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Chapters (61)
  1. Cover
  2. PRAISE FOR The Wild Ones
  3. Title Page
  4. Dedication
  5. Epigraph
  6. The Beginning, or How Paheli Became the First Wild One; With a Cameo by Taraana, the Boy Made of Stars.
  7. An Introduction; Hold On to Your Hats.
  8. The Sweetness in the Sugarcane, or The Impractical Nature of Immortality
  9. Paheli: The Vagrant Experiences of a Mango Addict
  10. Cotton Candy Sugar Screams
  11. From the Book of MEMORIES
  12. “Will You Walk into My Parlor?” Said the Spider to the Fly.
  13. The Best Ice Cream in the World, Teddy Bears, and a Tree Creature.
  14. From the Book of MEMORIES
  15. I.
  16. The Reappearance of the Boy Made of Stars and the Plight of the Girl by the Oleander Lane.
  17. Paheli: An Interlude in Blue
  18. Besieged in the Between
  19. Tea, the City of Stairs, and the Story of a Boy
  20. From the Book of MEMORIES
  21. Heartbreak, Stone Buildings, and Tandoori
  22. Observations, Conversations, and Hot Parantha
  23. Paheli: The Spies Who Came In from the Between
  24. From the Book of MEMORIES
  25. The French Quarter, the Spanish Half, and Eulalie
  26. Paheli: The Eggplant Overture
  27. Sunny Jelly Beans, Po’Boys, and “Alouette”
  28. From the Book of MEMORIES
  29. The Keeper of the Green and the Mysteries of Magic
  30. Blood and the Between
  31. The Library of the Lost and the Stories of the Silenced
  32. Walking in Wicked Ways or The Importance of Balık Ekmek
  33. From the Book of MEMORIES
  34. Looking for the Needle in the Haystack
  35. Paheli: The Peculiar Crackle in the Electricity
  36. Ten Degrees Past Despair
  37. The Fault in the Stars
  38. The Blue City in the Mountains
  39. Paheli: Disharmony in the Attics
  40. From the Book of MEMORIES
  41. Paheli: Continued
  42. The Politics of a Body, the Politics of Pleasure
  43. The Medina, the Riad, and the Red City
  44. Paheli: The Atlas Mountains, the Cozy Rooftop, and the Confession, Possibly of Love
  45. From the Book of MEMORIES
  46. Souks, Spices, and Survival: A Guide into Chaos
  47. Jemaa el-Fna: The Mosque at the End of the World
  48. Paheli: A Moment in Chartreuse
  49. From the Book of MEMORIES
  50. Paheli: On the Frailties of the Heart
  51. Sonagi, or A Sudden Rain
  52. Paheli: The Cheese in the Trap
  53. Paheli: The Maze and the Minotaur
  54. A New Era, a New Dar; the River Sings
  55. The Burning Door, the Fallen City, and Taraana 2.0
  56. Paheli: The Beginning of Forever
  57. From the Book of MEMORIES
  58. Moving One Rock at a Time Will Eventually Move a Mountain, aka Goodbye
  59. Acknowledgments
  60. More from the Author
  61. About the Author

“Oh look. Stuffies.” Areum stops and points. We look. We don’t know who Jack is, but we buy stuffed animals from his gift store, ostensibly for Ghufran, but the truth is, we all need a hug right now.

From the Book of MEMORIES

SEVDA

CITY OF ORIGIN: MARMARIS

Listen.

This is a story about a careful construction of helplessness. Of futility

dressed in blue.

I? Merely am. But you? You are plural. You are in my hair, in my eyes. You are of tomorrow and you linger from yesterday. You remain while I become ephemeral.

You appear in front of me with your hands already dipped in blood and ask,

“How shall I break your heart today?”

And I, dressed in blue, stand up to die.

These are the wanderings of a mind prone to winter.

You see? I built this helplessness in three stages.

First: I let myself love you.

Then: I perfected the art of crying without tears.

And finally: I learned to like the space a broken heart occupies in a chest.

I.

Why can’t we look into mirrors without flinching?

Why can’t we look at our reflections without finding things that could be thinner, smoother, or prettier?

Why is meeting our own eyes in the mirror an exercise in despair?

Why are we never enough as we are?

II.

Here, have this with your cup of tea:

They come for you in the dark or in the light, but only when you are alone, isolated from anyone whom you can call an ally. Even though you want to yell when they take you, you are too frightened to make a sound. Because what if this is your fault? What if, somehow, you are the architect of your own misfortune? What if it was something you said or did? Or didn’t say and didn’t do? What if it is the clothes you are wearing or the smiles you gave them or didn’t? You know what people will say.

It is too late when the pain becomes worse. Your lips already know the shape of silence. Your voice has shrunk to a gasp. You are left with a mouth full of screams and a silence that binds them within you. The screams you didn’t scream echo in your mind and in your body. They remain long after the incident. They pollute your days. Take the luster from your sunshine. Until all you can hear are the screams you didn’t scream. The rest of the world goes on, oblivious to the din in you.

The Reappearance of the Boy Made of Stars and the Plight of the Girl by the Oleander Lane.

The City of Byblos, now known as Jbeil, is about thirty-seven kilometers from Beirut. We cannot, of course, travel there in any other way except by the Between.