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Chapters (61)
  1. Cover
  2. PRAISE FOR The Wild Ones
  3. Title Page
  4. Dedication
  5. Epigraph
  6. The Beginning, or How Paheli Became the First Wild One; With a Cameo by Taraana, the Boy Made of Stars.
  7. An Introduction; Hold On to Your Hats.
  8. The Sweetness in the Sugarcane, or The Impractical Nature of Immortality
  9. Paheli: The Vagrant Experiences of a Mango Addict
  10. Cotton Candy Sugar Screams
  11. From the Book of MEMORIES
  12. “Will You Walk into My Parlor?” Said the Spider to the Fly.
  13. The Best Ice Cream in the World, Teddy Bears, and a Tree Creature.
  14. From the Book of MEMORIES
  15. I.
  16. The Reappearance of the Boy Made of Stars and the Plight of the Girl by the Oleander Lane.
  17. Paheli: An Interlude in Blue
  18. Besieged in the Between
  19. Tea, the City of Stairs, and the Story of a Boy
  20. From the Book of MEMORIES
  21. Heartbreak, Stone Buildings, and Tandoori
  22. Observations, Conversations, and Hot Parantha
  23. Paheli: The Spies Who Came In from the Between
  24. From the Book of MEMORIES
  25. The French Quarter, the Spanish Half, and Eulalie
  26. Paheli: The Eggplant Overture
  27. Sunny Jelly Beans, Po’Boys, and “Alouette”
  28. From the Book of MEMORIES
  29. The Keeper of the Green and the Mysteries of Magic
  30. Blood and the Between
  31. The Library of the Lost and the Stories of the Silenced
  32. Walking in Wicked Ways or The Importance of Balık Ekmek
  33. From the Book of MEMORIES
  34. Looking for the Needle in the Haystack
  35. Paheli: The Peculiar Crackle in the Electricity
  36. Ten Degrees Past Despair
  37. The Fault in the Stars
  38. The Blue City in the Mountains
  39. Paheli: Disharmony in the Attics
  40. From the Book of MEMORIES
  41. Paheli: Continued
  42. The Politics of a Body, the Politics of Pleasure
  43. The Medina, the Riad, and the Red City
  44. Paheli: The Atlas Mountains, the Cozy Rooftop, and the Confession, Possibly of Love
  45. From the Book of MEMORIES
  46. Souks, Spices, and Survival: A Guide into Chaos
  47. Jemaa el-Fna: The Mosque at the End of the World
  48. Paheli: A Moment in Chartreuse
  49. From the Book of MEMORIES
  50. Paheli: On the Frailties of the Heart
  51. Sonagi, or A Sudden Rain
  52. Paheli: The Cheese in the Trap
  53. Paheli: The Maze and the Minotaur
  54. A New Era, a New Dar; the River Sings
  55. The Burning Door, the Fallen City, and Taraana 2.0
  56. Paheli: The Beginning of Forever
  57. From the Book of MEMORIES
  58. Moving One Rock at a Time Will Eventually Move a Mountain, aka Goodbye
  59. Acknowledgments
  60. More from the Author
  61. About the Author

The door does not lead to a city but to what, at first glance, seems like an immense library that contains not just books but various objects as well.

“This is Qasim,” Paheli says, nodding at the boy. “He is one of the librarians here at the…” She pauses and looks at the boy. “Perhaps you ought to introduce this place.”

Qasim smiles at us. His gaze encompasses all of us without judgment or rancor. There are other patrons in the library, but none of them look toward us or display any curiosity at our entrance.

We are standing beside the door to the Between, which, unlike any other door we have encountered, seems fixed in place, on a small platform from which a staircase descends to lower levels. The middle of the library is an atrium, and around it are many levels that are enclosed by railings. We are standing on the highest level.

The boy moves toward the railing and gestures to the space beyond him. “Welcome to the Library of the Lost and the Silenced. We do not curate works of literature, carefully crafted and revised, but the lives of people clumsily lived and easily ended. The stories of the silenced occupy positions of honor here at the library. Follow me.”

He leads us down one level to a section labeled OUT OF TIME and gestures to a large collection of objects housed in glass cubes. “I am not just a librarian but also a collector of stories contained in the object a person most values. That object holds that person’s life story after they move on.” Perhaps he notices the skepticism on our faces because his lips quirk. “What, do you not think an object can be read?” He takes out a scuffed leather shoe from a glass cube and brings it carefully to a viewing table nearby. He sets the shoe down and gestures us closer.