Back Theatre of Marvels
Chapters (40)
  1. Cover
  2. About the Author
  3. Dedication
  4. Map
  5. I
  6. II
  7. III
  8. IV
  9. V
  10. VI
  11. VII
  12. VIII
  13. IX
  14. X
  15. XI
  16. XII
  17. XIII
  18. XIV
  19. XV
  20. XVI
  21. XVII
  22. XVIII
  23. XIX
  24. XX
  25. XXI
  26. XXII
  27. XXIII
  28. XXIV
  29. XXV
  30. XXVI
  31. XXVII
  32. XXVIII
  33. XXIX
  34. XXX
  35. XXXI
  36. XXXII
  37. Seven Years Later
  38. Epilogue
  39. Acknowledgements
  40. THIS IS JUST THE BEGINNING

Ellen’s light footsteps sounded to my left and then she was before me, a handmaiden flanked by two henchmen, their faces painted charcoal black, and huge red smiles. The men carried burning torches. I felt the heat of the flames on my face and smelt the ghost of the animal whose skins I now wore. It was time for the Great Amazonia to receive a live sacrifice. At a smarter theatre it might have been a real goat, but the Crillick’s crowd got Bouncer, Ellen’s tan and white spaniel that she’d trained to play dead. Ellen whistled and Bouncer trotted onstage. There was a collective ooh from the audience and he wagged his little tail to acknowledge them. She bent and lifted him up for my approval. When I nodded my head, she put him down before me and Bob handed me a spear. At the moment Ellen clicked her tongue I plunged it down and Bouncer keeled over, his plump little body small and still.

I turned my back to the audience and leant over Bouncer to the pot of vermilion mixed with flour and water that was kept at the rear of the stage. I thrust my hands in and smeared it around my lips and on my chest. The audience liked to think I’d killed the dog and drunk his blood. It was the part of the show they always wrote up in the papers. When I turned back around, face dripping red, a woman screamed. I took it as my cue to dance.

The drums began again, but this time I welcomed the thumping rhythm. I closed my eyes, and did what the beats told me to, abandoning myself to my well-rehearsed steps. In response to their command, I rolled my shoulders and wound my hips. I lifted a foot and stepped to one side then the other, in time to the drum. I spun and twisted, crouched down and jumped up. I’d always enjoyed losing myself in the routine but lately I was feeling as though I needed to in order to get through it. The cheering of the audience spurred me on, but it had been harder to feed off their energy in recent shows. I put it down to the extra pressures that came with my top billing. Throw yourself into it, Zillah. I whirled round and round and round, faster and faster until I felt dizzy. As the faces of the audience blurred, the dance felt like freedom once more, and a laugh came to my lips, high and unnatural. My movements grew wilder, more frantic, until the sweat ran down my face, streaking through the grease and the fake blood to pool in droplets at my chin. Then my surroundings fell away. I was in the dance and all was feeling.