Chapters (61)
- Cover
- PRAISE FOR The Wild Ones
- Title Page
- Dedication
- Epigraph
- The Beginning, or How Paheli Became the First Wild One; With a Cameo by Taraana, the Boy Made of Stars.
- An Introduction; Hold On to Your Hats.
- The Sweetness in the Sugarcane, or The Impractical Nature of Immortality
- Paheli: The Vagrant Experiences of a Mango Addict
- Cotton Candy Sugar Screams
- From the Book of MEMORIES
- “Will You Walk into My Parlor?” Said the Spider to the Fly.
- The Best Ice Cream in the World, Teddy Bears, and a Tree Creature.
- From the Book of MEMORIES
- I.
- The Reappearance of the Boy Made of Stars and the Plight of the Girl by the Oleander Lane.
- Paheli: An Interlude in Blue
- Besieged in the Between
- Tea, the City of Stairs, and the Story of a Boy
- From the Book of MEMORIES
- Heartbreak, Stone Buildings, and Tandoori
- Observations, Conversations, and Hot Parantha
- Paheli: The Spies Who Came In from the Between
- From the Book of MEMORIES
- The French Quarter, the Spanish Half, and Eulalie
- Paheli: The Eggplant Overture
- Sunny Jelly Beans, Po’Boys, and “Alouette”
- From the Book of MEMORIES
- The Keeper of the Green and the Mysteries of Magic
- Blood and the Between
- The Library of the Lost and the Stories of the Silenced
- Walking in Wicked Ways or The Importance of Balık Ekmek
- From the Book of MEMORIES
- Looking for the Needle in the Haystack
- Paheli: The Peculiar Crackle in the Electricity
- Ten Degrees Past Despair
- The Fault in the Stars
- The Blue City in the Mountains
- Paheli: Disharmony in the Attics
- From the Book of MEMORIES
- Paheli: Continued
- The Politics of a Body, the Politics of Pleasure
- The Medina, the Riad, and the Red City
- Paheli: The Atlas Mountains, the Cozy Rooftop, and the Confession, Possibly of Love
- From the Book of MEMORIES
- Souks, Spices, and Survival: A Guide into Chaos
- Jemaa el-Fna: The Mosque at the End of the World
- Paheli: A Moment in Chartreuse
- From the Book of MEMORIES
- Paheli: On the Frailties of the Heart
- Sonagi, or A Sudden Rain
- Paheli: The Cheese in the Trap
- Paheli: The Maze and the Minotaur
- A New Era, a New Dar; the River Sings
- The Burning Door, the Fallen City, and Taraana 2.0
- Paheli: The Beginning of Forever
- From the Book of MEMORIES
- Moving One Rock at a Time Will Eventually Move a Mountain, aka Goodbye
- Acknowledgments
- More from the Author
- About the Author
“Look at this shoe. Filthy, no? What material is it made from? What about the mud embedded in its sole? Where did it come from? Look at the creases in the leather. This shoe tells a story even to you who do not understand the language of objects, but to me, this shoe tells a tale about a laborer, not particularly old but not young, either. His name was Raoul, and he lived in a vast country not his own. He had a young daughter for whose sake he worked for little pay at a rich man’s company. Raoul owned only one pair of shoes, and he kept them clean.” The young librarian’s face slips into sorrow as his hand traces the creases of the old shoe. “His daughter was killed by bullies who wouldn’t accept her differences, and because he was an immigrant, justice for him, for his child, wasn’t a priority to those in power. Excuses were made. Without his daughter, the man lost his reason to live. He slipped into despair, and one morning, just after dawn, he walked out onto a busy road and ended his life.”
“Are all these stories tragic?” Areum asks after a protracted moment of silence.
“The stories of the lost and the silenced usually are,” Qasim says in a whisper. Another moment, soft with sorrow, pulses through us. He abruptly turns to Paheli. “I suppose you are here for the objects belonging to the past Keepers of the Between?” Taraana stills at his words, and he, too, turns to Paheli.
“Yes, I didn’t finish looking through them the last time I was here,” Paheli replies. “I also wanted to know if Master Ferdinand is feeling better now.”
“I will get them out for you, if you will wait here? As for the Master, I will go and inquire.” When Paheli nods, Qasim leaves.
We turn to her when he is gone. She preempts our questions. “Eulalie told me about this library and taught me the knocking pattern guaranteed to gain me an entrance. She was given this information by Mama Magdaline, who thought this library might contain information about the keepers.”
“Why didn’t you tell us about this place?” Etsuko asks, her dark eyes demanding.
Paheli’s eyes brush lightly over Taraana before she answers, and she shrugs. “I didn’t want to get anyone’s hopes up before I found something concrete.”
“Did you find something concrete?” Widad asks, her question a breathy trill.
“We’ll see,” Paheli says, and drops into a chair with a sigh, then rubs her face. “I dislike fleeing from places. It hurts my pride.”