35. Dawn and the dead
  36. A remote farm in Lincolnshire
  37. Jonesy
  38. The Farnesworths
  39. Dreamspace
  40. Fired & filing
  41. Charlie Webster
  42. Thumped
  43. H4S radar
  44. The Geraldus Cambrensis
  45. The cylinder
  46. Night in the museum
  47. Night in the museum 2
  48. White-out
  49. Orientation
  50. Dreamspace
  51. The Awakening
  52. Acknowledgements
  53. What’s next onyour reading list?

I went into the kitchenette, mixed some muesli with long-life milk and a large spoonful of peanut butter and walked to the window. I could hear the wind whipping around the building outside, rattling the shutters and trying to find a chink in the building’s Winter armour. I needed a plan, and after some careful thought figured one out: I’d go and see Hugo Foulnap, who was on duty at the museum. The reason was simple. Aurora had suggested he was Campaign for Real Sleep and if this was true and he was hiding as Danny Pockets in Sector Twelve, then I could make two assumptions: that there was an ongoing RealSleep operation and he, Jonesy, Toccata and the shambling occupants of the Cambrensis were a big part of it.

I found some fresh warm clothes in the wardrobe, replaced the flashcube on the camera so I was armed with more flashes, then cautiously opened the apartment door and peered out into the empty corridor. I crept back upstairs without being molested, found a heavy parka, pulled on some snow boots, shoved the camera in my bag and consulted the fixed line schematic that was screwed to the wall between the inner and outer doors of the Cambrensis. The museum was on the other side of the road and about a quarter of a mile away. In daylight and without weather, about a five-minute stroll. I would have to do it in less than thirty and not lose my way if I wanted to keep all my fingers and toes.

I took a deep breath, then opened the outer door.

If I thought the weather had been bad before it was twice as bad now. The icy wind was howling past the door, the view a mass of angry swirling snow. I fired up the lamp with the last thermalite, then clipped myself onto the fixed line. I paused to tell myself that this was the best course of action, Gronk or no Gronk, and set off into the storm. My lantern afforded me really only moral support but by staying close to the wall I could minimise the buffeting from the wind, and although the snow was now almost three feet deep in drifts and the going slow, I made progress. Within ten minutes I was at the bridge, from where I would have to cross the road without the fixed line. I was less cautious than perhaps I should have been; after leaving the line and taking two paces towards the opposite parapet, the full force of the wind lifted me off my feet.