Chapters (61)
- Cover
- PRAISE FOR The Wild Ones
- Title Page
- Dedication
- Epigraph
- The Beginning, or How Paheli Became the First Wild One; With a Cameo by Taraana, the Boy Made of Stars.
- An Introduction; Hold On to Your Hats.
- The Sweetness in the Sugarcane, or The Impractical Nature of Immortality
- Paheli: The Vagrant Experiences of a Mango Addict
- Cotton Candy Sugar Screams
- From the Book of MEMORIES
- “Will You Walk into My Parlor?” Said the Spider to the Fly.
- The Best Ice Cream in the World, Teddy Bears, and a Tree Creature.
- From the Book of MEMORIES
- I.
- The Reappearance of the Boy Made of Stars and the Plight of the Girl by the Oleander Lane.
- Paheli: An Interlude in Blue
- Besieged in the Between
- Tea, the City of Stairs, and the Story of a Boy
- From the Book of MEMORIES
- Heartbreak, Stone Buildings, and Tandoori
- Observations, Conversations, and Hot Parantha
- Paheli: The Spies Who Came In from the Between
- From the Book of MEMORIES
- The French Quarter, the Spanish Half, and Eulalie
- Paheli: The Eggplant Overture
- Sunny Jelly Beans, Po’Boys, and “Alouette”
- From the Book of MEMORIES
- The Keeper of the Green and the Mysteries of Magic
- Blood and the Between
- The Library of the Lost and the Stories of the Silenced
- Walking in Wicked Ways or The Importance of Balık Ekmek
- From the Book of MEMORIES
- Looking for the Needle in the Haystack
- Paheli: The Peculiar Crackle in the Electricity
- Ten Degrees Past Despair
- The Fault in the Stars
- The Blue City in the Mountains
- Paheli: Disharmony in the Attics
- From the Book of MEMORIES
- Paheli: Continued
- The Politics of a Body, the Politics of Pleasure
- The Medina, the Riad, and the Red City
- Paheli: The Atlas Mountains, the Cozy Rooftop, and the Confession, Possibly of Love
- From the Book of MEMORIES
- Souks, Spices, and Survival: A Guide into Chaos
- Jemaa el-Fna: The Mosque at the End of the World
- Paheli: A Moment in Chartreuse
- From the Book of MEMORIES
- Paheli: On the Frailties of the Heart
- Sonagi, or A Sudden Rain
- Paheli: The Cheese in the Trap
- Paheli: The Maze and the Minotaur
- A New Era, a New Dar; the River Sings
- The Burning Door, the Fallen City, and Taraana 2.0
- Paheli: The Beginning of Forever
- From the Book of MEMORIES
- Moving One Rock at a Time Will Eventually Move a Mountain, aka Goodbye
- Acknowledgments
- More from the Author
- About the Author
“No one can stop him. No one ever wants to,” Taraana says, his words soft enough to be mistaken for the sound of the raindrops falling on the wooden railings of the balcony.
“We have had enough of being victims,” Kamboja spits out.
“What can you do?” Taraana asks. “Unless I stay in the Between and never venture out, he will capture me. Even if I stay in the Between, he will find a way to take me. He has resources that I don’t. His family and his allies are more than I will ever be able to claim.”
“We are your family now. We are your allies, and we will be your resources. You helped me when you didn’t need to. You helped all of us. Your fight is our fight.” Paheli drains her cup and looks at Taraana. “We haven’t had enough of living yet. We are not willing to give up. Are you?”
From the Book of MEMORIES
GHUFRAN
CITY OF ORIGIN: BAGHDAD
The inimitable truth of loss creeps up on her like the sun rising in the morning—only without the light. She is made up of yellow ribbons dipped in blood and memories of fear and filth. When the sunlight brushes the leaves of the date trees, she stands at doors listening for her own footsteps and wonders if there is a curve in time where she can meet herself. Escape from her thoughts is impossible except on Fridays when the muezzin calls the world to prayer and she finds peace, briefly, from the blue in the sky. But the afternoon nearly always finds her weeping behind the curtains of her sister’s house.
She has poetry, a dirge or two, scribbled in henna black on her sand-scarred arms. Her palms are full of lines that talk of lives shorter than the last film someone smuggled in across the border. Her kisses, and she is stingy with those, taste like goodbye and her eyes are continually searching the crowd for faces she knows she will never see again. She hides her hair and her body in voluminous material the color of a shroud. Her toes curl bashfully in the sand, remembering the ground her feet will never walk on again. Mismatched bangles clang on her hands and her lips shape questions that will never be answered.
She has the scent of the desert, the madness of the desert, and the sorrow of it. She has screams in her mouth and blood on her hands. She is what they removed to find space for the liberty they gifted, this woman.
Heartbreak, Stone Buildings, and Tandoori