Chapters (61)
- Cover
- PRAISE FOR The Wild Ones
- Title Page
- Dedication
- Epigraph
- The Beginning, or How Paheli Became the First Wild One; With a Cameo by Taraana, the Boy Made of Stars.
- An Introduction; Hold On to Your Hats.
- The Sweetness in the Sugarcane, or The Impractical Nature of Immortality
- Paheli: The Vagrant Experiences of a Mango Addict
- Cotton Candy Sugar Screams
- From the Book of MEMORIES
- “Will You Walk into My Parlor?” Said the Spider to the Fly.
- The Best Ice Cream in the World, Teddy Bears, and a Tree Creature.
- From the Book of MEMORIES
- I.
- The Reappearance of the Boy Made of Stars and the Plight of the Girl by the Oleander Lane.
- Paheli: An Interlude in Blue
- Besieged in the Between
- Tea, the City of Stairs, and the Story of a Boy
- From the Book of MEMORIES
- Heartbreak, Stone Buildings, and Tandoori
- Observations, Conversations, and Hot Parantha
- Paheli: The Spies Who Came In from the Between
- From the Book of MEMORIES
- The French Quarter, the Spanish Half, and Eulalie
- Paheli: The Eggplant Overture
- Sunny Jelly Beans, Po’Boys, and “Alouette”
- From the Book of MEMORIES
- The Keeper of the Green and the Mysteries of Magic
- Blood and the Between
- The Library of the Lost and the Stories of the Silenced
- Walking in Wicked Ways or The Importance of Balık Ekmek
- From the Book of MEMORIES
- Looking for the Needle in the Haystack
- Paheli: The Peculiar Crackle in the Electricity
- Ten Degrees Past Despair
- The Fault in the Stars
- The Blue City in the Mountains
- Paheli: Disharmony in the Attics
- From the Book of MEMORIES
- Paheli: Continued
- The Politics of a Body, the Politics of Pleasure
- The Medina, the Riad, and the Red City
- Paheli: The Atlas Mountains, the Cozy Rooftop, and the Confession, Possibly of Love
- From the Book of MEMORIES
- Souks, Spices, and Survival: A Guide into Chaos
- Jemaa el-Fna: The Mosque at the End of the World
- Paheli: A Moment in Chartreuse
- From the Book of MEMORIES
- Paheli: On the Frailties of the Heart
- Sonagi, or A Sudden Rain
- Paheli: The Cheese in the Trap
- Paheli: The Maze and the Minotaur
- A New Era, a New Dar; the River Sings
- The Burning Door, the Fallen City, and Taraana 2.0
- Paheli: The Beginning of Forever
- From the Book of MEMORIES
- Moving One Rock at a Time Will Eventually Move a Mountain, aka Goodbye
- Acknowledgments
- More from the Author
- About the Author
Tabassum Naaz leads the way, and half an hour later, we find ourselves in front of the Bara Imambara. I have never seen this place, though I remember the nawabs who frequented the kotha talking about it. Of course, in their conversations, the place was under construction. It is a grand building originally built to house people who gather to worship.
“Come this way,” Tabassum Naaz says. “Everyone here is a middle worlder, and I can’t magic you invisible since magic won’t work on you. What I will do instead is magic the air around you so it is opaque. As long as you stay together within the circle of magicked air, no one will see you.”
It is ten in the morning in Lucknow, and the place is not yet busy. We move swiftly and without interruptions and take the stairs to the labyrinth housed on the second floor of this building. The labyrinth is known as the Bhool Bhulaiyaa and was commissioned to create jobs for people during a drought when work was scarce. It has seemingly no purpose except to get people lost.
Tabassum Naaz seems to know her way through it quite well. “This used to be my playing grounds. As much as the old man hated me, he kept me close for a period of time. I used to tag along with my cousins, who walked as if this place belonged to them. There was one area in which we were forbidden entrance, so of course I was determined to get into it. It was where I discovered the keeper.”
We slip between the pillars and stop when Tabassum Naaz holds up her hand. A few meters in front of us is a magically created chamber. It is a sizable place. Half of it lies in shadow. The other half is dimly lit by both the daylight and some lamps that glow a dirty yellow. There are five not-human men sitting on chairs and on the ground, presumably waiting for Taraana.
Tabassum Naaz signals with her eyes and we move past the not-human men, using the darkness their eyes cannot pierce, until we have moved to the other side of the chamber. We can still see into it through the pillars that make up its wall. We gather close to each other, sit down, and wait.
Every second that passes brings to mind a different scenario starring Taraana and pain. I hate myself a million times over for suggesting this stupid plan, for putting him at risk. I wish I could reassure you that everything is going to go as we have planned, but I cannot. Things have already gone wrong. Time, it goes by agonizingly slowly, but finally, we hear sounds of people coming up the stairs and into the maze. We hear the sound of something… someone being dragged, and I attempt to get to my feet before the other girls pull me down.