Chapters (61)
- Cover
- PRAISE FOR The Wild Ones
- Title Page
- Dedication
- Epigraph
- The Beginning, or How Paheli Became the First Wild One; With a Cameo by Taraana, the Boy Made of Stars.
- An Introduction; Hold On to Your Hats.
- The Sweetness in the Sugarcane, or The Impractical Nature of Immortality
- Paheli: The Vagrant Experiences of a Mango Addict
- Cotton Candy Sugar Screams
- From the Book of MEMORIES
- “Will You Walk into My Parlor?” Said the Spider to the Fly.
- The Best Ice Cream in the World, Teddy Bears, and a Tree Creature.
- From the Book of MEMORIES
- I.
- The Reappearance of the Boy Made of Stars and the Plight of the Girl by the Oleander Lane.
- Paheli: An Interlude in Blue
- Besieged in the Between
- Tea, the City of Stairs, and the Story of a Boy
- From the Book of MEMORIES
- Heartbreak, Stone Buildings, and Tandoori
- Observations, Conversations, and Hot Parantha
- Paheli: The Spies Who Came In from the Between
- From the Book of MEMORIES
- The French Quarter, the Spanish Half, and Eulalie
- Paheli: The Eggplant Overture
- Sunny Jelly Beans, Po’Boys, and “Alouette”
- From the Book of MEMORIES
- The Keeper of the Green and the Mysteries of Magic
- Blood and the Between
- The Library of the Lost and the Stories of the Silenced
- Walking in Wicked Ways or The Importance of Balık Ekmek
- From the Book of MEMORIES
- Looking for the Needle in the Haystack
- Paheli: The Peculiar Crackle in the Electricity
- Ten Degrees Past Despair
- The Fault in the Stars
- The Blue City in the Mountains
- Paheli: Disharmony in the Attics
- From the Book of MEMORIES
- Paheli: Continued
- The Politics of a Body, the Politics of Pleasure
- The Medina, the Riad, and the Red City
- Paheli: The Atlas Mountains, the Cozy Rooftop, and the Confession, Possibly of Love
- From the Book of MEMORIES
- Souks, Spices, and Survival: A Guide into Chaos
- Jemaa el-Fna: The Mosque at the End of the World
- Paheli: A Moment in Chartreuse
- From the Book of MEMORIES
- Paheli: On the Frailties of the Heart
- Sonagi, or A Sudden Rain
- Paheli: The Cheese in the Trap
- Paheli: The Maze and the Minotaur
- A New Era, a New Dar; the River Sings
- The Burning Door, the Fallen City, and Taraana 2.0
- Paheli: The Beginning of Forever
- From the Book of MEMORIES
- Moving One Rock at a Time Will Eventually Move a Mountain, aka Goodbye
- Acknowledgments
- More from the Author
- About the Author
The next day, very early in the morning, Widad and I take a rickshaw to Khandari, one of the more affluent neighborhoods in Agra. We get off a little way before we reach Baarish’s mansion. All the houses in this neighborhood are sprawling havelis, each of them a little more palatial than the last. We peek through the guarded gates for glimpses of them.
Humans, to whom we are currently invisible, work at these havelis, maintaining the gardens and cleaning the insides. The middle worlders living here walk among the so-called elite in the human society, pretending to be just like them, defined by the amount of money and assets they have. A person’s worth in this society is calculated by how much they have and not who they are inside.
These middle worlders, just like their human counterparts, export chefs from expensive culinary schools, have foreign cars chauffeured by soft-spoken and well-educated drivers; they wear clothes specially designed for their bodies. The rest of the world may be struggling to make ends meet, but these 1 percent show their worth by the amount of food they discard daily.
There is beauty in this world, of course there is, if you have time to see it and the money to afford it. Most of us, whether human or middle worlder, don’t. Most of us are machines, programmed to wake up and work, to live facsimiles of lives, and to what purpose? Why are we the background scenery, the extras, for those chosen few who have taken this world, and us, hostage? Where our breaths, pain, and sweat fuel their lives and we, fools that we are, don’t even realize it.
Anarchy sometimes appeals to me.
It doesn’t take us long to reach Baarish’s mansion; it is, unsurprisingly, the biggest estate on the street. The tall fence and the guarded gates show that he takes his security seriously. He probably makes a new enemy every time he breathes. We linger at the gates until a milkman shows up and they open to admit him. Thankfully, the guards and the milkman are both human and thus unable to see us as we slip in. Widad looks nervous and I squeeze her hand. She gives me a tremulous smile.
We walk up the long driveway, taking our time to admire the roses blooming in the garden. Gardeners, dressed in white dhotis and kurtas, are busily pruning the rosebushes. Sprinklers are whirring around the gardens, giving the morning dew a helping hand. The vista is ridiculously peaceful. Who would say that a monster resides within the four walls of this house? Since when have monsters started liking roses?