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Chapters (79)
  1. Cover
  2. Dedication
  3. Epigraph
  4. One
  5. Two
  6. Three
  7. Four
  8. Five
  9. Six
  10. Seven
  11. Eight
  12. Nine
  13. Ten
  14. Eleven
  15. Twelve
  16. Thirteen
  17. Fourteen
  18. Fifteen
  19. Sixteen
  20. Seventeen
  21. Eighteen
  22. Nineteen
  23. Twenty
  24. Twenty-One
  25. Twenty-Two
  26. Twenty-Three
  27. Twenty-Four
  28. Twenty-Five
  29. Twenty-Six
  30. Twenty-Seven
  31. Twenty-Eight
  32. Twenty-Nine
  33. Thirty
  34. Thirty-One
  35. Thirty-Two
  36. Thirty-Three
  37. Thirty-Four
  38. Thirty-Five
  39. Thirty-Six
  40. Thirty-Seven
  41. Thirty-Eight
  42. Thirty-Nine
  43. Forty
  44. Forty-One
  45. Forty-Two
  46. Forty-Three
  47. Forty-Four
  48. Forty-Five
  49. Forty-Six
  50. Forty-Seven
  51. Forty-Eight
  52. Forty-Nine
  53. Fifty
  54. Fifty-One
  55. Fifty-Two
  56. Fifty-Three
  57. Fifty-Four
  58. Fifty-Five
  59. Fifty-Six
  60. Fifty-Seven
  61. Fifty-Eight
  62. Fifty-Nine
  63. Sixty
  64. Sixty-One
  65. Sixty-Two
  66. Sixty-Three
  67. Sixty-Four
  68. Sixty-Five
  69. Sixty-Six
  70. Sixty-Seven
  71. Sixty-Eight
  72. Sixty-Nine
  73. Seventy
  74. Acknowledgments
  75. About the Author
  76. Praise for Destroy All Monsters
  77. Books by Sam J. Miller
  78. Back Ad
  79. About the Publisher

How? Cass told me the story about that one. How Avedon spent all night photographing her, in his studio, with props and backdrops and costumes, in motion and standing still, hundreds of exposures as he tried to get at the truth of her. Country girl Norma Jeane, who created a fictional creature to hide behind, and made her into the most famous woman in the world. He couldn’t break through that facade. Finally, he told her he was all finished with the shoot. She relaxed. Let her guard down. All the exhaustion she’d been hiding flowed into her face. In that instant, he took a photograph. And that’s the one.

On the one hand, it’s kind of a dick move. To trick a woman into revealing something she tried her hardest to keep hidden. To steal her secret, and tell everyone. On the other hand, there’s a truth here, a story Hollywood didn’t want to hear, about a lonely person who was tired of being exploited and crying out for help. If more people had heard that story, maybe she wouldn’t have taken her own life at thirty-six.

Being an artist sometimes means breaking the rules of civilized human behavior.

I shut my laptop. I counted to ten.

That evening, I’d gotten a call from Solomon’s aunt. His mother’s sister; his legal guardian. A sweet woman, overwhelmed by everything the world had thrown at her. She’d been crying. And when I hung up, so was I.

I had to, she said, and I had no choice, and They would have charged me with neglect.

She’d reported Solomon missing, to the Hudson Department of Child Protective Services. She’d spent weeks trying not to. Reaching out to him, trying to get him to come home. She’d covered for him for as long as she could. But now they’d be looking for him. They might even send cops.

Once I stopped crying, I went online and started staring at photographs. It helped, for a little while. And then it didn’t.

I tried my hardest not to call Connor. I hated myself when I did it: for exploiting him, for resorting to sex with no strings attached as a way of feeling better. Especially since he’d been so upset by seeing Solomon, the last time we were about to hook up. But the darkness was getting stronger. The hole in my chest was getting wider. I needed contact, distraction.

I went over to his house.

“What happened?” he asked, opening the door. “Are you okay?”

“Of course,” I said. “Why?”

“You only come by when you’re stressed out about something. Or upset, or sad, or whatever.”

“That’s not true,” I said.

Connor shrugged, and bit his lower lip. His body had definitely become a man’s, even if he still seemed so much like a boy sometimes.

He was right, of course.