Back Weird Save as PDF
Chapters (46)
  1. Title Page
  2. Copyright
  3. Dedication
  4. BEING WEIRD
  5. Weird
  6. Todd, Part I
  7. The Realization
  8. Daniel, Part I
  9. Julia, Part I
  10. Beverly, Part I
  11. Jess, Part I
  12. The Exclusion
  13. Jess, Part II
  14. Emma, Part I
  15. Asma, Part I
  16. The Sting
  17. Emma, Part II
  18. Vivienne, Part I
  19. Alex, Part I
  20. THE WEIRD ADVANTAGE
  21. Creativity
  22. Truth
  23. Alex, Part II
  24. Julia, Part II
  25. HOW TO BE DIFFERENT
  26. Getting Support
  27. Julia, Part III
  28. Comfort with Discomfort
  29. Beverly, Part II
  30. Asma, Part II
  31. Better Than the Rest
  32. The Big Picture
  33. Daniel, Part II
  34. Deana, Part I
  35. Vivienne, Part II
  36. Emma, Part III
  37. Change Yourself
  38. Todd, Part II
  39. TO STAY DIFFERENT, OR TO FIND YOUR OWN KIND?
  40. Staying
  41. Leaving
  42. In Between
  43. Deana, Part II
  44. Acknowledgments
  45. Discover More
  46. Notes

Mary Duffy, the plus-size modeling agent, built a career on being proud of being overweight and recruiting other women who felt the same way. But even she seemed of two minds when it came to her uniqueness: On one hand, she was grateful for her natural curviness. On the other, she seemed to dwell on thinness.

In the old days, she told me, it drove her crazy when her models would try to lose weight to fit societal norms. She would often think to herself, I’m so pretty that I can even gain weight and they’ll still pay me three hundred dollars an hour to stand in front of a camera. She devised one-liners to lob at people who made fun of her models because of their weight: “Mattel made the Barbie and God made the rest of us.”

“I’m Irish,” she explained. “If you’re purposely rude to me, I can’t be completely happy until I’ve thrown you into a month of therapy.”

And yet. When I walked into her apartment, practically the first thing she said was, “You’re thin as a pencil!” She asked me whether I was “naturally” that way or if I watch what I eat.

As a young adult, Mary would buy the smallest size she could fit in and would use water pills and lingerie in order to squeeze into it. As she showed me old images of herself in catalogs, she stopped to point to her size-16 frame and say, “My God, I was a large woman.”

Being different can bring about a great deal of ambivalence. Not even those who achieved success because of their difference, as Mary did, were able to escape an occasional inkling that life as someone more traditional might have been better. And many still don’t fit perfectly in one group or the other, instead finding themselves in between two different tribes.

This is especially the case when a person’s difference is the result of physical appearance, which can be altered with surgery, but which is so fundamental to identity. “That’s you!” people say, when they spot you in photos. How could you want to be someone other than yourself, even if the physical manifestation of “you” is not what society prefers?

I encountered these kinds of conflicting feelings about difference when I spoke with Ariel Henley, a writer with a facial disfigurement. Ariel was born with Crouzon syndrome, a disorder in which a fetus’s skull bones don’t fuse properly, resulting in a visibly deformed head and wide-set, bulging eyes. Ariel has undergone many surgeries, but her facial difference is still visible. Her eyes are slightly farther apart than most people’s, and one is slanted downward. Her disfigurement is the subject of much of her writing.