War Horse
Contents (46)
- War Horse
- Contents
- First Performance
- Characters
- WAR HORSE
- Author’s Note
- ONE
- TWO
- THREE
- FOUR
- FIVE
- SIX
- SEVEN
- EIGHT
- NINE
- TEN
- ELEVEN
- TWELVE
- THIRTEEN
- FOURTEEN
- FIFTEEN
- SIXTEEN
- SEVENTEEN
- EIGHTEEN
- NINETEEN
- TWENTY
- TWENTY-THREE
- TWENTY-FOUR
- TWENTY-FIVE
- TWENTY-SIX
- TWENTY-SEVEN
- TWENTY-EIGHT
- TWENTY-NINE
- THIRTY
- War Horse Songbook
- The Devonshire Carol
- Only Remembered
- The Scarlet and the Blue
- Snowfalls
- Brisk Young Ploughboy
- Rolling Home
- Stand To
- Goodbye Dolly Gray
- About the Author
- By Nick Stafford from Faber
- Copyright


NICK STAFFORD
War Horse
adapted for the stage from the novel by
MICHAEL MORPURGO

Contents
- Title Page
- First Performance
- Characters
- War Horse
- Author’s Note
- One
- Two
- Three
- Four
- Five
- Six
- Seven
- Eight
- Nine
- Ten
- Eleven
- Twelve
- Thirteen
- Fourteen
- Fifteen
- Sixteen
- Seventeen
- Eighteen
- Nineteen
- Twenty
- Twenty-Three
- Twenty-Four
- Twenty-Five
- Twenty-Six
- Twenty-Seven
- Twenty-Eight
- Twenty-Nine
- Thirty
- War Horse Song Book
- The Devonshire Carol
- Only Remembered
- The Scarlet and the Blue
- Snowfalls
- Brisk Young Ploughboy
- Rolling Home
- Stand To
- Goodbye Dolly Gray
- About the Author
- By Nick Stafford from Faber
- Copyright
First Performance
War Horse was first performed in the Olivier auditorium of the National Theatre, London, presented in association with Handspring Puppet Company, on 9 October 2007. The cast, in alphabetical order, was as follows:
Jamie Ballard Major Nicholls
Alice Barclay Swallow/Emilie
Jason Barnett Chapman Carter/Rudi/Heine
James Barriscale Sergeant Bone/Colonel Strauss/Sergeant Fine
Simon Bubb Captain Stewart/Soldat Schmidt
Finn Caldwell Joey’s Mother/Goose/Topthorn/Veterinary Officer Martin
Paul Chequer David/Soldat Schultz
Tim van Eyken Song Man
Thomas Goodridge Young Joey/Topthorn
Stephen Harper Joey’s Mother/Dr Schweyk/Coco/Geordie
Thusitha Jayasundera Rose Narracott/Private Shaw
Gareth Kennerley Veterinary Officer Bight/Karl
Craig Leo Crow/Joey
Rachel Leonard Baby Joey/Emilie
Tim Lewis Topthorn/Major Callaghan
Tommy Luther Joey
Mervyn Millar Baby Joey/Emilie
Emily Mytton Paulette/Crow
Toby Olié Swallow/Joey/Crow
Toby Sedgwick Ted Narracott/Coco
Ashley Taylor-Rhys Ned Warren/Heine
Luke Treadaway Albert Narracott
Howard Ward Sergeant Thunder/Soldat Klebb
Alan Williams Arthur Warren/Soldat Manfred
Angus Wright Hauptmann Friedrich Müller
All other parts played by members of the company
Directors Marianne Elliott and Tom Morris
Designer/Drawings Rae Smith
Puppet Design and Fabrication Basil Jones and Adrian Kohler for Handspring Puppet Company
Lighting Designer Paule Constable
Director of Movement Toby Sedgwick
Music Adrian Sutton
Songmaker John Tams
Music Director Harvey Brough
Video Designers Leo Warner and Mark Grimmer for Fifty Nine Productions Ltd
Sound Designer Christopher Shutt
Associate Mervyn Millar
Characters
Joey, a horse
Alice, his mother, a horse
Chapman Carter, auctioneer
Villagers/Ringsiders
Albert Narracott
Ted Narracott, his father
Arthur Warren
Ned, his son
Rose Narracott, Albert’s mother
Captain Stewart
Topthorn, a horse
Sergeant Greig
Sergeant Bone
Major Nicholls
Veterinary Officer Bright
Sergeant Thunder
David Taylor
Hauptmann (Captain) Friedrich Muller
Stein, his batman
Gefreiter (Lance Corporal) Karl,
promoted to Offizier-Stellvertreter*
Doctor Schweyk
Colonel Strauss
Paulette
Emilie, Paulette’s daughter,
aged seven, aging to eleven
Unteroffizier (Sergeant) Klebb
Schultz
Heine, Coco, horses
Sergeant Fine
Sentry Shaw
Rudi
Schmidt, fleeing German soldier
Geordie
Manfred
Ludwig
Major Callaghan, officer at clearing station
Veterinary Officer Martin
Various soldiers, puppet horses, other animals and birds
* Offizier-Stellvertreter: Acting Officer – a rank (created due to heavy casualties) given to NCOs who acted in the field as officers but without the privileges of a commission.
WAR HORSE
Author’s Note
Joey – the central character – Alice, his mother, and Topthorn are all horses. None of them speaks but all – especially Joey – have detailed throughlines.
This involves many more stage directions than is normal in a stage play, and these barely indicate the detailed relationships between horse and human that need to be plotted to tell this story. A full description of the horses’ movements and reactions would be a script in itself. Therefore what follows is intended to be sufficient to begin.