Chapters (61)
- Cover
- PRAISE FOR The Wild Ones
- Title Page
- Dedication
- Epigraph
- The Beginning, or How Paheli Became the First Wild One; With a Cameo by Taraana, the Boy Made of Stars.
- An Introduction; Hold On to Your Hats.
- The Sweetness in the Sugarcane, or The Impractical Nature of Immortality
- Paheli: The Vagrant Experiences of a Mango Addict
- Cotton Candy Sugar Screams
- From the Book of MEMORIES
- “Will You Walk into My Parlor?” Said the Spider to the Fly.
- The Best Ice Cream in the World, Teddy Bears, and a Tree Creature.
- From the Book of MEMORIES
- I.
- The Reappearance of the Boy Made of Stars and the Plight of the Girl by the Oleander Lane.
- Paheli: An Interlude in Blue
- Besieged in the Between
- Tea, the City of Stairs, and the Story of a Boy
- From the Book of MEMORIES
- Heartbreak, Stone Buildings, and Tandoori
- Observations, Conversations, and Hot Parantha
- Paheli: The Spies Who Came In from the Between
- From the Book of MEMORIES
- The French Quarter, the Spanish Half, and Eulalie
- Paheli: The Eggplant Overture
- Sunny Jelly Beans, Po’Boys, and “Alouette”
- From the Book of MEMORIES
- The Keeper of the Green and the Mysteries of Magic
- Blood and the Between
- The Library of the Lost and the Stories of the Silenced
- Walking in Wicked Ways or The Importance of Balık Ekmek
- From the Book of MEMORIES
- Looking for the Needle in the Haystack
- Paheli: The Peculiar Crackle in the Electricity
- Ten Degrees Past Despair
- The Fault in the Stars
- The Blue City in the Mountains
- Paheli: Disharmony in the Attics
- From the Book of MEMORIES
- Paheli: Continued
- The Politics of a Body, the Politics of Pleasure
- The Medina, the Riad, and the Red City
- Paheli: The Atlas Mountains, the Cozy Rooftop, and the Confession, Possibly of Love
- From the Book of MEMORIES
- Souks, Spices, and Survival: A Guide into Chaos
- Jemaa el-Fna: The Mosque at the End of the World
- Paheli: A Moment in Chartreuse
- From the Book of MEMORIES
- Paheli: On the Frailties of the Heart
- Sonagi, or A Sudden Rain
- Paheli: The Cheese in the Trap
- Paheli: The Maze and the Minotaur
- A New Era, a New Dar; the River Sings
- The Burning Door, the Fallen City, and Taraana 2.0
- Paheli: The Beginning of Forever
- From the Book of MEMORIES
- Moving One Rock at a Time Will Eventually Move a Mountain, aka Goodbye
- Acknowledgments
- More from the Author
- About the Author
The muezzins have started the call for Zohr prayer when we finally leave the main thoroughfare for the emptier streets of the residential areas. Here, we can smell food cooking and hear voices in the middle of conversations. Our steps quicken. Taraana keeps pace as we all but run around a corner, through an alley, and out onto the other side, before finally coming to a stop in front of a heavy wooden door that leads to the riad we call home in Marrakech.
A riad is a traditional Moroccan house built around an inner courtyard. Ours is a particularly large one. Paheli steps forward and bangs on the door, which opens a minute later. A human woman stands on the other side. Her name is Ahlam; when she sees us, her lined face becomes wreathed in smiles. Ahlam and her family are the custodians of the riad and the administrators of the halfway home we run from it. She welcomes us and ushers us inside without asking any questions.
Ahlam’s grandmother, Bushra, was a Wild One. She didn’t want to forget us when she left the Wild Ones, so we asked Eulalie for a spell that would allow her to remember. It wasn’t a decision we made easily, but we don’t regret that we did. Working with Bushra and with the money we earned by selling Between diamonds, we purchased this riad, which became a home for us and a haven for those who have nowhere else to go. Here, like in other halfway homes we run around the world, we employ therapists, doctors, and other staff who help women seeking aid without asking questions or making judgments.
We watched Bushra as she found love, had children, grew old, and finally crossed the veil. Out of all the halfway houses we have opened, this one is the most precious to us because it belonged to Bushra, who lives on in the legacy this place represents.
We enter the riad and Ahlam closes the door behind us. We follow her through the front door, through a hall, and into the inner courtyard that is an even mix of tiled floors surrounding garden beds. The house has three floors as well as an accessible roof. The second and third floors have verandas with railings that look out onto the inner courtyard.
The courtyard garden is Ahlam’s pride and joy. Lemon and orange trees have been planted strategically in the corners. The floor of the pool in the middle of the courtyard is decorated with Zellige tiles. The air is heavy with the scent of oranges. Benches and rugs laden with cushions are strewn all around the courtyard.
“How long will you be staying, bibi?” Ahlam asks Paheli once we are seated and inquiries about her and her family’s health have been made.
“Not very long,” Paheli replies. “Have there been any problems here?”