Chapters (61)
- Cover
- PRAISE FOR The Wild Ones
- Title Page
- Dedication
- Epigraph
- The Beginning, or How Paheli Became the First Wild One; With a Cameo by Taraana, the Boy Made of Stars.
- An Introduction; Hold On to Your Hats.
- The Sweetness in the Sugarcane, or The Impractical Nature of Immortality
- Paheli: The Vagrant Experiences of a Mango Addict
- Cotton Candy Sugar Screams
- From the Book of MEMORIES
- “Will You Walk into My Parlor?” Said the Spider to the Fly.
- The Best Ice Cream in the World, Teddy Bears, and a Tree Creature.
- From the Book of MEMORIES
- I.
- The Reappearance of the Boy Made of Stars and the Plight of the Girl by the Oleander Lane.
- Paheli: An Interlude in Blue
- Besieged in the Between
- Tea, the City of Stairs, and the Story of a Boy
- From the Book of MEMORIES
- Heartbreak, Stone Buildings, and Tandoori
- Observations, Conversations, and Hot Parantha
- Paheli: The Spies Who Came In from the Between
- From the Book of MEMORIES
- The French Quarter, the Spanish Half, and Eulalie
- Paheli: The Eggplant Overture
- Sunny Jelly Beans, Po’Boys, and “Alouette”
- From the Book of MEMORIES
- The Keeper of the Green and the Mysteries of Magic
- Blood and the Between
- The Library of the Lost and the Stories of the Silenced
- Walking in Wicked Ways or The Importance of Balık Ekmek
- From the Book of MEMORIES
- Looking for the Needle in the Haystack
- Paheli: The Peculiar Crackle in the Electricity
- Ten Degrees Past Despair
- The Fault in the Stars
- The Blue City in the Mountains
- Paheli: Disharmony in the Attics
- From the Book of MEMORIES
- Paheli: Continued
- The Politics of a Body, the Politics of Pleasure
- The Medina, the Riad, and the Red City
- Paheli: The Atlas Mountains, the Cozy Rooftop, and the Confession, Possibly of Love
- From the Book of MEMORIES
- Souks, Spices, and Survival: A Guide into Chaos
- Jemaa el-Fna: The Mosque at the End of the World
- Paheli: A Moment in Chartreuse
- From the Book of MEMORIES
- Paheli: On the Frailties of the Heart
- Sonagi, or A Sudden Rain
- Paheli: The Cheese in the Trap
- Paheli: The Maze and the Minotaur
- A New Era, a New Dar; the River Sings
- The Burning Door, the Fallen City, and Taraana 2.0
- Paheli: The Beginning of Forever
- From the Book of MEMORIES
- Moving One Rock at a Time Will Eventually Move a Mountain, aka Goodbye
- Acknowledgments
- More from the Author
- About the Author
The door leading to Marrakech is, thankfully, not too far from where we enter the Between. Still, we are on high alert as we walk the short distance. Paheli and Valentina told us of the events that occurred the night before. We’re all anxious, and though at this moment we see no enemies, we can feel them, nipping at our heels and hastening our steps. Funnily enough, it seems as if the Between is as tense as we are; the sound of it is muted, and the golden light in it shines so bright that no corners are left unilluminated. Taraana, as usual, is glowing like the sun at noon in the Between.
We keep an eye out for a burning door. Perhaps we will encounter one and Taraana will bleed on it, forging a bond with the Between. But alas, we are disappointed. However, we reach the Marrakech door without incident and walk through it into a narrow street in the Medina, not far from the Jemaa el-Fna where people gather to buy and sell goods and food. It is midmorning and the air is filled with the scent of exhaust, food, and spices. To blend in better, before leaving Chefchaouen, we changed into caftans, while Taraana is wearing a cotton djellaba with a pointed hood that he refuses to pull up. He has his spectacles on, however, so we are somewhat reassured of his disguise.
Though the city is entirely new to Taraana, it is familiar to us. Returning to Marrakech always feels like putting on a well-loved dress. We have spent a lot of time in this city, learning its softness. Enough time that it has acquired the tangy flavor we associate with home. It’s true. We look for the scent of home in every city we travel to.
An abundance of middle worlders call Marrakech home. Something about the Red City makes the magic here intoxicating. The Medina is like a wonderland. Not the pale and cultured Wonderland Alice walked in, but a Wonderland that is wilder, one whose song gets underneath your skin and heats your blood. The streets of the Medina are labyrinthine, bordered on either side by mud-brick ramparts often shaded red by dust or paint.
We navigate the alleys and pathways of the Medina, avoiding mopeds, bicycles, and carts pulled by donkeys or horses. The streets are crowded. We’re visible to humans at this moment as we walk quickly, in twos and threes, drawing glances from the middle worlders present but nothing more. We keep our eyes empty of recognition, and no matter how fantastic the physical expression of the middle worlder, we don’t look. We won’t look at what the humans can’t see.