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Chapters (61)
  1. Cover
  2. PRAISE FOR The Wild Ones
  3. Title Page
  4. Dedication
  5. Epigraph
  6. The Beginning, or How Paheli Became the First Wild One; With a Cameo by Taraana, the Boy Made of Stars.
  7. An Introduction; Hold On to Your Hats.
  8. The Sweetness in the Sugarcane, or The Impractical Nature of Immortality
  9. Paheli: The Vagrant Experiences of a Mango Addict
  10. Cotton Candy Sugar Screams
  11. From the Book of MEMORIES
  12. “Will You Walk into My Parlor?” Said the Spider to the Fly.
  13. The Best Ice Cream in the World, Teddy Bears, and a Tree Creature.
  14. From the Book of MEMORIES
  15. I.
  16. The Reappearance of the Boy Made of Stars and the Plight of the Girl by the Oleander Lane.
  17. Paheli: An Interlude in Blue
  18. Besieged in the Between
  19. Tea, the City of Stairs, and the Story of a Boy
  20. From the Book of MEMORIES
  21. Heartbreak, Stone Buildings, and Tandoori
  22. Observations, Conversations, and Hot Parantha
  23. Paheli: The Spies Who Came In from the Between
  24. From the Book of MEMORIES
  25. The French Quarter, the Spanish Half, and Eulalie
  26. Paheli: The Eggplant Overture
  27. Sunny Jelly Beans, Po’Boys, and “Alouette”
  28. From the Book of MEMORIES
  29. The Keeper of the Green and the Mysteries of Magic
  30. Blood and the Between
  31. The Library of the Lost and the Stories of the Silenced
  32. Walking in Wicked Ways or The Importance of Balık Ekmek
  33. From the Book of MEMORIES
  34. Looking for the Needle in the Haystack
  35. Paheli: The Peculiar Crackle in the Electricity
  36. Ten Degrees Past Despair
  37. The Fault in the Stars
  38. The Blue City in the Mountains
  39. Paheli: Disharmony in the Attics
  40. From the Book of MEMORIES
  41. Paheli: Continued
  42. The Politics of a Body, the Politics of Pleasure
  43. The Medina, the Riad, and the Red City
  44. Paheli: The Atlas Mountains, the Cozy Rooftop, and the Confession, Possibly of Love
  45. From the Book of MEMORIES
  46. Souks, Spices, and Survival: A Guide into Chaos
  47. Jemaa el-Fna: The Mosque at the End of the World
  48. Paheli: A Moment in Chartreuse
  49. From the Book of MEMORIES
  50. Paheli: On the Frailties of the Heart
  51. Sonagi, or A Sudden Rain
  52. Paheli: The Cheese in the Trap
  53. Paheli: The Maze and the Minotaur
  54. A New Era, a New Dar; the River Sings
  55. The Burning Door, the Fallen City, and Taraana 2.0
  56. Paheli: The Beginning of Forever
  57. From the Book of MEMORIES
  58. Moving One Rock at a Time Will Eventually Move a Mountain, aka Goodbye
  59. Acknowledgments
  60. More from the Author
  61. About the Author

Tabassum Naaz leads the way, and half an hour later, we find ourselves in front of the Bara Imambara. I have never seen this place, though I remember the nawabs who frequented the kotha talking about it. Of course, in their conversations, the place was under construction. It is a grand building originally built to house people who gather to worship.

“Come this way,” Tabassum Naaz says. “Everyone here is a middle worlder, and I can’t magic you invisible since magic won’t work on you. What I will do instead is magic the air around you so it is opaque. As long as you stay together within the circle of magicked air, no one will see you.”

It is ten in the morning in Lucknow, and the place is not yet busy. We move swiftly and without interruptions and take the stairs to the labyrinth housed on the second floor of this building. The labyrinth is known as the Bhool Bhulaiyaa and was commissioned to create jobs for people during a drought when work was scarce. It has seemingly no purpose except to get people lost.

Tabassum Naaz seems to know her way through it quite well. “This used to be my playing grounds. As much as the old man hated me, he kept me close for a period of time. I used to tag along with my cousins, who walked as if this place belonged to them. There was one area in which we were forbidden entrance, so of course I was determined to get into it. It was where I discovered the keeper.”

We slip between the pillars and stop when Tabassum Naaz holds up her hand. A few meters in front of us is a magically created chamber. It is a sizable place. Half of it lies in shadow. The other half is dimly lit by both the daylight and some lamps that glow a dirty yellow. There are five not-human men sitting on chairs and on the ground, presumably waiting for Taraana.

Tabassum Naaz signals with her eyes and we move past the not-human men, using the darkness their eyes cannot pierce, until we have moved to the other side of the chamber. We can still see into it through the pillars that make up its wall. We gather close to each other, sit down, and wait.

Every second that passes brings to mind a different scenario starring Taraana and pain. I hate myself a million times over for suggesting this stupid plan, for putting him at risk. I wish I could reassure you that everything is going to go as we have planned, but I cannot. Things have already gone wrong. Time, it goes by agonizingly slowly, but finally, we hear sounds of people coming up the stairs and into the maze. We hear the sound of something… someone being dragged, and I attempt to get to my feet before the other girls pull me down.