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Chapters (61)
  1. Cover
  2. PRAISE FOR The Wild Ones
  3. Title Page
  4. Dedication
  5. Epigraph
  6. The Beginning, or How Paheli Became the First Wild One; With a Cameo by Taraana, the Boy Made of Stars.
  7. An Introduction; Hold On to Your Hats.
  8. The Sweetness in the Sugarcane, or The Impractical Nature of Immortality
  9. Paheli: The Vagrant Experiences of a Mango Addict
  10. Cotton Candy Sugar Screams
  11. From the Book of MEMORIES
  12. “Will You Walk into My Parlor?” Said the Spider to the Fly.
  13. The Best Ice Cream in the World, Teddy Bears, and a Tree Creature.
  14. From the Book of MEMORIES
  15. I.
  16. The Reappearance of the Boy Made of Stars and the Plight of the Girl by the Oleander Lane.
  17. Paheli: An Interlude in Blue
  18. Besieged in the Between
  19. Tea, the City of Stairs, and the Story of a Boy
  20. From the Book of MEMORIES
  21. Heartbreak, Stone Buildings, and Tandoori
  22. Observations, Conversations, and Hot Parantha
  23. Paheli: The Spies Who Came In from the Between
  24. From the Book of MEMORIES
  25. The French Quarter, the Spanish Half, and Eulalie
  26. Paheli: The Eggplant Overture
  27. Sunny Jelly Beans, Po’Boys, and “Alouette”
  28. From the Book of MEMORIES
  29. The Keeper of the Green and the Mysteries of Magic
  30. Blood and the Between
  31. The Library of the Lost and the Stories of the Silenced
  32. Walking in Wicked Ways or The Importance of Balık Ekmek
  33. From the Book of MEMORIES
  34. Looking for the Needle in the Haystack
  35. Paheli: The Peculiar Crackle in the Electricity
  36. Ten Degrees Past Despair
  37. The Fault in the Stars
  38. The Blue City in the Mountains
  39. Paheli: Disharmony in the Attics
  40. From the Book of MEMORIES
  41. Paheli: Continued
  42. The Politics of a Body, the Politics of Pleasure
  43. The Medina, the Riad, and the Red City
  44. Paheli: The Atlas Mountains, the Cozy Rooftop, and the Confession, Possibly of Love
  45. From the Book of MEMORIES
  46. Souks, Spices, and Survival: A Guide into Chaos
  47. Jemaa el-Fna: The Mosque at the End of the World
  48. Paheli: A Moment in Chartreuse
  49. From the Book of MEMORIES
  50. Paheli: On the Frailties of the Heart
  51. Sonagi, or A Sudden Rain
  52. Paheli: The Cheese in the Trap
  53. Paheli: The Maze and the Minotaur
  54. A New Era, a New Dar; the River Sings
  55. The Burning Door, the Fallen City, and Taraana 2.0
  56. Paheli: The Beginning of Forever
  57. From the Book of MEMORIES
  58. Moving One Rock at a Time Will Eventually Move a Mountain, aka Goodbye
  59. Acknowledgments
  60. More from the Author
  61. About the Author

Widad pinches me and I come to attention. We follow the milkman to the back entrance. The plan is to pretend we are housemaids; we have certainly dressed for the part in drab saris. Wigs and contact lenses make us less noticeable. The wig itches like I’m wearing a moth-ridden woolen coat on my head, but I endure. We are invisible to the humans but visible to the middle worlders. So the human servants won’t see us, while Baarish’s family will (hopefully) assume us new additions in their service. This is a risky strategy, and I’m not sure if we’re going to be able to pull this off, but there’s no harm in trying.

I keep Widad with me, and we attach ourselves to a group of maids carrying brooms and rags. The mansion has two wings and three floors. On the wall in the central living room is a large, rather complicated family portrait including everyone except Baarish’s lone granddaughter. Baarish’s sons and grandsons look very much like younger versions of him. We do not see Baarish, but his sons and grandsons are at home. They stalk around the house as if they own the world; they speak in loud voices and expect everyone else to cower. They sit with their legs spread wide. They command the servants, expecting immediate obedience, and punish those whom they consider subversive. Some maids they leer at, but others, who don’t meet their standards of beauty, are ignored. We are lucky to be among the latter.

Their wives and mothers do nothing to curb their behaviors. From what we observe of their interactions, they enable their husbands and sons. With feather dusters in our hands, Widad and I make our way through the mansion, attentive to anything that might help us with the Baarish problem.

Three hours later, our efforts pay off when we see Baarish’s youngest son walk into the house looking furtive. He is carrying a box in his hands, and, avoiding the rest of his family, he walks swiftly to a room on the ground floor in the left wing. I grab Widad’s hand and pull her outside onto the veranda wrapped around the house. The windows of all the rooms on the ground floor are open, so we walk along the veranda, hoping that luck is on our side. And it is.

So, we eavesdrop on the conversation Baarish’s son is having with his wife.

They speak of their daughter and Baarish’s only granddaughter, Tabassum Naaz. Hmm. She must be the one who saved Taraana, twice.

“How long does my daughter have to live in exile?” Baarish’s daughter-in-law asks, her voice low.

“It’s better for her to live in exile than be dead!” her husband replies in a whisper.

Wow. How exciting.

The woman suppresses a sob. “Can you be sure she’s safe in Istanbul? If your father catches her…”