Chapters (61)
- Cover
- PRAISE FOR The Wild Ones
- Title Page
- Dedication
- Epigraph
- The Beginning, or How Paheli Became the First Wild One; With a Cameo by Taraana, the Boy Made of Stars.
- An Introduction; Hold On to Your Hats.
- The Sweetness in the Sugarcane, or The Impractical Nature of Immortality
- Paheli: The Vagrant Experiences of a Mango Addict
- Cotton Candy Sugar Screams
- From the Book of MEMORIES
- “Will You Walk into My Parlor?” Said the Spider to the Fly.
- The Best Ice Cream in the World, Teddy Bears, and a Tree Creature.
- From the Book of MEMORIES
- I.
- The Reappearance of the Boy Made of Stars and the Plight of the Girl by the Oleander Lane.
- Paheli: An Interlude in Blue
- Besieged in the Between
- Tea, the City of Stairs, and the Story of a Boy
- From the Book of MEMORIES
- Heartbreak, Stone Buildings, and Tandoori
- Observations, Conversations, and Hot Parantha
- Paheli: The Spies Who Came In from the Between
- From the Book of MEMORIES
- The French Quarter, the Spanish Half, and Eulalie
- Paheli: The Eggplant Overture
- Sunny Jelly Beans, Po’Boys, and “Alouette”
- From the Book of MEMORIES
- The Keeper of the Green and the Mysteries of Magic
- Blood and the Between
- The Library of the Lost and the Stories of the Silenced
- Walking in Wicked Ways or The Importance of Balık Ekmek
- From the Book of MEMORIES
- Looking for the Needle in the Haystack
- Paheli: The Peculiar Crackle in the Electricity
- Ten Degrees Past Despair
- The Fault in the Stars
- The Blue City in the Mountains
- Paheli: Disharmony in the Attics
- From the Book of MEMORIES
- Paheli: Continued
- The Politics of a Body, the Politics of Pleasure
- The Medina, the Riad, and the Red City
- Paheli: The Atlas Mountains, the Cozy Rooftop, and the Confession, Possibly of Love
- From the Book of MEMORIES
- Souks, Spices, and Survival: A Guide into Chaos
- Jemaa el-Fna: The Mosque at the End of the World
- Paheli: A Moment in Chartreuse
- From the Book of MEMORIES
- Paheli: On the Frailties of the Heart
- Sonagi, or A Sudden Rain
- Paheli: The Cheese in the Trap
- Paheli: The Maze and the Minotaur
- A New Era, a New Dar; the River Sings
- The Burning Door, the Fallen City, and Taraana 2.0
- Paheli: The Beginning of Forever
- From the Book of MEMORIES
- Moving One Rock at a Time Will Eventually Move a Mountain, aka Goodbye
- Acknowledgments
- More from the Author
- About the Author
Then we feel the heat emanating from the building. It is a magically set fire, so it doesn’t spread. We feel the moment the magic that was cast around the area breaks; it feels like a bubble popped. We can suddenly hear things that we couldn’t before. The sound of the TV, radios, and soon, someone’s scream. Doors open and people come streaming out, holding buckets of water.
Not that the water will help. This is not a fire set by humans, so it’s not a fire that can be put out by humans. Everything will burn, though not everything will turn into ashes.
We find an elderly woman sniffling outside the store, her large eyes reflecting the flames currently consuming the old building.
“Do you know the shopkeeper, Grandma?” I ask her.
“Yes, I do. Poor Mahmoud. First he lost his wife, and now he’s lost his store. He’s going to be devastated.” The old woman wipes her tears away.
“Do you know where he is at this moment?” I ask carefully. The old woman gives me a look at the question. Perhaps I look harmless, because she tells me.
“He’s with his son, Farroukh, in Marrakech. Farroukh runs a store in the old market, and the old man often makes trips to spend time with him and his grandchildren now that his wife is gone. Poor man.” The old woman sighs heavily and shakes her head.
“Do you have the contact for Mahmoud’s son, Grandmother?” I ask. The old woman shoots me a suspicious glare.
“It’s just that we think the fire was deliberately set with the intent to hurt the shopkeeper. We think it might be safer for him to stay at his son’s house for the time being instead of returning to Chefchaouen,” Valentina says in a gentle voice.
“I understand that you have no reason to trust anything we say, Grandmother, but we mean the old man no harm. In fact, we want to keep him out of harm’s way,” I tell her.
Perhaps we convince her, because she nods and leaves to make the call. We watch until we can no longer see her before we swiftly make our way back to the house. We need to be gone before the new day dawns and Baarish’s servants begin their hunt.
The Politics of a Body, the Politics of Pleasure
Once, in the early hours of a pale London morning, we ran into two girls fleeing their home. This was nothing out of the norm for us. Running into girls fleeing from places they called home is a specialty of ours. It is the reasons they run away that keep us listening, keep us shocked.
The elder of the girls was called Dawa and the younger one, Zainab.
Over cups of hot cocoa we brewed in the kitchen of our apartment, we listened to their story.