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Chapters (61)
  1. Cover
  2. PRAISE FOR The Wild Ones
  3. Title Page
  4. Dedication
  5. Epigraph
  6. The Beginning, or How Paheli Became the First Wild One; With a Cameo by Taraana, the Boy Made of Stars.
  7. An Introduction; Hold On to Your Hats.
  8. The Sweetness in the Sugarcane, or The Impractical Nature of Immortality
  9. Paheli: The Vagrant Experiences of a Mango Addict
  10. Cotton Candy Sugar Screams
  11. From the Book of MEMORIES
  12. “Will You Walk into My Parlor?” Said the Spider to the Fly.
  13. The Best Ice Cream in the World, Teddy Bears, and a Tree Creature.
  14. From the Book of MEMORIES
  15. I.
  16. The Reappearance of the Boy Made of Stars and the Plight of the Girl by the Oleander Lane.
  17. Paheli: An Interlude in Blue
  18. Besieged in the Between
  19. Tea, the City of Stairs, and the Story of a Boy
  20. From the Book of MEMORIES
  21. Heartbreak, Stone Buildings, and Tandoori
  22. Observations, Conversations, and Hot Parantha
  23. Paheli: The Spies Who Came In from the Between
  24. From the Book of MEMORIES
  25. The French Quarter, the Spanish Half, and Eulalie
  26. Paheli: The Eggplant Overture
  27. Sunny Jelly Beans, Po’Boys, and “Alouette”
  28. From the Book of MEMORIES
  29. The Keeper of the Green and the Mysteries of Magic
  30. Blood and the Between
  31. The Library of the Lost and the Stories of the Silenced
  32. Walking in Wicked Ways or The Importance of Balık Ekmek
  33. From the Book of MEMORIES
  34. Looking for the Needle in the Haystack
  35. Paheli: The Peculiar Crackle in the Electricity
  36. Ten Degrees Past Despair
  37. The Fault in the Stars
  38. The Blue City in the Mountains
  39. Paheli: Disharmony in the Attics
  40. From the Book of MEMORIES
  41. Paheli: Continued
  42. The Politics of a Body, the Politics of Pleasure
  43. The Medina, the Riad, and the Red City
  44. Paheli: The Atlas Mountains, the Cozy Rooftop, and the Confession, Possibly of Love
  45. From the Book of MEMORIES
  46. Souks, Spices, and Survival: A Guide into Chaos
  47. Jemaa el-Fna: The Mosque at the End of the World
  48. Paheli: A Moment in Chartreuse
  49. From the Book of MEMORIES
  50. Paheli: On the Frailties of the Heart
  51. Sonagi, or A Sudden Rain
  52. Paheli: The Cheese in the Trap
  53. Paheli: The Maze and the Minotaur
  54. A New Era, a New Dar; the River Sings
  55. The Burning Door, the Fallen City, and Taraana 2.0
  56. Paheli: The Beginning of Forever
  57. From the Book of MEMORIES
  58. Moving One Rock at a Time Will Eventually Move a Mountain, aka Goodbye
  59. Acknowledgments
  60. More from the Author
  61. About the Author

Then we feel the heat emanating from the building. It is a magically set fire, so it doesn’t spread. We feel the moment the magic that was cast around the area breaks; it feels like a bubble popped. We can suddenly hear things that we couldn’t before. The sound of the TV, radios, and soon, someone’s scream. Doors open and people come streaming out, holding buckets of water.

Not that the water will help. This is not a fire set by humans, so it’s not a fire that can be put out by humans. Everything will burn, though not everything will turn into ashes.

We find an elderly woman sniffling outside the store, her large eyes reflecting the flames currently consuming the old building.

“Do you know the shopkeeper, Grandma?” I ask her.

“Yes, I do. Poor Mahmoud. First he lost his wife, and now he’s lost his store. He’s going to be devastated.” The old woman wipes her tears away.

“Do you know where he is at this moment?” I ask carefully. The old woman gives me a look at the question. Perhaps I look harmless, because she tells me.

“He’s with his son, Farroukh, in Marrakech. Farroukh runs a store in the old market, and the old man often makes trips to spend time with him and his grandchildren now that his wife is gone. Poor man.” The old woman sighs heavily and shakes her head.

“Do you have the contact for Mahmoud’s son, Grandmother?” I ask. The old woman shoots me a suspicious glare.

“It’s just that we think the fire was deliberately set with the intent to hurt the shopkeeper. We think it might be safer for him to stay at his son’s house for the time being instead of returning to Chefchaouen,” Valentina says in a gentle voice.

“I understand that you have no reason to trust anything we say, Grandmother, but we mean the old man no harm. In fact, we want to keep him out of harm’s way,” I tell her.

Perhaps we convince her, because she nods and leaves to make the call. We watch until we can no longer see her before we swiftly make our way back to the house. We need to be gone before the new day dawns and Baarish’s servants begin their hunt.

The Politics of a Body, the Politics of Pleasure

Once, in the early hours of a pale London morning, we ran into two girls fleeing their home. This was nothing out of the norm for us. Running into girls fleeing from places they called home is a specialty of ours. It is the reasons they run away that keep us listening, keep us shocked.

The elder of the girls was called Dawa and the younger one, Zainab.

Over cups of hot cocoa we brewed in the kitchen of our apartment, we listened to their story.