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Chapters (79)
  1. Cover
  2. Dedication
  3. Epigraph
  4. One
  5. Two
  6. Three
  7. Four
  8. Five
  9. Six
  10. Seven
  11. Eight
  12. Nine
  13. Ten
  14. Eleven
  15. Twelve
  16. Thirteen
  17. Fourteen
  18. Fifteen
  19. Sixteen
  20. Seventeen
  21. Eighteen
  22. Nineteen
  23. Twenty
  24. Twenty-One
  25. Twenty-Two
  26. Twenty-Three
  27. Twenty-Four
  28. Twenty-Five
  29. Twenty-Six
  30. Twenty-Seven
  31. Twenty-Eight
  32. Twenty-Nine
  33. Thirty
  34. Thirty-One
  35. Thirty-Two
  36. Thirty-Three
  37. Thirty-Four
  38. Thirty-Five
  39. Thirty-Six
  40. Thirty-Seven
  41. Thirty-Eight
  42. Thirty-Nine
  43. Forty
  44. Forty-One
  45. Forty-Two
  46. Forty-Three
  47. Forty-Four
  48. Forty-Five
  49. Forty-Six
  50. Forty-Seven
  51. Forty-Eight
  52. Forty-Nine
  53. Fifty
  54. Fifty-One
  55. Fifty-Two
  56. Fifty-Three
  57. Fifty-Four
  58. Fifty-Five
  59. Fifty-Six
  60. Fifty-Seven
  61. Fifty-Eight
  62. Fifty-Nine
  63. Sixty
  64. Sixty-One
  65. Sixty-Two
  66. Sixty-Three
  67. Sixty-Four
  68. Sixty-Five
  69. Sixty-Six
  70. Sixty-Seven
  71. Sixty-Eight
  72. Sixty-Nine
  73. Seventy
  74. Acknowledgments
  75. About the Author
  76. Praise for Destroy All Monsters
  77. Books by Sam J. Miller
  78. Back Ad
  79. About the Publisher

I’d been writing about them, but I’d also been writing about Mr. Barrett. About how we’re all complicit in their crimes. How we give up our power. Turn a blind eye. Decide not to fight back against the monsters in our world, because they seem too powerful to destroy.

I didn’t write about the Induction Ceremonies. I didn’t include a photograph of Sheffield. That wasn’t what the project was about.

I wrote:

These boys aren’t monsters.

I wrote:

I’m still scared. But maybe a little less so.

Six days later I got a call from the California Institute of the Arts—which, nbd, is only the number three top-ranked photography school in the country. They said they had seen my project. They wanted to know where I was going to college. They wanted me to apply.

I called up Cass immediately afterward. And asked, “You wouldn’t happen to know anyone from the California Institute of the Arts, would you?”

I heard her suck in cigarette smoke. “I know lots of people in lots of places.”

“You didn’t maybe make a call to one of them? Send them a link to my site?”

I heard her blow out smoke. “You made something great, Ash. That’s your gift, as an artist. My gift as an artist is the ability to make sure that people who make something great can get recognized for it. And get the support they need, to keep on making great things.”

I had so much to say, but all I managed was “Thanks, Cass.”

My spine shook, with a thousand magnificent, possible futures.

Sixty-Eight

Solomon

A pair of dire wolves waited patiently at the entrance to the Queen Ananka the Second Hospital Recovery Pavilion, as big as horses and just as uninterested in anything the humans around them were doing.

“Ma’am!” someone called, hurrying behind us.

I’d been about to take a picture of the dire wolves, but Cass snapped her fingers at me to keep me moving.

“Ma’am, you can’t be back here!” said a nurse, when he finally caught up with us. For all her years, my boss could move pretty fast.

“Nonsense,” Cass said, not slowing down.

“Ma’am, I’m going to have to call sec—”

“But we’re visiting our friend,” she said, stopping in front of a shallow pool marked “Physical Therapy,” where a young man sat with no shirt on. “Aren’t we?”

“Um,” Niv said, so startled to see her that he didn’t know what to say, and didn’t see me at all. “Yes?” Because who ever said no to Cass?

“You see,” Cass said, and turned to watch the penitent nurse until he scurried away.

“Solomon!” Niv said, and stood up. Water poured off him, and he winced.

“Oh, Niv,” I said, seeing the bruises that covered his body.